Learn Advanced Pen Tool Tricks

Course contents
SECTION: 4
Keyboard Shortcuts 14:06

Questions

1
You are not following this thread
1
You are not following this thread
5
You are not following this thread
2
You are not following this thread

Course info

103 lessons / 10 hours 33 quiz questions 31 projects Certificate of achievement

Overview

Hey there, I'm Dan Scott, an Adobe Certified Instructor with over 16 years of design experience under my belt, I'm part of the Adobe Expert program, and my online and in-person classes have been attended by more than a million people, just like you! Join me as we dive into the exciting world of Adobe Illustrator Advanced! In this course, you're not just leveling up in Illustrator, you're transforming into an Illustrator SuperHero!

In this course you will work on a bespoke brief designed to ignite your imagination, coupled with immersive course videos, you'll be crafting jaw-dropping graphics in no time. Throughout our journey together, you'll flex your creative muscles and construct projects that will elevate your portfolio to new heights. So, let's dive in and unleash your creativity!

You’ll learn:

  • - How to use artificial intelligence to boost your creativity in ideation. 
  • - The quick way to take hand-drawn sketches and vectorize and color them. 
  • - The building blocks needed to set you loose on a huge variety of beautiful effects and techniques.
  • - To make beautiful charts and graphs for your documents. 
  • - Color mastery to make quick color adjustments, Pantones, and blend it all together beautifully.
  • - How to master images inside of your illustrator workflow. 
  • - To harness all the secret gems that'll help you level up your typography skills. 
  • - All the tricks of the trade for drawing complex shapes easily. 
  • - To double your creativity with the Transform and Distort section. 
  • - To speed up your personal workflow to get the most out of your creative day.

Explore the full course outline for a comprehensive list of topics that will expand your Illustrator prowess beyond imagination.

If you're already comfortable navigating the basics but want to  unlock the true potential of Illustrator, then this Illustrator Advanced course is your ticket to becoming a master of Illustrator! So join me and the ranks of design superheroes and let's embark on this thrilling journey together.

Requirements:

- All you need is a copy of Adobe Illustrator, you can get a free trial from Adobe here to get started.
- A basic knowledge of Illustrator is required. I recommend watching my Illustrator Essentials course prior to embarking on this epic adventure.

Who this course is for:

- Creative adventurers who already have a basic understanding of Illustrator.
- Self-taught Illustrator enthusiasts yearning for structured guidance.
- Graduates of my Illustrator Essentials Course, hungry for more knowledge and skills.
- Visionaries who have developed their own unique Illustrator approach but crave exploration of the vast universe of tools, updates, and time-saving techniques.

What you'll learn:

- How to use Text to Vector Ai
- How to use Text to Pattern Ai
- How to use Generative Recolor
- When to use the Scissor Tool, Eraser Tool & Knife Tool
- Advanced Shape Builder Uses
- The differences between the Pathfinder Vs Shape Builder
- How to use the Join tool & Joining Path Ends
- Advanced Pen Tool Tricks
- Width Tool Advanced Techniques
- The Curvature Tool
- How to master corners with corner widget effects
- How to work with Compound Paths
- The difference between Expand & Expand Appearance
- How to create Graphic Styles
- How to make Symbols
- How to use the Smooth Tool
- Advanced use of Simplify Path
- What Live Shape Effects are for
- How to make Repeating Grids & Concentric Circles
- How to make Random Objects
- Advanced Keyboard Shortcuts in Illustrator
- How to add a Gradient on a Stroke
- How to add a Gradient in Text
- How to use the Freeform Gradient tool
- How to use Advanced Color Swatches
- How to use Global Color Swatches
- What is the difference between RGB vs CMYK color modes?
- How to proof colors
- How to use Pantone Spot Colors
- Recolor Artwork & Changing all colors at once
- How to use Blending Modes
- How to work with Images & Blending Modes
- How to make Black & White Images
- Learn Advanced Workflow Tricks
- All the Super Selection Mastery
- How to use the History Panel
- Advanced Fonts Tricks & Tips
- Use Retype to know what Font is being used
- How to put Text Inside a Letter or Shape
- How to use the Touch Type Tool
- How to add a Connected Stroke Around Multiple Shapes
- How to Offset a Stroke with Text
- How to make a Bar Chart in Illustrator
- How to make a Pie Chart in Illustrator
- Layer Power Moves
- Advanced Artboard & Pages Tricks
- How to Unlink vs Embedded Images
- How to Crop Images Rather than Mask
- How to Mask Inside Text & Multiple Shapes
- How to you use the Puppet Warp Tool
- How to use the Distort Envelope Shape & Type
- How to use the Envelope Mesh
- How to blend lines together
- How to make a Linocut Effect
- How to make 3D Gradient Lettering Blends
- How to spin text into a ring
- How to turn text into a 3D donut shape
- How to make a Duotone image effect
- How to make a Roughen Stamp Vector Effect
- How to make a Neon Sign Glow Effect
- How to use a Halftone Effect using Plugins
- Advanced Exporting Assets Tricks in Illustrator
- How to use the Dimension Tool

So what're you waiting for? Let's start the course now!
Daniel Scott

Daniel Scott

Founder of Bring Your Own Laptop & Chief Instructor

instructor

I discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.

Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.

Certificates

We’re awarding certificates for this course!

Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.

How to earn your certificate

Work your way towards your certificate for this course by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz (Merit level courses only)
  • Complete the Distinction Certificate Project (Distinction level courses only) - look out for the video marked with
  • Upload your Distinction project to the My Projects area in your account
  • Request your certificate when you've completed the requirements for the certificate level you're working towards

Good luck!

Pass certificates

We're awarding 'Pass' level certificates for this course.

You can work your way towards your 'Pass' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Don't forget to request your certificate when all your projects are complete

Good luck!

Merit certificates

We're awarding 'Merit' level certificates for this course.

You can work your way towards your 'Merit' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz
  • Don't forget to request your certificate when you have passed the quiz and completed all your projects

Good luck!

Distinction certificates

We're awarding 'Distinction' level certificates for this course.

You can work your way towards your 'Distinction' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz
  • Complete the Distinction Certificate Project - look out for the video marked with
  • Upload your Distinction project to the My Projects area in your account
  • Don't forget to request your certificate when you have passed the quiz and completed all your projects

Good luck!

Downloads & Exercise files

Transcript

Hi everyone. Welcome to Advanced Pen Tool Tips and Tricks. The pen tool can be a tricky one  to learn if you've got some basic skills. Okay? I'm gonna show you how to take them to the next level  to kind of get uh, smoother lines, loads of shortcuts. Kind of stop you having to  go through a whole bunch of tools.

Basically we just use the pen tool for everything. Hold a few shortcuts down  and we can get very far in our design. Alright, let's get in there. Let's do some advanced pen tool tips and tricks. Alright, first up, I've created a document. Uh, I've just made mine a thousand by a thousand pixels.

It doesn't matter what size. Uh, I want you to bring in an image. Let's go to file. Let's go to place  and in your exercise files, okay,  there should be one called pen tool there. Is there pen tool oh one. What we're gonna do is we are going to set it as a template.

Okay? All that does is bring in the image  but puts it on a background layer that is locked. Okay, see, check out my layers panel. See it's on this template layer. It's locked. You can unlock it to mess around with it,  but it's kind of faded it out as well.

So this is something I drew in my notebook. Let have a little look and let's  get advanced to pen tooling. The first tip is often when you are starting  with the pen tool, you can go to view  and turn smart guides off. I often turn that off when I'm working with the pen tool. The shortcut on a Mac is Command U on a pc, it's CTRL U. So I'm gonna turn that off.

The next tip is  to change the anchor points, make 'em a bit bigger. They can be quite small on some displays. So on my Mac I go up to the word illustrator at the top, go  to settings and down to this one selection  and anchor display. If you're on a pc, go to edit general or edit settings. Um, and go to the same thing section and anchor display. And let's crank this one up.

Okay, anchor points are massive. Let's see what we've got. So when I grab my pen tool,  which is the P key on my keyboard, watch this. Boom. Look how big these guys are. Giant handles.

You might find something in between. I'm gonna see if we can work with the giant handles just  to make it easier for the video. You find the size that works for you. All right, so I've got the pen tool  and just note if you are, haven't got much experience  with the pen tool, none at all. You might wanna check out the essentials course  version of the pen tool. Um, but if you've got some  basic skills, you should be all right.

We're gonna kind of supercharge pen tool here. Just so you know, it does take a lot of practice. Okay, so if you did watch the essentials version,  the way I teach it to kind of get used to it  and a lot of self-taught people, they'll click once  for a corner, they'll get to this curve here  and they'll go, okay, drag out, click and drag for a curve. Click once for a corner click and drag and that is fine. It kind of works. What you'll find is you've got extra  anchor points that you don't need.

I've got one, two,  and three defining this curve down the bottom  here and that works fine. But you'll find the more anchor points you have,  the less smooth things are. Especially for something like this where it's really small. We've got one, two, and three defining this curve. So the trick is I'm gonna undo, undo, undo, undo. Uh, I'm gonna start down the bottom here.

And the weird thing is, is instead  of putting the curve in the middle,  I'm gonna put it at this corn point here. I'm gonna show you what I mean. This first one's a bit  of a hail Mary and you don't really know  what it does without a bit of practice. Watch this, I'm gonna click hold and drag  and you're like, I've got a my anchor  point with some handles coming out. I've dragged it this way  'cause it's the way the line's going. Can you see?

You can see what it's doing  to the line here. So over here  As well, I'm gonna click hold and drag it out. Okay? And you can see I can do the exact same thing,  the same curve but only two anchor points  and the handles on both ends are doing all the work. The trigger is this bit down the bottom here,  okay, what is happening to this? So what I can do is I can hold down my option key down here  and I can break this watch, crawl down my option  and it jumps to you see my cursor changes from the pen tool  to the convert anchor point tool.

And I can click hold and drag this  and kind of just break it over here. Okay? Get at the top head. I wanna drag it out again even though it's not perfect. I do need both the top and the bottom handles. Just doing the bottom one will kind of work.

I like to have them out at both the top and the bottom  or at least the first and second anchor point. Okay, roughly we can fix this up afterwards. So again, I need to break this one. So hold down my option, key on my Mac alt key on a PC  and I can kind of break it to get it to go where I want. Same over here. I'm gonna click hold  and drag to get the curve.

Gonna hold down my option key to break it,  to get it to go where I want. And it takes a little bit of time but forget about the apex. Go to the top here, drag it out,  hold down my option or al key. Okay and break it off. And you gotta kind of know  that the anger point will drag the line this way  and that's the bit  of experience that it takes a little while. Now that might be advanced enough  but if you wanna go super advanced,  what happens is watch this, I'm going  to drag this line outta here instead of letting go.

Then holding the option key and breaking it. What you can do is you can say drag and  before you even let go of the mouse,  hold the option key in a Mac alt can a pc  and it breaks it in one go. Okay? So just removes one little step. It's how I've got fast uh, drawing things with a pen tool. But yes, it is quite complicated.

This one here, this line, there's too many curves going on. I've got two handles so I can bend the line two different  ways, like up and down  or in this case both the same sort of way. This one is one curve, another curve,  another curve, another curve. There's too many going on. So I've got this first one going  but I'm gonna need one here. Okay?

Sometimes you just can't control it all  with just two anchor points. You need one two  and I'm gonna need this third one down here. Again, hold the option key or the alt key before I let go. I'm just getting it roughly in. I can get it pretty close. But even if you're a pro, it does take a bit  of time afterwards to tidy everything up  and you see where you've dragged the handle in too far.

I find it's actually easier being quite zoomed in. Okay, when you are doing these  and you see that one's too far out,  this is gonna lead me into my next little  super duper shortcut. Okay? Is I can do this and keep going and come back  and fix it, but I can fix it while I'm working. Yes you can. Okay, so it is the command key on a Mac,  the control key on a pc.

So we've done two, we've done the option alt, okay,  which allows us to break the line  and now we're doing the command  or control key depending if your Mac or pc. And what it is is we can drag this anchor point, look at  that whilst we're working. So I just held down that key command on a Mac control on pc,  just drag it back home a bit  so it's not wrecking my drawing so much. So I can actually do pretty close  to finished using those tricks again. Drag this one out. You holding the option,  an old can drag it to bed there.

Drag this last  One out. The last one's  always a pain in the butt. It's like, hey, do you want this to be a curve? Like no, no we don't. So before I let go, I'm gonna hold down the option key. Break that one, grab this one, hold down my option.

Counter mac alt. Can a PC get you back to where you started? The first and last join is always a bit tricky, kind  of doesn't know what you means. So it jumps around a bit. So now I can stay on my pen  tool here, okay? And hold down those keys.

Remember,  command basically just switches it  to the direct selection tool and the option key drags it to  or changes it to to the convert to anchor point tool. So I never go back to the direct selection tool. I can, but that's gonna go around  and go you, I want this to do a lot of the work there. This is a hand drawing so  it's never gonna line up perfectly. See this one here, I want to be mostly straight  and let this curve do the work. I could put another anchor point in here,  but you end up with this like little kind  of like kink in your pen line,  which is also called the stroke pen line.

Okay? And the same here. Okay, I can work my way around. I've still got the pen tool selected. Okay, I'm just clicking on anchor points. Finishing these up.

Click on this anchor point, move the handles a little moons. Okay? And this one here, what I wanna do, yeah, we go,  this one here is trickier. If I use those same techniques, you know where you got  to the end here and it went, oh, you're gonna be a curve. And it kind of, I had to fix it  afterwards when we went all the way around. This one here, if I click  and drag for the first one, okay, click  and drag for this one.

Haven't quite got it, that's right. Whole option to break it. Go down this way. Okay, come this one you can see what it's done. It is done. What we did when we got to this edge of the flipper here  and it's kind of turned into a curve, but that's okay.

We can hold down our option key on a Mac  or key in a PC just to kind of force it to go  around sometimes here, can you see it's got this uh,  handle selected but not this bottom one. It didn't disappear, but it doesn't know  you've meant to select these ones. So sometimes you gotta hold your command or control key. Click on that once to highlight the anchor point  to get all these things to spill back out. Sometimes happens, sometimes doesn't. All right?

Hmm. All right, what do you think? Do you like the tricks? I got a couple of other ones. Let's have a look at this one here. Okay, another little tip is we've looked at  the optional rock key.

Okay? The commander control key, depending if you make a pc  and the last one is spacebar,  which is the same for all of them. So let's say I start down the bottom here,  start getting my curve, go up the top  here and I just kind of miss it. It's just way off. Okay? And I start dragging.

You're like, ugh, okay. If you hold spacebar  before you let go easy, you can move the anchor point,  let go of spacebar and then keep dragging. It has to be all in one motion. So your mouse has to be down the whole time. So click hold and drag click hole and you get it wrong. Click hold and drag.

But before I let go of my mouse hold spacebar  and you're like, yeah, you go, you go look at us. Pin tool masters. Another trick is we go back  to the command key on a Mac control key,  a PC we use a second ago  for selecting back to the direct selection tool. Remember we could use it to kind of like adjust this  and we can use it while we're drawing. So earlier in the video I showed you how  to like start doing it and then let go and then hold  The command or control key and adjust it. You can do it while you're drawing.

Watch this. I can say, say I wanna point,  actually I'm gonna break this one holding my alter option. Okay? Then I'm gonna start dragging here. Okay? And sometimes you need the moon on the other side,  the little handle to be shorter on one side than the other.

And you're like, why are they the same length? Okay, before you stop dragging. Okay? So we get here, you hold the command key down,  they're still connected, but you can see one can get  shorter, one can get longer. Ooh, I don't do that very often, but you can. This is the advanced shortcut stuff.

Okay, there we go. Now we've got smart guides off. Sometimes smart guys need to be on okay, command you. Okay? And sometimes it just snaps way too big. And again, the tip for this, we kinda looked at it earlier,  is if you're like, don't just get close, just zoom in, okay?

And you'll get lots more screen real estate  and you can get a lot closer  to a line without actually joining it up. Okay? You want it to start close  without it actually connecting. Just zoom in a bit. Last but not least say  that you do want these things to line up. Okay?

So um, it might be  that you've already got some existing,  actually I'm gonna draw something real quick. Alright? I'm gonna turn off all my layers panel. This one here, I want these to line up down the bottom here. And I don't wanna just kind of like snap them. I want these paths to line up.

'cause I could turn all my smart guides  and I could just line these things up and try  and snap them, okay? And that kind of works what I wanna do. Okay? But what I wanna do is actually leave the top part  of this alone and I just want these  anchor points to line up. So I'm gonna go into out outline modes, command Y on a Mac,  control Y, and a pc. I'm gonna give my direct selection tool,  which is the achy, okay?

And I'm gonna go to both of you guys. I don't wanna move 'em around. I just want you two  to go to object. Let's go to path. Let's go to this one called average. And let's average them both and watch what happens.

Bam, it kinda lines them up. Cool, huh? So sometimes you kinda lines things up  and you're like, oh, it's close enough, nobody can see. But you can actually technically get them bang in the same  place by selecting just the anchor points you want  and then going up to object path and average. But you gotta have something selected first. Otherwise if it's grayed out, there you go.

It's a good uh, tip. Make sure if it's grayed out,  you gotta have them selected first  with the direct selection tool. Alright, my friends, that is all the tips  and tricks that I have got for the pen tool  to make you just better with the pen tool faster with it. Loads of shortcuts. I know it does require lots of practice,  but while there are lots of cool tools  and illustrator, often the pen tool is the kind of core one  that a lot of designers and illustrators use. So here you go.

Bit of practice, give it a try. Try some of the shortcuts. Maybe only a couple will sink in the beginning. You can come back to this video. Once you've got the hang of it, just  pick one, pick them all. It's totally up to you.

Alright, that is it. I will see you in the next video.
Written Guide

How do you get smoother Pen Tool lines in Illustrator without adding loads of anchor points?

Use fewer points and let the handles do more of the work. The real speed boost comes from combining the Pen Tool with a handful of keyboard shortcuts so you can break handles, reposition points, and refine curves without constantly changing tools.

Illustrator Advanced Pen Tool Tips and Tricks for Smoother Curves and Faster Drawing

The Pen Tool is one of those Illustrator tools that feels awkward right up until the moment it clicks. Once it does, it becomes the tool you keep coming back to for almost everything.

If you already know the basics, the next step is not learning ten new tools. It is learning how to stay on the Pen Tool longer, use fewer anchor points, and rely on a few smart shortcuts to shape cleaner paths faster.

That is where these advanced Pen Tool tips come in.


Set up Illustrator so the Pen Tool is easier to use

Before drawing anything, it helps to make Illustrator a little less fussy.

A simple practice setup is to create a document at any size you like, then place in a sketch or reference image and set it as a template. That puts the image on a locked background layer and fades it back a bit, which makes tracing much easier.

Adobe Illustrator 2024 artboard containing a placed pencil sketch of a whale and geometric organic shapes, ready to be used as a template for vector tracing.

Using a locked template sketch gives you something to trace without getting in your way.

There are also two small changes that make a big difference:

  • Turn Smart Guides off when they start snapping to things you do not want. On Mac, that is Command U. On PC, Control U.

  • Increase anchor point and handle display size in Illustrator settings so the points are easier to grab, especially on higher resolution screens.

If anchor points feel tiny and fiddly, do not fight that. Make them bigger. It is a practical fix, not cheating.

Adobe Illustrator Preferences dialog box on the Selection and Anchor Display tab, showing adjustments for anchor point size, handle style, and enabling the Pen Tool rubber band feature.

Bigger anchor points and handles can make precise Pen Tool work far less annoying.

The secret to smoother curves is fewer anchor points

A very common beginner habit is to build every curve with extra points.

You click once for a corner, drag for a curve, click again, drag again, and before long one smooth edge is being controlled by three or four anchors. It works, but the line tends to get lumpy. The more points you add, the more chances you have to introduce little kinks.

The cleaner approach is to use fewer anchor points and longer handles.

Instead of placing an anchor in the middle of a curve, place one at each end of that curve whenever possible. Then drag out the direction handles so they shape the line between those two points.

That is the big mindset shift. Do not ask, “Where does the line bend?” Ask, “Where can I place the fewest anchors and let the handles do the work?”

The Pen Tool in Adobe Illustrator tracing a smooth curved vector path along the belly of a whale sketch, showing active anchor points and control handles.

A smooth belly curve is much easier to control when two endpoints do most of the heavy lifting.

Use Option or Alt to break handles and change direction

The shortcut that really starts to unlock the Pen Tool is Option on Mac or Alt on PC.

When you hold that key while working with the Pen Tool, Illustrator temporarily switches to the Convert Anchor Point tool. That lets you break one handle away from the other so the path can change direction cleanly.

This is essential whenever you go from one curve into another curve that should not flow as a perfect mirror image.

For example:

  • Click and drag to create a curved anchor point.

  • Hold Option or Alt.

  • Drag one handle independently so the next segment heads off in a different direction.

This is how you get elegant corners and controlled transitions without abandoning the Pen Tool.

At first it feels like guesswork because you are learning how each handle pulls the path. That part really does come with repetition. But once you start reading the direction of a line, the shortcut becomes second nature.

A close-up of the Pen Tool workflow in Adobe Illustrator as a path is extended across a sketch, demonstrating directional control handles defining a smooth vector line.

Breaking a handle lets one anchor point steer two neighbouring curves in different ways.

The faster version: break the handle before you release the mouse

There is an even quicker variation.

Normally, you might drag out a handle, release the mouse, then hold Option or Alt and adjust the handle to break it.

You can skip that extra step.

While you are still dragging the handle out, hold Option or Alt before you release the mouse. Illustrator breaks the handle in the same move.

It sounds like a tiny difference, but this is exactly the sort of thing that speeds you up over time. Small efficiencies are what make the Pen Tool feel fluid instead of clunky.


Sometimes two points are not enough, and that is fine

Using fewer anchor points is the goal, but it is not a rule you have to force onto every shape.

Some sections simply contain too many direction changes. If a line bends one way, then another, then another again, trying to control all of that with just two points becomes more trouble than it is worth.

In those cases, add the extra point.

The aim is not to use the absolute fewest anchors in every situation. The aim is to avoid unnecessary ones. If a third point helps you describe the shape cleanly, use it.

Then tidy it up afterwards.


Use Command or Control to adjust points while you are still drawing

This is one of the most useful shortcuts in the whole workflow.

Hold Command on Mac or Control on PC while the Pen Tool is active, and Illustrator temporarily gives you the Direct Selection tool. That means you can grab anchor points or handles and reposition them without switching tools.

That is huge.

Instead of drawing a rough path, leaving the Pen Tool, fixing things, then coming back, you can refine the shape in the middle of the process.

Typical use cases:

  • Pull a handle back because it is overshooting the curve

  • Nudge an anchor point into better position

  • Rebalance a segment before placing the next point

This is one of the main reasons experienced Illustrator users seem so fast. They are not bouncing around the toolbar all the time.

An explicit zoom view in Adobe Illustrator showing the Pen Tool breaking an anchor point's handle configuration to create a sharp corner transition on a vector fin illustration.

Refining a point as you go is much quicker than finishing the whole path and repairing it later.

Stay on the Pen Tool as much as possible

Once you combine the Pen Tool with those temporary shortcut swaps, you can do most of your work without officially changing tools.

That usually means:

  • Pen Tool for placing points and dragging curves

  • Option or Alt for converting and breaking handles

  • Command or Control for direct selection and adjustment

That combination carries you a long way.

It also helps you avoid over-editing. When you are constantly switching tools, it is easy to get distracted and start patching shapes with extra points. Staying in one flow keeps the path cleaner.


If an anchor point lands in the wrong spot, use the Spacebar trick

Another excellent shortcut is the Spacebar.

Say you click and drag a point, but you realise the anchor itself is in the wrong place. Before releasing the mouse, hold the Spacebar. That lets you reposition the anchor point itself. Then release the Spacebar and continue dragging the handles.

The important part is that it all happens in one continuous motion. Your mouse button needs to stay down while you do it.

It is perfect for those moments when you know the curve shape is fine, but the actual point landed slightly off target.

Adobe Illustrator interface showing the Pen Tool drawing a precise vector curve along an organic leaf sketch line, emphasizing clean anchor point spacing.

The Spacebar move saves you from cancelling and starting a point again when the placement is slightly off.

You can also change handle lengths while the point is being created

Here is a more advanced variation of the Command or Control trick.

While dragging out a curve handle, hold Command or Control before letting go. That allows you to adjust the handle relationship while the point is still active.

This can be useful when one side of the anchor needs a shorter handle than the other. It is not something you will use constantly, but for awkward curves it gives you more control.

Think of it as a bonus move for those times when the default symmetrical drag is not doing what you need.


Zoom in instead of fighting Smart Guides

Smart Guides are useful, but they can also be over-helpful.

Sometimes you want to start close to another path without accidentally snapping to it. If Smart Guides keep grabbing things too early, the fix is often not a different setting. It is simply to zoom in more.

When you zoom in, you get more room on screen to place points precisely. That makes it much easier to get near a line without joining it or snapping to it by mistake.

So if Illustrator feels twitchy, zoom closer before assuming the Pen Tool is the problem.


How to line up anchor points perfectly with Average

Sometimes you do not just want two paths to look aligned. You want their anchor points to be mathematically in the same place.

That is where Object > Path > Average comes in.

This is especially handy when you have two path ends that should meet neatly, but you do not want to move the rest of either shape.

Here is the process:

  1. Switch to Outline mode with Command Y on Mac or Control Y on PC.

  2. Choose the Direct Selection tool with the A key.

  3. Select only the anchor points you want to line up.

  4. Go to Object > Path > Average.

Illustrator will move those selected points into alignment while leaving the rest of the paths alone.

If the Average command is greyed out, the usual reason is simple: you have not selected the actual anchor points first.

Adobe Illustrator workspace in Outline mode with the Average dialog box open, showing both horizontal and vertical axes selected to perfectly snap overlapping anchor points together.

Average is the neat fix when two path ends need to meet exactly without shifting the whole shape.

A practical way to master these Pen Tool shortcuts

The easiest way to build confidence is to trace simple hand-drawn shapes.

A sketch with basic organic curves, like a whale or a leaf, is ideal because it forces you to make decisions about:

  • where to place anchor points

  • when to use long handles

  • when to break a handle

  • when an extra point is actually justified

  • how to refine paths without changing tools

Do not worry about perfection on the first pass. Even experienced users draw the shape roughly, then tidy anchor points and handles afterwards. That is a normal part of the process, not a sign that you are doing it wrong.


The core shortcut set worth memorising

If you only keep a few things from all of this, make it these:

  • P for the Pen Tool

  • Option or Alt to convert or break handles

  • Command or Control to temporarily access Direct Selection

  • Spacebar to reposition an anchor while placing it

  • Command U or Control U to toggle Smart Guides

  • Command Y or Control Y to switch to Outline mode

  • A for the Direct Selection tool

Those shortcuts cover a surprising amount of real-world Pen Tool work.


Why the Pen Tool is still worth mastering

Illustrator has plenty of clever tools, but the Pen Tool is still at the centre of a lot of design and illustration work. It gives you direct control, it rewards practice, and once the shortcuts become muscle memory, it is often faster than hunting for a more specialised tool.

The main thing is not to try to master everything at once.

Pick one or two shortcuts first. Get comfortable with those. Then layer in the next one. Over time, the whole workflow starts to feel much more natural.

And once that happens, you stop fighting the Pen Tool and start using it properly.


FAQ

Why do my Pen Tool curves look bumpy?

The usual cause is too many anchor points. Smoother paths typically come from using fewer points and shaping the line with handles instead of placing a new anchor at every little bend.

What does Option or Alt do with the Pen Tool in Illustrator?

It temporarily switches to the Convert Anchor Point function. That lets you break handles, change a smooth point into a directional one, and control how the next curve leaves that anchor.

How do I move an anchor point while I am still drawing it?

Keep the mouse button held down and press the Spacebar. You can reposition the anchor point, then release the Spacebar and continue dragging the handles.

How do I edit points without leaving the Pen Tool?

Hold Command on Mac or Control on PC while the Pen Tool is active. That temporarily gives you Direct Selection so you can adjust points and handles mid-drawing.

When should I turn Smart Guides off?

Turn them off when snapping keeps interfering with precise point placement. If you still need precision near existing paths, zoom in closer rather than fighting the snapping behaviour.

What does Average do in Illustrator?

Average aligns selected anchor points to the same position based on the chosen axis or both axes. It is useful when you want specific path ends to line up exactly without moving the rest of the artwork.

  • Powered by Marvin
  • Terms of use
  • Privacy policy
  • Cookie policy
  • © Bring your Own Laptop Ltd 2026