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Course info

115 lessons / 12 hours 39 quiz questions 35 projects Certificate of achievement

Overview

Hey there, I'm Dan, and I'm not just a designer, but an Adobe Certified Professional and Adobe MAX Master Award winner. Join me as we embark on an incredible journey together learning Adobe Illustrator!

This course is tailor-made for those who are new to Illustrator and the world of design, as we start from scratch on our journey to becoming Illustrator superheroes! Together, we'll unravel the secrets and techniques that enable you to create anything your creative heart desires - from icons, logos, and postcards to beautifully hand-drawn illustrations.

Get ready to dive into the mesmerizing world of Adobe Illustrator, where we'll craft stunning looking graphics. But we won't stop at just learning the tools; we're about to unleash our creative powers by creating real-world, practical, and portfolio-ready projects. Together we will learn to:

  • • Master the art of drawing with simple shapes and lines.
  • • Unleash your creativity by combining and subtracting shapes using the Shape Builder.
  • • Create advanced custom logos and graphics.
  • • Explore the world of creative brushes, lines, and strokes to elevate your designs to the next level.
  • • Use the Width tool to enhance your lines and strokes adding a style.
  • • Conquer the pen, pencil, and curvature tools like a pro.
  • • Dive into the wonderful world of fonts and the art of mastering type.
  • • Use the intertwine feature to create interesting overlapping illustrations. 
  • • Learn the art of masking images and graphics.
  • • Discover the magic of distorting, bending, warping, and liquefying illustrations.
  • • Select and use color combinations like a true master of design.
  • • Craft your own unique repeating patterns.
  • • Transform real drawings into captivating stencil-style images.
  • • Export your creations for print, web, social media, and more.
  • • Acquire the techniques used by professional graphic designers.
  • • Work with your own mini-brief - creating a unique Farmer's Market brand and bringing it to life.
  • • Harness the power of Adobe's Generative AI features to push your creative boundaries.
  • • Working with mood boards to gather inspiration.
  • • Create realistic mockups to enhance your designs even further.
  • • Engage in a wealth of class projects to put your skills to the test.
  • • Stay ahead with a handy printable PDF cheat sheet.
  • • Access downloadable exercise files to help you practice and refine your skills.
  • • Benefit from forum support provided by the BYOL Teaching Assistant Team.
  • • Discover professional workflows and shortcuts to work more efficiently.
  • • Gain access to a treasure trove of additional resources and websites to supercharge your career.

But that's not all! I'll unveil Illustrator's hidden gems that will transform you into a pro at discovering and utilizing breathtaking vector based graphics. We'll dive into the latest Illustrator tools, including the mind-blowing Generative AI features that allow us to craft illustrations that were once thought impossible. 

Whether you've never even opened Illustrator or have struggled with it in the past, I'm here to show you the easy way to create breathtaking artwork and portfolio projects to be proud of. Join me as we go from Illustrator zeros, to Illustrator superheroes!

Requirements

• All you need is a copy of Adobe Illustrator, you can get a free trial from Adobe here to get started.

Who this course is for

  • • Absolutely no previous Adobe Illustrator experience is required.
  • • This course is designed for newcomers to Illustrator and design in general, so no prior design, drawing, or illustration experience is necessary.
  • • This is a relaxed, well-paced introduction, perfect for producing a wide range of drawings, illustrations, logos, and portfolio projects. Only basic computer skills are necessary - if you can send emails and surf the internet, you're more than capable of mastering this course.

What you'll learn

  • • Drawing with Shapes & Lines
  • • Drawing with the Shape Builder
  • • Creating a custom logo
  • • Working with Brushes
  • • Drawing with the pen, pencil & curvature tool
  • • Learn how to work with type & fonts.
  • • How to vectorise an image in Illustrator
  • • How to curve text in illustrator
  • • How to trace an image in illustrator
    • How to warp text in illustrator
    • How to embed images in illustrator
    • How to mask images & graphics.
    • How to distort, bend, warp & liquefy illustrations.
    • How to make 3D illustrations. 
    • How to make your own repeating patterns.
    • How to create stencil style images from real drawings.
    • How to save, print & export for Print, web & social media.
    • Lots of real world exercises for you to practice.
    • Loads or class projects for you to complete.
    • Printable Cheat sheet.
    • You will get the finished files so you never fall behind.
    • Downloadable exercise files.
    • Techniques used by professional graphic designers.
    • Professional workflows and shortcuts.
    • A wealth of other resources and websites to help accelerate your career.
Daniel Scott

Daniel Scott

Founder of Bring Your Own Laptop & Chief Instructor

I discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.

Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.

True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.

Certificates

We’re awarding certificates for this course!

Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.

How to earn your certificate

Work your way towards your certificate for this course by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz (Merit level courses only)
  • Complete the Distinction Certificate Project (Distinction level courses only) - look out for the video marked with
  • Upload your Distinction project to the My Projects area in your account
  • Request your certificate when you've completed the requirements for the certificate level you're working towards

Good luck!

Pass certificates

We're awarding 'Pass' level certificates for this course.

You can work your way towards your 'Pass' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Don't forget to request your certificate when all your projects are complete

Good luck!

Merit certificates

We're awarding 'Merit' level certificates for this course.

You can work your way towards your 'Merit' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz
  • Don't forget to request your certificate when you have passed the quiz and completed all your projects

Good luck!

Distinction certificates

We're awarding 'Distinction' level certificates for this course.

You can work your way towards your 'Distinction' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz
  • Complete the Distinction Certificate Project - look out for the video marked with
  • Upload your Distinction project to the My Projects area in your account
  • Don't forget to request your certificate when you have passed the quiz and completed all your projects

Good luck!

Downloads & Exercise files

Written Guide

Do you need to use layers in Adobe Illustrator?

Unlike Photoshop, Illustrator does not require a big stack of layers for everyday vector work because you can control overlapping objects with Arrange commands. On the other hand, layers are still very useful for keeping backgrounds, reference artwork, and parts you do not want to accidentally move organised and locked.

How to Use Layers in Adobe Illustrator

If you are coming from Photoshop, the Layers panel in Illustrator can feel a bit odd at first. In Photoshop, a document with 20 or 50 separate layers is completely normal. Adding an element often creates another layer, and the panel is central to how you work.

Illustrator is different. For a lot of illustrations, logos, icons, and simple layouts, one layer is plenty. You can create your shapes, type, and paths all on that one layer without making a mess of anything.

That does not mean Illustrator has no object order. It absolutely does. It just handles the everyday question of what should sit in front of what? more quickly through its arranging controls rather than asking you to constantly manage a giant layer stack.

Layers matter when you need to keep specific work separate, hide it, or lock it so it cannot be selected by accident. The goal is not to avoid layers completely. It is to use them when they make your job easier.


Start with a Simple Illustrator Document

To practise, create a new document from File > New. A 1000 by 1000 pixel document is a nice, simple size for this kind of exercise. Set the colour mode to RGB if the work is intended for screens. RGB is the screen colour mode, while CMYK is generally for print.

Create three simple things on the artboard:

  • A large rectangle to act as the background

  • A heading, such as “Impossible Triangle”

  • A regular triangle, plus a circle if you want an extra overlapping object to experiment with

Give the rectangle a fill colour and remove its stroke. Then add the text with the Type tool and create a triangle with the Polygon tool set to three sides. The exact colours do not matter here. We are learning stacking order and layer organisation, not making the world’s greatest triangle.


One Layer Already Contains Multiple Objects

Illustrator gives a new document a single layer by default, usually called Layer 1. Draw your rectangle, type, triangle, and circle, and they will all land there.

Open the Layers panel and click the little chevron beside Layer 1. This reveals the individual objects inside the layer. You will see separate entries for the polygon, type, rectangle, and any other artwork you created.

Each entry has its own visibility control. Click the eye icon to hide or show that individual object. So yes, Illustrator is still tracking all the things you make. It simply does not insist that every object needs its own top-level layer.


Use Arrange for Everyday Stacking Order

Most of the time, you do not need to open the Layers panel just to put a shape behind another one. Select the object with the Selection tool, then use Arrange from the Properties panel, the right-click menu, or Object > Arrange.

The two commands that confuse people are these:

  • Send to Back moves the selected object behind everything else.

  • Send Backward moves it back by one object only.

Think of your objects as a stack of cards. Send to Back puts the selected card at the bottom of the whole deck. Send Backward moves it down one card at a time.

Adobe Illustrator artboard selecting

Arrange commands are the fast way to control which overlapping object sits in front.

For example, if a circle is on top of your text and triangle, choosing Send to Back puts it behind both objects. Choosing Send Backward puts it behind only the object directly beneath it. If it still needs to travel further, use Send Backward again.

This is why layers are not the main thing to reach for in normal Illustrator work. Moving one object backward is often much faster than digging through a layer panel.


Arrange shortcuts

You can find the same commands under Object > Arrange, where Illustrator also displays the keyboard shortcuts. On a Mac, Send Backward uses the keys Command + [ and Control + [ on Windows.

If an object needs to move back several positions, the shortcut is much nicer than repeatedly opening menus. Still, for most quick jobs, you will probably use Arrange commands only as needed and get on with drawing.


When Layers Are Actually Worth Using

A background is one of the best reasons to use a separate layer. A large rectangle may cover the whole artboard, which makes it very easy to select accidentally when you are trying to select something else. That gets annoying quickly.

A simple, practical layer setup is:

  • Background for the large background rectangle

  • Foreground for the shapes and artwork you are currently editing

  • Text only if keeping type separate will genuinely help

You might also use layers when tracing over imported artwork. Put the reference image on one layer, reduce its visibility if needed, lock it, and draw clean vector artwork on a layer above it. That is a very sensible use of Illustrator layers.


Create and Name a Background Layer

Open the Layers panel and click the Create New Layer button near the bottom. A new layer appears. Double-click its name and call it Background.

At this point, the layer is empty because everything you have drawn so far is still on Layer 1. Select the background rectangle with the black Selection tool, then choose Edit > Cut. This removes it from the artboard and places it on the clipboard.

Click the Background layer in the Layers panel so it becomes active, then choose Edit > Paste. The rectangle now belongs to that layer.

There is one small catch. A new layer typically appears above the existing layer, which means the background rectangle may now cover your foreground artwork. Drag the Background layer beneath the other layer. Watch for the horizontal insertion line beneath the layer, not an indented position inside it. If you accidentally drop it inside another layer, undo and try again.

Adobe Illustrator workspace displaying the

Named layers make it much easier to separate artwork that should remain fixed from artwork you are still editing.

Lock the background

Once the background is on its own layer, lock it. In the Layers panel, click in the empty column where the lock icon appears. It is a slightly magical blank spot until you know it is there.

A locked Background layer cannot be selected or moved on the artboard. Your foreground shapes remain editable, but the thing you really do not want to nudge by mistake stays safely put.

Rename Layer 1 to Foreground if that better describes what it contains. A useful layer name is much better than a panel full of “Layer 1 copy 14” nonsense.


Move Text or Artwork to Another Layer

There are two straightforward ways to move artwork between Illustrator layers.

Method 1: Cut and Paste in Place

Select the artwork you want to move, choose Edit > Cut, select the destination layer, then use Edit > Paste in Place.

Paste in Place is the important bit. A normal Paste command can place the object in the middle of the current view instead of where it was originally. Paste in Place puts the object back in exactly the same position on the artboard, just on its new layer.

For example, you could cut the “Impossible Triangle” heading, create a Text layer, select that layer, and paste in place. Now the type is separate, correctly positioned, and ready to be locked if needed.


Method 2: Drag the Selection Indicator

There is also a quicker, slightly sneaky option in the Layers panel. Select the object on the artboard, find its small coloured selection indicator in the panel, and drag that indicator to the target layer.

The object moves to whichever layer is highlighted in blue. This saves the cut and paste process once you know what that tiny dot is doing.

Keep an eye on stacking order when you move artwork between layers. If you drag text from a top layer to a Background layer beneath the Foreground layer, the text may disappear behind the foreground shapes. That is not Illustrator being difficult. It is simply following the layer order.


Layer Colours Give You a Helpful Clue

Each Illustrator layer has its own colour. When you select an object, its bounding box, anchor points, and selection edges use the colour of the layer that contains it.

Move the text to a blue Foreground layer and its selection edges appear blue. Move it to a red Background layer and those selection edges appear red. It is a useful visual cue when you are dealing with someone else’s file and trying to work out where an object lives.

The artwork has not changed. Only the coloured selection outline has changed, because it belongs to a different layer.


A Simple Illustrator Layer Workflow

Here is the practical version to keep in your head:

  1. Start most Illustrator work on one layer.

  2. Use Arrange to move objects forward, backward, to the front, or to the back.

  3. Create a separate Background layer for a large rectangle or reference artwork.

  4. Move the background onto that layer and lock it.

  5. Keep your editable shapes together on a Foreground layer.

  6. Create a Text layer only when separating the type will make the document easier to manage.

  7. Use Paste in Place when moving an object through cut and paste.

That is layers in Illustrator. Use them when they protect your work or make a complicated file easier to understand. For normal object stacking, though, Arrange is usually the faster and less fussy answer.


FAQs

Should every object be on its own Illustrator layer?

No. For most Illustrator projects, keeping related objects on one layer is perfectly normal. Use separate layers for things such as backgrounds, reference images, or groups of content you want to lock, hide, or manage separately.

What is the difference between Send Backward and Send to Back in Illustrator?

Send Backward moves an object behind the next object in the stacking order. Send to Back moves it behind every other object in the current stack.

How do I move an object to another layer without changing its position?

Cut the object, select the destination layer, then choose Edit > Paste in Place. You can also select the object and drag its coloured selection indicator in the Layers panel to the destination layer.

Why can I not move my background in Illustrator?

The Background layer is probably locked. In the Layers panel, click the lock icon for that layer to unlock it, make your change, then lock it again to avoid moving it accidentally.

Daniel Scott

Written by Daniel Scott — Founder of Bring Your Own Laptop & Chief Instructor

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