DaVinci Resolve Essentials

J and L Cuts

Course contents

Questions

Course info

113 lessons / 13 hours 21 quiz questions 14 projects Certificate of achievement

Overview

Taught by video editor and content creator Brandon Baldovin, DaVinci Resolve Essentials is a practical introduction to one of the most powerful tools in modern post production. Whether you’re cutting a social clip, trailer, or documentary, DaVinci Resolve brings together editing, audio, motion graphics, and color in a single application. This comprehensive 12-hour course shows you how to wield that power with confidence, so you can focus on telling better stories instead of fighting the software. 

If you’ve ever opened DaVinci, felt overwhelmed by all the pages and panels, and closed it just as fast, you’re not alone. Brandon is here to guide you step-by-step with hands-on projects that don’t just teach you where to click but how to think about each editing challenge as it comes. You’ll work through a variety of videos from first import to final render, building skills through repetition, problem solving, and practical application. 

Together with Brandon, you’ll learn how to: 
  • - Navigate the relevant pages of DaVinci Resolve and skip the rest
  • - Create projects, timelines, and media bins that stay organized
  • - Use J and L cuts, b-roll, music, and sound effects to shape compelling edits
  • - Work inside Fusion to design your own motion graphics
  • - Build a simple, repeatable approach to color correction and basic grading (and learn the difference between the two!)
  • - Streamline your workflow with adjustment clips, compound clips, power bins, and proxies

Best of all, DaVinci Resolve is free. If you’ve always wanted to try your hand at video editing, whether for personal projects, content creation, or client work, there’s never been a better time or a better tool. This course is designed to help you focus on only the core features you need to get started, so you can build confidence and make intentional decisions no matter what type of footage you’re working with. 

By the end, you’ll have a reels’ worth of finished projects that reflect your editing sensibilities, including a talking head video, short form social content, a trailer, and a polished mini documentary. Even more importantly, you’ll have the confidence to open DaVinci Resolve and transform a blank timeline into your creative vision, time and again. Let’s get editing!

Note: Because the exercise files contain video footage, they’re large (32 GB) and may take extra time to download. EditStock has generously supplied watermarked footage for use in the course and course exercise files. If you’d like to remove the watermark and access a wide range of raw practice footage, use the link editstock.com/BYOL for 20% off.

Requirements
  • - Download DaVinci Resolve, either the free version or Studio (paid)
  • - A computer that meets DaVinci Resolve minimum system requirements, with at least 16GB of RAM recommended
  • - Enough storage space for exercise files and included footage, either on your computer or an external hard drive
  • - Headphones strongly recommended to properly hear dialogue, music, and sound effects
  • - A mouse can be helpful for precise timeline and Fusion work, though a trackpad also works

Who this course is for
  • - Beginners who want to learn DaVinci Resolve from scratch
  • - Self-taught editors who feel stuck clicking buttons without understanding the process
  • - Content creators and small business owners who want better video for their brand
  • - Designers and creatives who need to learn basic editing for client projects
  • - Anyone who has opened Resolve, panicked, and wants a clear, structured path forward

What you’ll learn
  • - How to download, install, and set up DaVinci Resolve
  • - Setting up frame rates, codecs, and project settings
  • - Navigating the Edit, Media, Fusion, Color, and Deliver pages
  • - Importing, organizing, and managing media with bins and timelines
  • - Editing talking head videos from start to finish
  • - Removing ums, uhs, and dead space to improve pacing
  • - Cutting footage efficiently with custom keybinds
  • - Creating smooth edits using J cuts and L cuts
  • - Adding and timing b-roll to support the story
  • - Choosing and placing music and sound effects
  • - Balancing dialogue, music, and SFX for clean, intentional audio
  • - Editing short form and vertical videos for social platforms
  • - Using adjustment clips to apply effects across multiple clips
  • - Working with compound clips to stay organized
  • - Creating and using power bins for reusable assets
  • - Using proxies for smoother playback on larger projects
  • - Rendering in place to simplify complex timelines
  • - Understanding the Fusion page and node based workflows
  • - Creating Fusion compositions for motion graphics
  • - Working with merge nodes, masks, and transforms
  • - Building simple logo animations and motion elements
  • - Creating lower thirds and animated text
  • - Keying green screen footage
  • - Tracking footage and attaching animated callouts
  • - Understanding the difference between color correction and color grading
  • - Reading scopes to guide color decisions
  • - Correcting exposure, white balance, and contrast
  • - Working with primary wheels and RGB curves
  • - Handling skin tones accurately
  • - Applying basic color grading to shape mood
  • - Creating and saving color correction presets
  • - Exporting and delivering videos for YouTube, social platforms, and clients
  • - Completing multiple real world class projects you can add to your portfolio
  • - Downloadable exercise files and professional footage to follow along
  • - Quizzes and hands-on projects to reinforce key concepts
  • - Practical workflows and techniques used by working video editors
Brandon Baldovin

Brandon Baldovin

Editor & Creative Engineer

instructor

I am a video editor, content strategist, and educator, and my mission is to help creators understand not just how to edit, but why video editing works.

I hold a Master’s degree in Aerospace Engineering and have taught at the college level as an engineering instructor. Over the past three years, I’ve also taught video editing to beginner and intermediate creators, helping them build a stronger foundation and how to edit with more intention.

My engineer’s mindset strongly influences how I approach creative problem-solving. I focus on breaking down complex editing concepts into clear, practical techniques that creators can confidently apply. Over the past five years, my work has centred on visual storytelling, with a deep emphasis on DaVinci Resolve.
I was born and raised on California’s Central Coast, and I create educational resources designed to help others create more.

Certificates

We’re awarding certificates for this course!

Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.

How to earn your certificate

Work your way towards your certificate for this course by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz (Merit level courses only)
  • Complete the Distinction Certificate Project (Distinction level courses only) - look out for the video marked with
  • Upload your Distinction project to the My Projects area in your account
  • Request your certificate when you've completed the requirements for the certificate level you're working towards

Good luck!

Pass certificates

We're awarding 'Pass' level certificates for this course.

You can work your way towards your 'Pass' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Don't forget to request your certificate when all your projects are complete

Good luck!

Merit certificates

We're awarding 'Merit' level certificates for this course.

You can work your way towards your 'Merit' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz
  • Don't forget to request your certificate when you have passed the quiz and completed all your projects

Good luck!

Distinction certificates

We're awarding 'Distinction' level certificates for this course.

You can work your way towards your 'Distinction' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz
  • Complete the Distinction Certificate Project - look out for the video marked with
  • Upload your Distinction project to the My Projects area in your account
  • Don't forget to request your certificate when you have passed the quiz and completed all your projects

Good luck!

Downloads & Exercise files

Transcript

And would you look at that?

I've got headphones on. So we've got music down.

Next thing is we're gonna try to fine tune our pacing.

And the way that we're gonna do that is with one

of the most important editing techniques you will learn in

this course and in your your lifetime.

Okay? And I'm talking about j and l cutting.

If you're already familiar with this, fantastic.

If not, one of the most common questions I get is

how do I make smooth transitions or, or smooth cuts,

and there's a lot of different answers to that.

But my go-to is teaching people how to do j and l cutting.

So what I'm gonna do is show you a quick demonstration of

what it is and then how we apply it to our own videos.

Cool. Cool. Let's do it.

This next bit is purely for demonstration.

You guys do not have access to this footage.

I would just like you guys to watch

and follow along as I explain what a j and l cut is.

We have two clips here.

I have an airplane flying

and an airplane landing as is.

The transition from this left flying clip

to the right landing clip is a standard cut.

Sometimes this is called a jump cut.

So if I were to hit play, it sounds and looks like this.

Now the transition as is isn't awful, but we can apply a j

and l cut to strengthen this transition.

So what I would like to do is I would like

to preview this landing audio

before we actually cut to the plane landing.

And the way that we do that is as follows.

Now there is more than one way to do a j and l cut,

but this is the simplest approach I have found.

I'm gonna take the left clip and drag it up one track.

Oh, but let me get rid of this, uh,

subtitle track real quick.

I forgot I had that.

And now what I'm gonna do is I'm gonna take the landing clip

and slide it underneath the other clip.

Now what's gonna happen when I play this?

Well, we are going to see the flying video all the way

through to the end of the clip,

but we're gonna preview the audio

before we transition to this scene.

And that's gonna look something like this.

Now this audio getting cut off abruptly makes this feel

a a tad bit jarring.

So what I'm gonna do is on the music track when I hover at

the edge in the upper corners,

and I can do this on any video,

you'll see these little white tabs.

If I grab that, I can fade out the audio.

So lemme go ahead and replay that.

As viewers, our mind is being primed for some kind of change

that's happening in the next scene.

We don't know what it is yet,

but we're beginning to hear audio from something

that's happening in the future.

So now when we make this cut,

this transition going from flying to landing,

we're already primed

and geared to see the plane landing again.

If I were to go full screen, that's gonna look

and sound something like this.

Isn't that pretty cool? It's much smoother than if we were

to just go from A to B with nothing in between.

Now, in traditional forms of editing,

what this ends up looking like is something like this.

I'll grab this video track up here, pull it down.

If we were to look at this cut point, we form a J.

So this is a J cut,

a J cut in video editing is when we preview

and lead in with audio from the upcoming scene.

An L cut is the, uh, the opposite of this.

So if I were to hold down the alt key

and drag our cut point over here,

so now what's gonna happen is we're not gonna preview the

audio of the upcoming scene,

but we're gonna lead out

with the audio from the previous scene.

And that looks and sounds something like this.

And again, if we were to look at this transition point,

we have an L that forms here.

When and where do we use j and l cuts?

Well, let's go ahead and talk about that.

So we're now back on our main working timeline here

with our music and our talking head footage.

And, and what we're gonna do is we're gonna begin

to introduce j and l cutting to help with the pacing

of the video here.

You don't have to follow along,

but you can choose to if you'd like to.

What I'm gonna do is I'm gonna drag

and select these first two clips right here.

And all I'd like to do is hit control C scrub my playhead

to head to any random point outside of our main working area

and hit control V to paste them.

So control C is copy control V is paste.

I'm gonna move my playhead over here, hit D to zoom in,

and then use my horizontal scroll wheel

to bring these two things in.

What I'd like us to do is to begin

to string together these different sentences

and thoughts so that it feels more cohesive

because as is there's noticeable gaps in between.

So if I were to play this, a lot of beginners make

so a mistake that a lot of beginning again, hey,

let's talk about some editing mistakes

that a lot of beginners make.

So a mistake that a lot of it is okay

to have natural pauses and dialogue.

However, we do wanna keep things moving along.

There shouldn't be a moment in the video

where there is a hiccup, right?

There's like a noticeable, ugh, like a lull in the video.

So what we can do is drag up this left track,

drag the right track

and pull it underneath where well,

lemme click my play it here so I can zoom in.

Remember how we were saying that after every sentence

or break in words, there's a little tail, right?

There's a little tail in the audio.

And again, I'm hitting shift in the scroll wheel

to expand my, uh, music tracks.

We wanna keep this audio tail because

otherwise if we cut it off, the audio will feel,

uh, it'll feel cut off.

So what I like to do is try to line up the head

or the beginning of the next audio phrase so

that it sits somewhere on this tail where, well,

it's very dependent on the flow of the dialogue.

But let's go ahead and play this as is.

Hey, let's talk about some editing mistakes

that a lot of beginners make.

So a mistake that a lot

of beginning editors make, that's not bad.

What if I were to bring it even further?

Hey, let's talk about some editing mistakes

that a lot of beginners make.

So a mistake that a lot of begin, ooh,

little bit more punchy, uh,

it's sounding a little bit more intrusive.

What if I were to bring it out a little bit?

Hey, let's talk about some editing mistakes

that a lot of beginners make.

So a mistake that a lot of beginning editors interesting.

So where should you put it? I don't know.

It's time for you to start making some decisions on

how you want the pacing

and the feeling of the video to sound.

So what I'm gonna do is I'm gonna bring it

forward just a little bit.

So if you were looking to imitate me, the head

of this audio is sitting somewhere in the tail of this one.

It's kind of kind of middle point.

So again, it's gonna sound something like this.

Talk about some editing mistakes

that a lot of beginners make.

So a mistake that a lot of quick pop quiz.

What kind of transition is this?

Remember we're leading in with the audio from the next scene

before we're seeing it give you three seconds.

Two, uh, j cut. This is a J cut.

A J cut in particular is a very,

very powerful tool when working with dialogue.

It's how we can maintain the audio sanctity

of the previous clip while also pushing along

what's being said next.

From here I'm gonna show you two techniques that we can use

to fine tune this kind of transition, this cut,

and then we'll begin applying it to our working timeline.

  • Powered by Marvin
  • Terms of use
  • Privacy policy
  • Cookie policy
  • © Bring your Own Laptop Ltd 2026