Reviewing Your Edit
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Overview
- - Navigate the relevant pages of DaVinci Resolve and skip the rest
- - Create projects, timelines, and media bins that stay organized
- - Use J and L cuts, b-roll, music, and sound effects to shape compelling edits
- - Work inside Fusion to design your own motion graphics
- - Build a simple, repeatable approach to color correction and basic grading (and learn the difference between the two!)
- - Streamline your workflow with adjustment clips, compound clips, power bins, and proxies
- - Download DaVinci Resolve, either the free version or Studio (paid)
- - A computer that meets DaVinci Resolve minimum system requirements, with at least 16GB of RAM recommended
- - Enough storage space for exercise files and included footage, either on your computer or an external hard drive
- - Headphones strongly recommended to properly hear dialogue, music, and sound effects
- - A mouse can be helpful for precise timeline and Fusion work, though a trackpad also works
- - Beginners who want to learn DaVinci Resolve from scratch
- - Self-taught editors who feel stuck clicking buttons without understanding the process
- - Content creators and small business owners who want better video for their brand
- - Designers and creatives who need to learn basic editing for client projects
- - Anyone who has opened Resolve, panicked, and wants a clear, structured path forward
- - How to download, install, and set up DaVinci Resolve
- - Setting up frame rates, codecs, and project settings
- - Navigating the Edit, Media, Fusion, Color, and Deliver pages
- - Importing, organizing, and managing media with bins and timelines
- - Editing talking head videos from start to finish
- - Removing ums, uhs, and dead space to improve pacing
- - Cutting footage efficiently with custom keybinds
- - Creating smooth edits using J cuts and L cuts
- - Adding and timing b-roll to support the story
- - Choosing and placing music and sound effects
- - Balancing dialogue, music, and SFX for clean, intentional audio
- - Editing short form and vertical videos for social platforms
- - Using adjustment clips to apply effects across multiple clips
- - Working with compound clips to stay organized
- - Creating and using power bins for reusable assets
- - Using proxies for smoother playback on larger projects
- - Rendering in place to simplify complex timelines
- - Understanding the Fusion page and node based workflows
- - Creating Fusion compositions for motion graphics
- - Working with merge nodes, masks, and transforms
- - Building simple logo animations and motion elements
- - Creating lower thirds and animated text
- - Keying green screen footage
- - Tracking footage and attaching animated callouts
- - Understanding the difference between color correction and color grading
- - Reading scopes to guide color decisions
- - Correcting exposure, white balance, and contrast
- - Working with primary wheels and RGB curves
- - Handling skin tones accurately
- - Applying basic color grading to shape mood
- - Creating and saving color correction presets
- - Exporting and delivering videos for YouTube, social platforms, and clients
- - Completing multiple real world class projects you can add to your portfolio
- - Downloadable exercise files and professional footage to follow along
- - Quizzes and hands-on projects to reinforce key concepts
- - Practical workflows and techniques used by working video editors
Brandon Baldovin
Editor & Creative Engineer
I am a video editor, content strategist, and educator, and my mission is to help creators understand not just how to edit, but why video editing works.
I hold a Master’s degree in Aerospace Engineering and have taught at the college level as an engineering instructor. Over the past three years, I’ve also taught video editing to beginner and intermediate creators, helping them build a stronger foundation and how to edit with more intention.
My engineer’s mindset strongly influences how I approach creative problem-solving. I focus on breaking down complex editing concepts into clear, practical techniques that creators can confidently apply. Over the past five years, my work has centred on visual storytelling, with a deep emphasis on DaVinci Resolve.
I was born and raised on California’s Central Coast, and I create educational resources designed to help others create more.
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Downloads & Exercise files
Transcript
We finished our rough
Cut of the edit And the next step is
to make a more presentable version of the video.
So before we do that, what I'd like to do is quickly review
where we're at and some of the things that we're gonna look
for to add to the video
and to remove from the video to improve it
before we come up with our final delivery.
Now, depending on the size of the video
and the editor that you're talking to, this stage
of the cut will be tagged different things.
Some people will call it the rough cut,
some people will call it, uh, an assembly cut.
Some people will just even call it the selects of your edit.
And typically the first pass is the least fun part
of the editing process.
But we've done it and now we have our working cut.
So what I'd like to do is talk through a couple things.
One of the first things that I like to try
to keep in mind is the total length of the video as is.
So up in the top left corner
by our preview window here is the timestamp
of the total timeline length.
So right now we're about 57 seconds,
which is a little under a minute,
which I think is great for this project.
Next thing that I'm gonna do is play the video from
beginning to end so that we continue to familiarize ourself
with the footage and the direction that we're going in,
and then we can talk through what we're gonna need
to add into the video.
Alright, let's go ahead
and play from the beginning. Well, hello
Crew. Let's talk about
some editing mistakes
that a lot of beginners make.
Hey, let's talk about some editing mistakes
that a lot of beginners make.
Ah, that's right. We've got more than one take here.
Now, there are a few different ways to handle multiple takes
and this becomes more
of a pressing issue later down the road if you're working on
a film set that has 1, 2, 3, 4, 10 different takes.
But for us, we just need to pick between the two.
So I don't think there's a wrong or right answer here,
but what I would like you to do is pick one
that you feel like is a stronger version
of that opening sentence.
Well, hello crew.
Let's talk about some editing mistakes
that a lot of beginners make.
Hey, let's talk about some editing mistakes
that a lot of the beginners make.
I think I personally like the second take
because it's saying the same thing in less words,
and we get into the rest of the video a little bit faster.
So what I'm gonna do is select our first take
and hit F triple delete.
Now again, let's play this video from beginning to end. Hey,
Let's talk about some editing mistakes
that a lot of the beginners make.
So a mistake that a lot of beginning editors make is
that they focus on the spectacle
of the edit over the story of the edit.
When we're talking about what really matters the most,
at the end of the day, it's the message being told
In the video, Not what kind of effects you can include.
Something else a lot of beginning editors are uncomfortable
with is cutting naturally.
Something else a lot
of beginning editors do often is the overuse
of prebuilt in transitions until you're more
Comfortable. Okay,
and see, this is why we play our video from beginning
to end because it looks like in the selection process,
I didn't catch this duplicate take of me saying something
that doesn't transition well into the rest
of the video, right?
So if we play this section again,
Something else a lot
of beginning editors are uncomfortable
with is cutting naturally
Something else, a lot
of beginning editors do opt-in is the overuse
of prebuilt in transitions.
So what we can do is get rid of this unneeded segment.
Let's go ahead and start playing all the way through.
Again, it's the message being told in the video.
Now what kind of effects you can include.
Something else, a lot
of beginning editors do opt-in is the overuse
of prebuilt in transitions.
Until you're more comfortable with
how you should edit a video,
I'd avoid using some of those presets.
And one of the last things I wanna talk about is focusing on
the audio of the video.
The audio of the video accounts for 50% of the final edit,
so you should spend just as much time working
with your audio as you do working with the video.
Hope this helps and excited to talk more about editing.
Perfect. And so now we have one
cohesive message throughout the now 46 seconds of video.
As editors, what are some things
that we should start being conscious of now?
Well, for one, we need
to start thinking about the pacing of the video.
The pacing of a video is a broad stroke term for how fast
or slow does the video continue to carry out as you play it.
Are things being said quickly?
Is there time in between scenes?
Are we letting certain shots linger
for a long amount of time?
Are we cutting very quickly?
Depending on the video
or the subject matter, a certain rhythm
to the video might be more appropriate than another.
The pacing is very much so a feel thing,
and it's something that I'll try to continue
to hammer home on as we
continue to progress through the course.
The next couple things that I'm starting
to think about are a lack of audio underneath.
So there's no music. We have no sound effects to kind
of highlight certain things
and certain emotions throughout the video.
And there's also no visual references throughout the video
to highlight some of the things that are being said.
Typically, additional footage to the main footage is called
B roll, and the primary footage
that is driving the video forward is the A roll.
So what we've done is come up with a cut of our A roll,
and now we need to start thinking about is there ways
to introduce B roll to highlight some
of the things that I'm being said?
And these are the big ticket issues that we need to address.