Creating dust particles in After Effects

This lesson is exclusive to members

Course contents
SECTION: 5
Inspiration 4:15
SECTION: 13
Swinging text 10:36
SECTION: 14
Puppet tool 5:54
SECTION: 15
Effects & presets 6:56
SECTION: 17
What now? 3:56

Questions

You need to be a member to view comments.

Join today. Cancel any time.

Sign Up

Course info

53 lessons / 6 hours

Overview

Motion graphics are an essential part of video creation and editing. From moving titles across the screen to stabilising your footage to smooth out the bumps or replacing a sign in the background. Ubiquitous, subtly powerful, and for the beginner, a bit mystifying. You need to learn motion graphics. You need a tutorial that will help at every step of the way, without leaving you drowning in details.

If you’ve ever made a video, you’ve probably already discovered that it’s all the little extra infographics, titles and animation that make your project look professional – and you’ve probably already wondered which is the right After Effects tutorial that will let you access the potential.

After Effects is the industrial strength tool for putting the motion in your graphic designs and content. It can also appear to be pretty deep, so getting guidance from a pro that understands how to teach, as much as how to use, After Effects is going to be the key that unlocks your potential.

How about a motion graphics tutorial taught by a working professional who just happens to be great at teaching too? Daniel Scott has been working with animation and motion graphics for over a decade and is the founder of Bring Your Own Laptop - they've been helping people learn design and animation all over the world for just as long.

 



 

Daniel, an Adobe Certified Expert and Instructor, will take you one manageable step at a time through motion graphics in a series of small practical projects that come together to unlock Adobe After Effects, animation, and infographics. These tutorials give you the complete foundation that you can build on for years to come. Learn the principles and the specifics of producing content, in a way that you'll understand and remember. And stay awake.

Just 3 hours long, and very hands on, you’ll take on specific tools and techniques one at a time so you can easily comprehend each aspect of the tutorial, and see all the parts of creating motion graphics before you get intimidated by the scale of what you can do. From zero to hero, as we like to say.

You get downloadable exercise files that match the course, so no time wasted trying to match project settings or finding material to work with. And you can use the end results in your own projects or portfolio – you can customise them to suit your needs as you grow in understanding.

To learn motion graphics is to unlock the door on the magic that makes your video or web content stand out in the crowd. Daniel is going to provide you with the motion graphics tutorial you’ve been looking for to get more than your foot in the door – you’re going to be able to create beautiful animation and infographics. You’ll be empowered to use After Effects the way it was meant to be used, and to create your own creative content, even during the tutorial itself.

What are the requirements?

  • This course is for absolute beginners

  • You'll need a copy of Adobe After Effects CC 2015 or above. A free 30 day trial can be download from Adobe here.

What am I going to get from this course?

  • Create beautiful motion graphics

  • Animate compelling infographics

  • Choose the correct video settings.

  • You’ll learn how to exporting your video easily.

  • You’ll be able to create slick type animations.

  • Rendering your video for Youtube & Vimeo.

  • Create titles for interviews.

  • Add music to your motion graphics.

  • Trim & editing video.

  • Add watermarking your video.

  • Fixing shaky footage.

  • Color correct & fix any bad footage.

  • Add a vignette to your video.

  • Learn how to use your skills from Illustrator & Photoshop

  • How to use green screen footage

  • How to mask like a pro.

  • How to animate infographics like bar graphs, line graphs & pie charts.

  • How to use camera to make 3D type.

  • Animating static images using parallax

  • Plus basic character animation.

  • + More…

What is the target audience?

Yes:

  • This course is for people who want to start earning money as a motion graphics designer.

  • This course is for beginners wanting to learn to use After Effects for motion graphics and infographics.

  • No previous After Effects or animation skills are necessary.

No:

  • This course is NOT for people who have a good understanding of After Effects already. This is for new people only.

Course duration 5 hours+ your study.

Daniel Scott

Daniel Scott

Founder of Bring Your Own Laptop & Chief Instructor

instructor

I discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.

Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.

Downloads & Exercise files

Download Exercise Files

Transcript

Hi there, in this video we're going to look at adding dust particles. We did something earlier, we used it as background, remember this guy, he was in here, After Effects, he's called particles. So I used-- let's find the rest of the particles. 'Particle Background'. There's this thing with the dots, some bits and pieces, we're going to do something similar to that. Same technique, except, for big circles, we're going to use dust particles. We're going to take an aesthetic image, and try make it look a bit real. Let's double click here. Let's bring in an image.

 

So on my 'Desktop', 'After Effects Files', there's one called 'Old Room'. I'm going to make a 'Comp' from it. I'm going to zoom out a little bit, can you see, old crickety room. I'm going to go to 'Full'. Actually, let's go to 'Fit'. I might even make this a bit smaller, so we can see it a bit better. The first thing we need to do is, we need to go through and create what's called a 'Particle Emitter'. To do it, we need to add it to a layer. You can't add it to this layer, you need to add it to kind of a solid layer. 'Solid'. So 'Solid', we've used-- at the moment, I need for just the background. Big block, that goes as a background. We're going to use this for our 'Dust Particles'. It's going to be the same size as the background. We've got a weird size from this image. You might go through and make a 'Comp' to put this image inside of it to match the HDTV, we've got this random size here. It's going to have to be black. We just got a big black square, finish this job.

 

What we can do though, is we can add him, over here, in 'Effects & Presets', type in 'Particle', and you want the one that's called 'Particle World'. So I'm going to click, hold, and drag it, or you can make sure you get to the right layer down here. Hit 'Space bar'. It's pretty cool without even doing anything. Then, it's sparks flying out the window. So when you use this little kind of particle system to create 'Dust Particles', the first thing we need to do is go and play around over in here. Make sure you got your 'Dust Particles' layer selected. And over here is our 'CC Particle World'.

 

Now what we're going to do, the first one is to do with 'Producer'. Twirl him down, and under 'Radius' is, all coming out of the center, like it's all coming as one dot. What we want to do is come out of everywhere, so instead of '0.025', we're going to put in '3'. Now I'm going to tab down '3', so it's '3' for 'Radius X', 'Y', and 'Z'. 'Radius', not 'Position'. Now before we move on any further, hit 'Space bar' on the 'Time Line' down here. Just see what it does. Can you see, there's like this rain appearing around the outside. I'm going to go back to 'Half', so you can see it. You can see, it's kind of raining sparks at the moment. It's kind of cool. So if you wanted to make rain, you can totally do that.

 

The other thing weird about it, it's kind of starting-- can you see it's like-- there's nothing, and then it appears, so looks like it's kind of just starting, so what I want to do is, I want to start kind of-- I want it to just appear, so it's not kind of starting. What you do is, see this layer here? Considering it that way, you drag it past there. Can you see, at the beginning, it's already started, so that starts over here, and by the time it gets actually started with the Play Head, this black's already gone. What we might have to do is extend this end out, so that it covers the whole thing. So that's the kind of starting bit.

 

Now we're going to play around with bits and pieces to make it look like dust. Now this is where it's more art than it is technique. So, you can go through, and follow me, get a kind of a starting point. But it is going to be different depending on your image. How light or dark it is, and how physically sized. If you got a really teeny tiny image, the sparks going to be too big, and if you've got a really big, high res DSLR image, your sparks are going to be microscopic, you have to play around with different parts and sizes to make it all work. So, first thing is this, the 'Radius', we've just done that. Next is change of form, under 'Particles'. At the moment it's kind of like a line. I want to change it to-- you can play around with these, but in this case, 'Faded Sphere', not 'Shaded Sphere', 'Faded Sphere'. It kind of makes these snowflakes, and now it's snowing inside. It's still kind of sparky looking, a bit weird.

 

Next thing we're going to play around with is the colors. I don't want it to be yellow, I want it to be, maybe a light off yellow, and then a white. And where it says 'Birth Color' and 'Death Color', so when they start, they are this yellow color, and when they die, they are a white color. You can have it definitely look like it's snowy.

 

The next thing I'm going to play around with is maybe the size. We're going to play around with the size... where are you, particles, birth size? I can't find you there. We're just going to make ours smaller. Now this will depend on your image. Some images need to go really big to make them see if you've got a really big house image, and some of them are really small, like dust particles. I'm going to put mine to '0.1' for the 'Birth Size', and '0.1' for the 'Death Size' as well, so they're just smaller. It's kind of become harder to see, it's still falling, which is a bit weird. So let's go and play around with—

 

Let's have a look at a couple of things. So let's look at 'Longevity'. What I want to do is, 'Longevity' here, the last thing's for '1' unit, what I want to do is, let's make it to go for '3' seconds, just a bit around a lot longer. Before they die, they kind of just appear and disappear. They're going to to be around quite a bit. Next thing I want to play around with is 'Gravity'. At the moment, it's falling like it's rain. So what I want to do is, I'm going to twirl these in, and I'm going to go to 'Physics', and under 'Physics', there's one called 'Gravity'. And 'Gravity' is at '5', now, you can play around with, between '0'-- so it just-- can you kind of see on my one? I might have to zoom a little bit to see a few of these little guys. We get some good contrast. Can you see them there? Kind of a no man's land moving around.

 

Now, before you go off and think, "No, they can't keep coming towards me," at the moment we're using this thing called 'Explosive', so I'm going to change it from 'Explosive' to-- it's up to you, you can play around with different ones. I'm going to play around with-- I like 'Twirl'. and they kind of like wiggle around all sorts of different places, see them all twirling about? And I'm going to turn down a couple of things. So 'Gravity', I'm going to turn down to maybe a little bit of gravity, just so they're falling towards the floor, and not up. These ones are going perfectly, so ours is at, maybe at '0.005', just a tiny bit of gravity. Can you see, they're just slowly kind of drifting down rather than anywhere else. And in terms of 'Velocity' I'm going to turn that down as well, so not so active. So, maybe '0.1' There we go. Gravity's taking control of them now, so maybe '0.3', and then 'Gravity', I'm going to have to make it even less. So this is why I say you're going to spend ages working on this, and how fast they're going, and their velocity, so I'm going to bring that down to '1'. Adjust them all. There, I feel like it's there. Let's zoom up.

 

We've got these dust particles going on at the moment. I'll click out of this. And there's them, dust particles going. Let's hit 'Space Bar', watch him. Now it's really subtle, I've decided to go really subtle. You probably want to go maybe a bit more extreme just so that looks fun, but I'm trying to go for believability with my little snow flakes. So what we're going to do-- that's a particle emitter. It's a particle world, well you can play around with it to your heart's content. We can 'Save and Close' now.

 

What I'm going to do is just show you a little bit extra stuff. So we're going to add a 'Camera', and we're going to zoom in. So, what we're going to do is, go to 'Layer', 'New', 'Camera'. We did this one when we did our Parallax, but instead of having 2 layers, we're just going to do with 1, and zoom in slowly. What we'll do is add a 'Camera', '2-Node', click 'OK'. I'm going to make sure both of these are 3D. If it comes up with an error, just click 'OK'. And what we're going to do is we're going to start it here. Open up my 'Camera', and it looks kind of I can play around with the 'Zoom'. I'm going to grab 'Transform'. I'm going to make this a little bit smaller. We're going to go 'Camera Options', go to 'Zoom'. Keep the little stopwatch on. You can see there, on the beginning of my animation first, then I click this stopwatch, go to key frame, and then further in.

 

We're just going to zoom in a bit, zoom, click and drag to the right. How much are we going to zoom? I'm going to play around a bit. I'll hit 'space bar' now, I’m on 'Half'. Now I'm zooming in, and I'm zooming past my pixels. So they look they're kind of more in the room. It will catch up now when I play this for the second time. I'm happy with it. If you're watching this at lower res, low quality, you might have to go through and crank this video up to HD just so you can see the little pixels going on, but I'm pretty happy with my little fake room thing going on.

 

One last thing is, remember, we did in the last one, 'CC Light Rays'. 'CC Light Rays', there he is there. We're going to add it to the 'CC Light Rays'. What we should do is, we're going to add it to our 'Adjustment Layer' because we are good campers. And I'm going to go on and add the 'Light Rays' to it. There it is there. Now I've got a kind of a window with a really strong white.

 

Where is it going to go? Here they are. We'll actually get started here. I want to see our colors. 'Space bar'. I want to turn mine down to even lower, 'Third'. 'Third' quality. It will render fine, remember. Look at that. How believable is this, the dust particles. Funny thing is that nobody's going to notice your dust particles, or your light rays unless you go to extreme. Looks like it's-- I'll make this white look sort of ash falling from the sky, and the lights are sparkling everywhere, but I'm happy with that. I'm going to hit 'Save'. And that's it for looking at particles in After Effects.

  • Powered by Marvin
  • Terms of use
  • Privacy policy
  • © Bring your Own Laptop Ltd 2024