Overview
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
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The best Illustrator shortcuts are the ones that remove tiny bits of friction you hit all day. Start with fill and stroke shortcuts, text spacing shortcuts, zoom and display toggles, and a handful of navigation tricks. A few of these will save more time than memorising fifty flashy ones you never use.
It is time to get fancy with shortcuts.
Not fancy for the sake of it, either. Proper useful fancy. The kind that stops you rummaging through panels, clicking tiny icons, opening menus, and generally doing things the long way when Illustrator already has a quicker option waiting for you.
You do not need to remember every shortcut going. You just need a tight set of good ones that match how you actually work. These are the shortcuts worth keeping close.
Start with the three keys sitting together near the M key on most keyboards. They are ridiculously handy because they control the selected object's appearance fast.
Full stop or period adds a solid fill.
Comma adds a gradient.
Forward slash clears the active fill or stroke.
The important bit is that Illustrator applies the shortcut to whatever is currently in front: the fill or the stroke. So if the fill is active and you tap forward slash, the fill gets cleared. If the stroke is active, the stroke gets cleared instead.
That makes forward slash one of those tiny brilliant shortcuts. Want rid of a fill? Gone. Want rid of a stroke? Gone. No panel hunting.
When fill and stroke are active, these shortcuts let you swap, clear, or apply appearance changes without digging through panels.
If you have ever styled the wrong one and thought, no, that was meant to be the fill, use Shift + X.
That swaps the fill and stroke values. It is the keyboard version of clicking the little double arrow icon in the toolbar, and it is much faster.
Tap X on its own to toggle which one is active. That means if you are about to choose a colour, you can decide whether it applies to the fill or the stroke first.
Very small shortcut. Very big difference over time.
Tap D to reset the selected object to Illustrator's default appearance: white fill, black stroke.
It is the emergency reset for when things have gone a bit weird and you want a known starting point again.
Some shortcuts are less about styling and more about clearing visual clutter so you can actually see what you are doing.
Command + Y on Mac or Control + Y on PC switches to Outline Mode.
This is the x ray view. No fills, no distractions, just paths. It is brilliant when you are dealing with overlapping shapes, hidden edges, or complicated artwork.
Command + H on Mac or Control + H on PC hides the selection edges, anchor points, and all the blue dot chaos, while keeping the object selected.
That is useful when you want to work cleanly without all the interface clutter getting in the way. Just remember to turn it back on, because it can be slightly confusing if you forget you hid everything.
Hiding edges is one of the easiest ways to make fiddly artwork feel less messy while you work.
If you work with type at all, these are worth committing to memory early.
Select some text and use:
Command + Shift + greater than or less than on Mac
Control + Shift + greater than or less than on PC
On many keyboards, those are the same keys as full stop and comma. This lets you bump text up or down without clicking into the font size field.
Font size shortcuts are quickest when the text is already selected and ready to nudge up or down.
For spacing between letters, hold:
Option + left or right arrow on Mac
Alt + left or right arrow on PC
You can apply that to a text selection, or place the text cursor between two letters and adjust a specific gap.
This is especially useful in logos, headlines, and any word where awkward letter spacing jumps out. Some fonts are beautifully spaced. Some free fonts clearly have not had enough love. This shortcut helps you fix the rough ones quickly.
For line spacing, select the text and use:
Option + up or down arrow on Mac
Alt + up or down arrow on PC
Left and right for kerning, up and down for leading. Easy to remember, and very useful when you want to tighten up or open out a paragraph.
Once a text block is selected, the arrow key shortcuts make kerning and leading adjustments much quicker than panel controls.
Not every speed improvement is a shortcut. A couple of preference tweaks can make Illustrator feel a lot less annoying.
When opening older files, Illustrator can keep warning you that the file has been converted when you try to save it. Some people like that reminder. Some people absolutely do not.
If it slows you down, turn it off in Settings under General.
If your mouse has a scroll wheel, turning on zoom with mouse wheel is well worth it. It gives you a really quick way to move in and out of artwork without changing tools.
Those oversized popups that appear when you hover over tools can be helpful if you are new. If they are constantly getting in the way, turn off Show Rich Tooltips.
A few small preference changes can make Illustrator feel much calmer and quicker to use.
Illustrator can zoom toward the selected object rather than the centre of the screen. Some people love that. Some people hate it with deep passion.
If Illustrator keeps jumping to whatever is selected when you zoom, head to Selection and Anchor Point Display and toggle Zoom to Selection.
That way your zoom behaviour matches how you like to navigate.
If zooming keeps leaping to the selected object, this is the setting to change.
Now for the shortcuts that help when artwork gets layered, repeated, or slightly chaotic.
With the Shape Builder tool, you do not need to click each overlapping bit one by one if the goal is simply to merge them. Hold Shift and drag across the shapes to combine them in one move.
It is basically a quick, draggy version of a Pathfinder unite.
If you duplicate an object by dragging with:
Option on Mac
Alt on PC
then tap Command + D on Mac or Control + D on PC to repeat that duplication again and again.
That is how you get evenly repeated copies fast.
When something transparent or overlapping is blocking what you want, hold:
Command on Mac
Control on PC
Then click to cycle through objects underneath the cursor.
Instead of accidentally diving into isolation mode or constantly moving the top object out of the way, you can target what sits underneath directly.
Everyone knows Shift for constraining proportions or movement, but it also boosts increments all over Illustrator.
Tap the arrow keys to nudge an object by the current keyboard increment. Hold Shift while nudging and Illustrator multiplies that movement by ten.
Same idea with fields such as:
Font size
Stroke weight
Width and height
Rotation
Any other numeric field with arrows
Normal arrow keys make small changes. Shift plus arrow keys make larger ones.
If nudging feels too chunky, change the Keyboard Increment value when nothing is selected.
By default it might be set to 1 point, but dropping it to 0.1 gives you much finer control. Then, when you need a bigger move, hold Shift and Illustrator turns that 0.1 into 1 point jumps.
That combination is brilliant: tiny moves by default, larger moves on demand.
Instead of deleting a number and typing a new one, click inside a field and use the up and down arrows.
That works for dimensions, rotation, and plenty of other controls. Add Shift and you get bigger jumps there too.
If you jump between Illustrator and other apps all day, these are lifesavers.
Use:
Command + Tab on Mac
Control + Tab on PC
This cycles through open programs, so if you are bouncing between Illustrator and Photoshop, you can move back and forth without touching the mouse.
That makes tasks like copying artwork from Illustrator and pasting it into Photoshop much quicker.
If you jump between Illustrator and Photoshop a lot, app switching from the keyboard saves a surprising amount of time.
If you have multiple Illustrator documents open, use:
Command + tilde on Mac
Control + tilde on PC
This can be awkward on international keyboards because the tilde or grave key is not always in the same place, but if your keyboard supports it, it is a very handy way to cycle through tabs.
And it is not just for Illustrator. It works nicely in other Adobe apps with tabbed documents too.
These are less glamorous than they sound, but they are useful if you want more canvas space.
Tap F to move through Illustrator's screen modes.
One tap removes a bit of interface. Another tap strips back even more. Keep cycling and you come back around again.
It is useful when you want a cleaner presentation, or when you are working on a smaller screen and need more room for the artboard.
If zoom with scroll wheel is enabled:
Scroll normally to zoom in and out
Hold Shift while scrolling to pan left and right
Hold Option on Mac or Alt on PC while scrolling to pan up and down
It depends a bit on your mouse and how smooth its wheel is, but once you get used to this, it becomes one of those things you miss immediately on another machine.
This last one is random, slightly ridiculous, and honestly a bit showy, but it is fun.
Grab a drawing tool such as the Line tool, hold down the tilde or grave key, and drag. Illustrator repeats the shape in a wild, layered pattern that feels very spirograph.
You can do it with more than just lines, and it creates those strange generative bursts that look far more complicated than the gesture used to make them.
Holding the tilde key while dragging turns a simple drawing gesture into glorious chaotic nonsense.
Do I use it every day? Absolutely not. Is it still delightful? Yes.
Do not try to memorise all of them in one go.
Pick the ones that match your work. If you spend loads of time adjusting type, learn the text shortcuts first. If you build icons and logos, focus on fill, stroke, Shape Builder, and hidden selection tricks. If you work between apps all day, prioritise app switching and tab switching.
A good rule is this:
Pick one shortcut
Use it for a week or a month
Let it become automatic
Then add the next one
That is how they actually start saving time.
It clears the active fill or stroke on the selected object. Which one gets cleared depends on whether the fill or stroke is currently in front.
Press Shift + X. That swaps the current fill and stroke values instantly.
Select the text, then use Command + Shift + greater than or less than on Mac, or Control + Shift + greater than or less than on PC, to increase or decrease the size.
Use Option + left or right arrow on Mac, or Alt + left or right arrow on PC. Place the text cursor between letters for precise pair kerning.
Press Command + H on Mac or Control + H on PC. The object stays selected, but Illustrator hides the visual clutter.
Use Command + Y on Mac or Control + Y on PC. It switches between normal preview and Outline Mode.
After duplicating an object, press Command + D on Mac or Control + D on PC to repeat the last transformation and create additional copies.
Use Command + Tab on Mac or Control + Tab on PC to cycle between open applications.