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In Photoshop How to change all fonts at once
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Overview
This course is for designers & marketers who already understand the fundamentals of Photoshop but believe there is a more effective, faster way to work. Work through a multi format creative campaign and learn techniques which will ensure hyper-efficiency & consistency.
Join Adobe certified instructor Daniel Scott to learn:
Join Adobe certified instructor Daniel Scott to learn:
• How to maintain a consistent look across social media, print and web touchpoints.
• Fast and efficient selection & masking techniques.
• Practical retouching techniques and time saver shortcuts using Photoshop.
• Workflow hacks for nondestructive design using artboards, Smart Objects & libraries.
• The many new Photoshop 2020 features
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
I discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
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Transcript
Hey there. In this video I'm gonna show you how to take all the fonts in this file and update them real quick, real easy, the right colors, the right fonts. We're gonna use one of the features called layer filters. Alright, let's jump in. Alright, so we wanna change all the fonts at once, okay? Uh, the way to do it is we're gonna use the filters.
We kind of took, we looked at aboard earlier. Remember, uh, in this one we're gonna click kind and we're gonna say, I wanna show only my layers that have the kind with type in it. Coha two. Good. Okay. And you can say, actually I want all of this.
Okay, I'm gonna select the first one, hold shift, and grab the last one so they've all selected. And then in my character panel, don't use this character style 'cause it'll work. But everything I'll show you, everything's gonna be that same size, okay? It's not what I want. Um, I want it to be specific, different sizes. Uh, so in here I'm gonna say, I would like you to be, uh, font.
Uh, the one we're gonna use is capper. What was it called? Kaka. Okay. If you don't have kaka, pick any font you like. Okay?
Kaka you probably have by now 'cause you would've synced it using, uh, my Sneaky trick earlier when we were opening the illustrator file. It should be on your machine. You can see all the fonts at Kaka all at once. Wai, they retain their size. Uh, let's say we wanna change all the colors of them as well to match our brand colors. Look at this.
Click on vanilla and they all go our vanilla color Wai. Now another thing you might wanna do is that I had this kind of like headline font different from the body copy font. So all the bylines that I've written in here wanted to be a different font. So this thing kind of works and I can hold shift and it's not, well actually I can click the first one, hold command and I could keep going through Command on a Mac, control on a PC and just click them all, but it gets better. So these filters, there's a really nice one in here that says I want you to find by, uh, name. So gimme the ones that have all called byline.
This only works if you are a file layer namer, uh, which you might not be. You might have layer 52. That's not gonna be helpful. 52 copy. 52, copy new. Okay, but I've named all mine so I can select them all and then go up to here.
And I'm gonna use another font just for those ones called, can't remember what it's called. It's called Adele or something. Yeah, look, I've written it down. A d Lost it again. Come on brain. There it is.
Adele condensed Thin. So I'm gonna use Glee and it goes and updates them all. Even the ones that we kind of came in from. The other file we've updated from bold to thin and that's how you kind of work with fonts in Photoshop. Like that. Really wanted to do is show you these cool filters that, um, get ignored.
So we're gonna go back to kind turn the type off, so we're back to kinda regular old, uh, jumbled up layers. Alright, let's get onto the next video.
We kind of took, we looked at aboard earlier. Remember, uh, in this one we're gonna click kind and we're gonna say, I wanna show only my layers that have the kind with type in it. Coha two. Good. Okay. And you can say, actually I want all of this.
Okay, I'm gonna select the first one, hold shift, and grab the last one so they've all selected. And then in my character panel, don't use this character style 'cause it'll work. But everything I'll show you, everything's gonna be that same size, okay? It's not what I want. Um, I want it to be specific, different sizes. Uh, so in here I'm gonna say, I would like you to be, uh, font.
Uh, the one we're gonna use is capper. What was it called? Kaka. Okay. If you don't have kaka, pick any font you like. Okay?
Kaka you probably have by now 'cause you would've synced it using, uh, my Sneaky trick earlier when we were opening the illustrator file. It should be on your machine. You can see all the fonts at Kaka all at once. Wai, they retain their size. Uh, let's say we wanna change all the colors of them as well to match our brand colors. Look at this.
Click on vanilla and they all go our vanilla color Wai. Now another thing you might wanna do is that I had this kind of like headline font different from the body copy font. So all the bylines that I've written in here wanted to be a different font. So this thing kind of works and I can hold shift and it's not, well actually I can click the first one, hold command and I could keep going through Command on a Mac, control on a PC and just click them all, but it gets better. So these filters, there's a really nice one in here that says I want you to find by, uh, name. So gimme the ones that have all called byline.
This only works if you are a file layer namer, uh, which you might not be. You might have layer 52. That's not gonna be helpful. 52 copy. 52, copy new. Okay, but I've named all mine so I can select them all and then go up to here.
And I'm gonna use another font just for those ones called, can't remember what it's called. It's called Adele or something. Yeah, look, I've written it down. A d Lost it again. Come on brain. There it is.
Adele condensed Thin. So I'm gonna use Glee and it goes and updates them all. Even the ones that we kind of came in from. The other file we've updated from bold to thin and that's how you kind of work with fonts in Photoshop. Like that. Really wanted to do is show you these cool filters that, um, get ignored.
So we're gonna go back to kind turn the type off, so we're back to kinda regular old, uh, jumbled up layers. Alright, let's get onto the next video.
