Overview
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
Use the Artboard tool properly, not just for resizing boards by hand. Illustrator has a bunch of hidden gems for fitting artboards to artwork, reorganising messy layouts, pasting across every artboard, presenting concepts cleanly, and exporting everything in one go.
Artboards are one of those Illustrator features that seem straightforward until a file gets big, messy, and slightly unhinged. Then suddenly, knowing a few advanced tricks feels like wizardry.
These are the artboard and page tips I use when I want to work faster, keep files tidy, and avoid the whole drag-this-edge-for-five-minutes routine.
This is easily one of the best little time savers in Illustrator.
If you have an object selected and you want the artboard to match it exactly, do not try to manually resize the artboard by eye. That is the slow, annoying version of the job.
Instead:
Select the artwork.
Choose the Artboard tool with Shift + O.
In the Properties panel, choose the option to fit the artboard to selected art.
That instantly resizes the artboard to the edges of the selected object.
This is brilliant for things like:
icons
stickers
single graphics for export
anything where the page should match the artwork rather than a preset document size
This is the shortcut that saves you from nudging artboard edges around by hand.
If you cannot see the option right away, it may be buried in the artboard preset list. Scroll back up and look for the fit option near the top.
A lot of people work with multiple artboards and never open the actual Artboards panel. That is a mistake.
Go to Window > Artboards and you get a clean list of every artboard in the document.
From there you can:
rename artboards clearly
tab through the list to rename several quickly
reorder them in a way that makes sense to you
Does changing that order magically redesign your file? No. But it does make navigation and presenting much clearer, especially in bigger jobs with social posts, banners, mobile variants, and random extras scattered everywhere.
Once the artboards are named properly, the whole document feels a lot less chaotic.
If your artboards are all over the place, do not manually drag them into position one by one unless you enjoy unnecessary suffering.
With the Artboard tool active, use the option to Rearrange All Artboards. If the boards are mostly rectangular, Illustrator can lay them out into rows or columns with consistent spacing.
You can choose things like:
number of columns
spacing between artboards
whether they flow left to right or top to bottom
This is especially handy when a document has been through a few rounds of edits and now looks like artboards were dropped from a helicopter.
When the layout gets wild, this pulls everything back into a sensible grid in one hit.
Here is another useful one. With the Artboard tool active, select all artboards using Command + A on Mac or Control + A on PC.
Once selected, you can align them just like normal shapes. Right align them, top align them, whatever works for the job.
That means you can tidy a document structurally without having to guess whether boards are lined up properly.
You can also change multiple artboards to a new preset size in one go. So if a document started as US Letter and now needs to be A4, you can batch update the boards instead of fixing them one at a time.
When a document gets large, scrolling around it becomes a full-time job.
A faster way to move through a multi-artboard file is to use the Artboards panel or double click the artboard numbers while using the Artboard tool. Illustrator jumps you straight to that board.
That is much better than the classic method of scroll, scroll, scroll, scroll, overshoot, scroll back.
If you need the same logo, badge, or element across every artboard, there is a command for that.
Select the object.
Copy it.
Go to Edit > Paste on All Artboards.
That places the copied item onto every artboard.
It is especially useful when you need a repeated brand element across a whole set of social formats. The placement is based from the top left, so it is not perfect for every layout, but it gets the object onto every board quickly. From there, you can fine tune placement for different aspect ratios.
One important real-world note: occasionally Illustrator behaves a bit strangely and dumps multiple copies onto one artboard instead. If that happens, it is likely just one of those Illustrator moments rather than you doing something wrong.
Everyone ends up working in the pasteboard area sometimes. You test ideas, park old versions, leave little scraps of shapes and text lying around, and before long the file looks like a design crime scene.
If you want a cleaner view without deleting anything, turn on View > Trim View.
Trim View hides everything outside the artboard from sight. It also hides bleed from the visible view, which is great when you want a neat presentation or just need to think clearly again.
What is nice is that you can still keep working while Trim View is on. It is a bit like that cleaner preview mode in InDesign where the clutter disappears and the actual design takes centre stage.
Trim View is perfect when the file is messy but you need the design to look tidy right now.
If you need to show different design concepts cleanly, Illustrator has a built in Presentation Mode.
Press F or go to View > Presentation Mode. That puts the current artboard on screen cleanly, and you can use the arrow keys to move through the artboards one by one.
This is ideal for:
concept reviews
client presentations
creative director check-ins
any time you want something that feels more like slides than a messy design workspace
This is also where your artboard order matters. The sequence in the Artboards panel becomes the flow of the presentation.
Presentation Mode turns a scrappy working file into something you can step through like a deck.
When you have built a whole family of assets, export them all together instead of saving them one by one.
Go to File > Export > Export for Screens. Illustrator calls them screens, which is a bit odd, but the feature is solid.
From there you can export all artboards in one batch and choose formats such as:
PNG
JPEG
multiple formats at once
This is especially useful for social media design where one campaign might need several sizes and output types. One export job is much better than manually slicing through the same process again and again.
If you are exporting a full set of social graphics, this is the way to do it.
Sometimes you do not want to think inside the box at all.
If you are sketching logo ideas, rough concepts, or anything that does not need page boundaries yet, you can hide the artboard.
Go to View > Hide Artboards, or use Command + Shift + H on Mac.
The artboard still exists. You are not deleting anything. You are just removing the visual boundary so the canvas feels open again.
That makes Illustrator feel a bit more like old school freeform vector space, which can be surprisingly useful during idea generation.
When you are concepting rather than laying out, hiding the artboard can make the canvas feel much less restrictive.
This one is not strictly an artboard feature, but it sits in the same workflow category.
If you have several documents open, you can drag the document tabs around to change their order. It is a tiny trick, but when you are jumping between files during a demo or a review, it helps keep things flowing instead of hunting for the right tab every time.
This is the weirdly magical one.
If you want to know what something will look like at its real printed size, go to View > Actual Size, or use Command + 1 on Mac or Control + 1 on PC.
Illustrator displays the document at true physical scale on your screen. Somehow, when everything is behaving properly, an A4 page on screen lines up with an actual A4 sheet held next to the monitor.
That makes it incredibly handy for checking things like:
business card text size
poster elements
label proportions
pattern scale before print
It is much better than guessing whether something feels too small or too big.
Actual Size is brilliant for sanity-checking print scale before you commit to output.
A really practical example is pattern work.
On screen, repeated patterns can be deceptive. A tile might feel right at one zoom level and then print far too small in the real world. Switching to Actual Size gives you a much more honest sense of scale.
That is useful when printing something like a large sticker or a repeating decorative surface, where the physical size of the motif matters just as much as the design itself.
Pattern work is where Actual Size really earns its keep because zoom percentages can be wildly misleading.
If you work with Illustrator artboards a lot, these are the upgrades worth remembering:
Fit artboard to selected art when exporting single objects
Use the Artboards panel to name, sort, and navigate properly
Rearrange all artboards when the layout gets messy
Align and resize multiple artboards together instead of one at a time
Paste on all artboards for repeated elements
Turn on Trim View for a cleaner workspace
Use Presentation Mode for showing concepts
Export for Screens for batch output
Hide artboards when you want a freer canvas
Check Actual Size before printing anything scale-sensitive
These are the sort of features that do not look flashy at first, but once they become part of your workflow, you stop wasting time on all the fiddly stuff Illustrator should really be doing for you.
Select the object, switch to the Artboard tool with Shift + O, then choose the option to fit the artboard to the selected art in the Properties panel.
Open it from Window > Artboards. It lets you rename, reorder, and navigate through all artboards in the document.
Yes. Copy the selected object, then use Edit > Paste on All Artboards to place it across the whole document.
Turn on View > Trim View. It hides anything outside the artboard so the file looks much cleaner, while leaving all the artwork intact.
Presentation Mode shows artboards one at a time on a clean background. Press F to enter it, then use the arrow keys to move through the artboards.
Go to File > Export > Export for Screens. From there you can export every artboard together in formats like PNG or JPEG.
Yes. Use View > Hide Artboards or Command + Shift + H on Mac. The boards remain in the file, but the boundaries disappear from view.
It displays your document at real physical scale on screen, which is very useful for judging printed size accurately before sending work out.