Overview
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
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Because the default Pencil tool settings are far too fussy. Illustrator tries to follow every little wobble, and it also has a habit of editing or reconnecting paths in ways that feel unpredictable. A couple of quick option changes make it much smoother and much easier to control.
If you have ever grabbed the Pencil tool in Adobe Illustrator, drawn something with great optimism, and then immediately thought, well, that looks awful, the good news is that it is probably not you.
The default Pencil tool settings are not doing you any favours. They are overly accurate when what most people actually want is a cleaner, smoother, more flattering line. Once you tweak a few options, the tool becomes far more useful for sketchy illustration, tracing over references, and building hand-drawn vector artwork that still looks polished.
A good way to practise is to create a tall portrait document, such as a web-sized artboard, and bring in a photo to draw over. In the example here, the reference image is placed directly into the document rather than added as a template.
That matters because a template usually fades the image back. If you actually want to use the photo at full strength while drawing, placing it normally makes more sense.
When you place an image in Illustrator, you have two practical options:
Click once to place it at its original size.
Click and drag to scale it as you place it, which is much better when the image is massive.
If Smart Guides are enabled, dragging the image into position is even easier because Illustrator helps you line things up as you go.
Placing a reference image at a workable size makes tracing and freehand drawing far less painful.
Before drawing, lock the image layer so you do not accidentally move it around. Then create a fresh layer for the vector lines.
This keeps everything tidy and saves a lot of frustration later. Even if you are just sketching something quickly, separating the reference from the artwork is worth doing.
A simple layer setup works well:
Background for the placed image
Pencil Drawing for the paths you create
The Pencil tool usually lives under the Paintbrush tool in the toolbar. If you do not see it straight away, click and hold that tool group and choose Pencil Tool.
Before you draw anything, make sure you are applying a stroke. If there is no visible stroke, you can end up drawing paths that technically exist but seem invisible.
If that happens, switch to Outline view with Command + Y on Mac or Control + Y on Windows. That lets you confirm whether the path is really there. If it is, the issue is usually appearance, not the tool itself.
For tracing over a darker image, a white stroke is a handy choice because it stands out clearly.
Out of the box, the Pencil tool tries to stick very closely to your hand movement. That sounds helpful, but in practice it means every small wobble and hesitation gets baked into the line.
The result is often:
wobbly curves
awkward corners
more anchor points than you want
drawings that look shakier than they need to
If you are freehand drawing something organic, like a pepper shape, the default line can feel clumsy very quickly.
This is the kind of result that makes people blame themselves, when really the default tool settings are the problem.
The fix lives inside the tool settings.
You can open them in one of two ways:
Double-click the Pencil tool in the toolbar
With the tool selected, use Tool Options in the Properties panel
Either route gets you to the same place. What matters is changing the behaviour of the tool so it helps you rather than exposing every tiny hand movement.
The Pencil Tool Options panel is where the real improvement happens.
Inside the Pencil Tool Options, the most important control is the one that adjusts how accurate or smooth the line should be.
If it is set toward accuracy, Illustrator follows your path very literally. If you push it toward smoothness, Illustrator simplifies the motion and gives you cleaner curves.
For most people, especially when sketching shapes by hand, moving that setting toward Smooth gives a much better result straight away.
You are essentially letting Illustrator tidy up your line as you draw. And honestly, that is exactly the kind of help most of us want.
Once smoothing is increased, the same rough sketch suddenly looks much more deliberate. It may still not be a masterpiece, but the line quality improves a lot.
With smoothing turned up, the line stops fighting you and starts looking intentional.
There is another reason the Pencil tool feels strange to many people. By default, it often keeps the last path active and tries to continue editing or reconnecting it when you draw again.
That can lead to confusing behaviour such as:
new strokes joining onto old ones
existing paths being reshaped instead of creating a fresh line
drawing that feels unpredictable from one stroke to the next
If that behaviour does not suit the way you work, go back into the Pencil Tool Options and disable the settings that keep the path selected or allow selected paths to be edited while drawing.
For a lot of people, turning both of those off makes the tool feel much more natural. You draw one line, then another, and Illustrator stops trying to be clever.
If you want a simple setup that feels much nicer than the defaults, use this approach:
Set the Pencil tool toward Smooth.
Turn off Keep Selected if you do not want Illustrator to keep reusing the last path.
Turn off Edit Selected Paths if you want each new stroke to stay separate.
Use a visible stroke colour and increase stroke weight while practising.
That combination gives you smoother freehand lines and far fewer surprises.
The Pencil tool is brilliant for getting down an organic first pass. You can draw the overall silhouette quickly, especially when you are aiming for a hand-drawn style.
But that does not mean the first line has to be perfect.
Once the shape exists, you can switch to other Illustrator tools to clean it up:
Direct Selection tool to move anchor points
Pen tool to remove unnecessary points
Anchor point editing to refine handles and corners
Curvature-style adjustments to improve the flow of the path
This is really the sweet spot. Draw freely first, then edit deliberately.
After drawing a line, click it with the Direct Selection tool and inspect the anchor points. You may notice that one area dips too low, bends too sharply, or contains more points than necessary.
At that stage you can:
drag a point into a better position
delete extra anchor points with the Pen tool
adjust the curve until it better matches the intended shape
You do not need to choose between freehand drawing and precision. Illustrator lets you combine both.
Freehand drawing gets you close, and anchor point editing gets you the finish.
This is one of those classic Illustrator moments where the software can feel harsher than it needs to. It is easy to assume the tool is bad, or that your drawing is bad, when really the defaults are just set in a way that does not flatter most users.
Once you increase smoothing, the Pencil tool becomes much more forgiving. It can help create clean sketch lines, quick traced shapes, and casual vector illustrations without needing perfect hand control.
So if your first attempt looks messy, do not take it personally. Nudge the settings, try again, and let Illustrator help a bit more.
It is usually grouped under the Paintbrush tool in the toolbar. Click and hold that tool icon to reveal the Pencil tool.
Double-click the Pencil tool in the toolbar, or select the tool and open its options from the Properties panel.
Start by moving the fidelity setting toward smoothness. That single change usually makes the biggest improvement in line quality.
That usually happens because Illustrator is keeping the last path selected or allowing selected paths to be edited as you draw. Turn those options off if you want cleaner, separate strokes.
Yes. Use the Direct Selection tool to move points, and use the Pen tool or anchor point controls to remove or refine points and curves.