How To Speed Up Your Workflow For Advanced InDesign CC Users
Questions
Student Gallery
Be the first to share something.
Course info
Overview
- You will need a copy of Adobe InDesign 2018 or above. But you find that 95% of all the features in this course will work with earlier version of InDesign (e.g. CS6). A free trial can be downloaded from Adobe.
What am I going to get from this course?
- 70 lectures 5+ hours of well structured content.
- Create PDF Forms
- Master Long Documents.
- Advanced Fonts
- Master Styles
- Shortcut Sheet
- Create Charts & Infographics
- Create Interactive Documents
- Workflow Tactics
- Shortcuts & Speed Tips
- Advanced Creative Cloud Features
- Tips for working with Photoshop & Illustrator
- Using Scripts
- Exporting, Prepress & Printing tricks
- You will get the finished files so you never fall behind.
- Downloadable exercise files & cheat sheet.
- Forum support from me and the rest of the BYOL crew.
- Techniques used by professional graphic designers.
- Professional workflows and shortcuts.
- A wealth of other resources and websites to help your accelerate your career.
What is the target audience?
- This course is for people who already know InDesign and want to take their skills and speed to the maximum level.
- This is an advanced InDesign course, so you’ll need basic InDesign skills to find this course useful.
- This course is perfect for anyone that already knows how to insert images & add text.
- If you a completely new to InDesign try my InDesign Essentials course before starting this one.
- This course is perfect for anyone that has completed my InDesign Essentials course.
Course duration 7 hours 45 mins + your study.
Daniel Walter Scott
Founder of Bring Your Own Laptop & Chief Instructor
I discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Downloads & Exercise files
Transcript
This video is how to go fast in InDesign. For people that are pretty competent in InDesign already. Let's start with some of the easy ones. Let's grab the 'Rectangle tool', and let's say I want to draw out a box, but I know it needs to be '20mmx30mm'. But I'm using Imperial, kind of inches at the moment. So I'm going to draw out a rectangle, and I'm going to give it a Fill. Now, along here, it's in inches. I can go into my 'Preferences' and change it, or with my Width & Height here, I can just type in '20mm'. Click down here, and you can see, it's converted it. Same down here, I'm going to type in '30mm', and now I've got the box exactly how I want it to be. You can do with pixels, do the other way if you're using millimeters or centimeters. Just type in the '2inch', using the quotation option. Then click out, and it will convert it for you. Obviously, we're working in inches, that doesn't work. It's a bit of Math in these fields.
Let's say I need this, but I need it to be times 2. So asterisk '*' is times. And I'm going to tab out to the next one. It times it by 2. Let's say I need it divided by 3. Just the forward slash and 3, '/3', and it's divided it by 3. You can add, minus, divide, and times. Works for any of these fields here. Say I want to break this into-- I need to rotate it 360, but I need to divide it by 5. We can kind of do the whole bit of Math in there without having to kind of start with the starting point, if you know what I mean. Same with percentages, any text field will accept all of the Math.
The next option is 'Quick Apply'. So I'm going to delete my rectangle. Quick Apply is just a really, quick and easy way to apply Style. You can actually use it for lots of things, but let's say this is now a Heading. I want to apply my Heading Style. Instead of having to go, 'Window', 'Style', blah, blah, I can click anywhere inside of here and then just go 'Command-Return', or 'Control-Return' on a PC. It opens this thing called Quick Apply. Now if I type in 'MF', because I've named my Styles with MF, perfect. And then let's say I accidentally use this one as MF Headings remember, 'Command-Return' brings that up, or 'Control-Return' on a PC. So I've accidentally applied it. I can click in here, 'Command-Return', and you see it brings up the thing I last did, so it can get super fast. Actually, 'Command-Return', back to Body Copy. So whenever you're naming your Styles - I use this mainly for Styles - make sure you give them kind of a good name, not just Body Copy and Title. Why? Because whenever you do this, then you have to type in 'Title', and then back to Body Copy, whereas if I've got an acronym in the front, maybe just like a 'Z' in the front, it's often what I do, they're all going to be grouped together.
Other useful things for Quick Apply, let's say I need this all to be upper case. You can actually pick anything from the drop down menus as long as you know how to type it. So 'upper' here he is there. So I've just got the first part of the letters, 'Uppercase'. So I can go through now, and decide, you my friends, are all upper cases. Just a quick, easy way to apply anything from these options here. Any styles, any options. I said options a couple of times, Quick Apply is super useful. 'Command-Return' or 'Control-Return'.
Next little work flow trick is Autocorrect. So, let's turn it off, let's go to 'InDesign', 'Preferences', 'Autocorrect'. And there they are there, just turn it on. I find this useful just by itself, and then we'll show you kind of a super slick advance use of it, but just enable it, and it just has lots of mis-spelt words in here that helps you Autocorrect, so I'm going to click 'OK'. And in here I'm going to type 'the' badly. So 'the', say you're really fast you see, it changed it around, although slowly again. So 'hte space', it auto corrects it. Now I have terrible spelling, so I spell 'across' with two 'c's all the time. Space, it adjusts it. 'Abbout', I got 2 'b's. I don't do that, but I probably do. So there's lots in here, okay?
Now my nemesis there, or there, I don't know. You can go in and enter your own ones in there. So you can go up to 'Preferences', go again to 'Autocorrect', and you can add stuff. So down the bottom here, I've got it enabled. I'm going to add it to the USA dictionary, you might be adding it to a different one. Click on 'Add', type it badly. 'i' before 'e', somebody once told me. 'i' before 'e'? That's how it works, except after 'c', or something like that. That has never run through. If you've got a better way, for me, remember which way those go around, drop it in the comments, that would be great.
So I'm going to type in the right way, and click 'OK'. Now I can spell it wrong, and it switches it around for me. So if there's words you have problems with-- the one that drives my friend Margaret up the wall is 'grammar'. I just spell it with two 'a's, and it drives her nuts. Now I do it on purpose, but in the beginning, I asked her to check my 'grammar', I spell it wrong. Her face goes purple.
Another trick you can do, and this only works while you're typing. So Autocorrect doesn't-- let's say I already had it there. So I've copied and pasted text. It doesn't kind of help you when I paste it in, text will automatically do it. So it's just while you're typing. So it's one of the drawbacks, or I guess it's one of the things that happens with Autocorrect, while you're typing, but if I paste from Word, or open in an existing document, it's not going to go through and just auto correct it.
Where this can get super useful is, just to save time, speedy work flow stuff. So let's go to 'InDesign', 'Preferences', 'Autocorrect'. What we're going to do is enable-- we're going to create some crazy words. I'm going to type in 'byol'. The correction is going to be 'bringyourownlaptop'. It's a really long word, really hard to type. And I click 'OK'. Click 'OK'. Now my Autocorrect is kind of doing some weird stuff. Actually I'm going to type in 'byol', space, bringyourownlaptop. Cool, huh!
I write lots of notes in InDesign so there's lots of times where I'm like-- Now go to your 'Selection tool'. I know it's not a long one, but I definitely go in here, and say, actually I'm going to make one called Selection Tool, 'st'. This is going to be 'Selection tool'. Click 'OK'. Let's add another one. I'm going to make this one 'ms', and I say a lot, "Make sure you have," I'm going to "xxx". "file open", full stop. I say that at the beginning of every note. So make sure you've got the 25721 file open. So I'm adding that one as 'ms'. Click 'OK'. Now, at the beginning of my notes I can say-- so my first note is going to be 'Paragraph', let's look at numbering. The first one here is going to be 'ms' space. Oh, good, nice going, switch that out. So lots of things, what was the other one? "Now choose your st 'Selection tool'. You have to be doing some common stuff, maybe just your business name, maybe your name, or the CEO's name, or some sort of acronym that you guys use that needs to be spelled out, and fill till on Autocorrect, and it will do it as you type.
Remember, that's only while you're typing. If I copy and paste 'st' from somewhere it's not going to go and automatically change it, which is probably good. You'll have no control over it, but that's how it works. Other work flow options is-- I'm going to save this one here, I'm going to close it down, and with nothing open, I'm going to go from 'Start' to 'Essentials'. Now if I change anything, this will change the default forever. You might have noticed already, we've covered a little bit of it in this course but there's things like hyphenate. So in here, under 'Paragraph', I'm just turning Hyphenate-- it's on by default, turn it off now, and every time you draw a box it's not going to hyphenate. Same with the default font. I've changed mine to 'Roboto Lite', change it here, it will change forever.
Other parts, in your 'Swatches', go and-- let's say I want to delete 'Google'. So he's not part of my main fonts. I'm going to delete 'FedEx' as well, goodbye. And I want 'Maynooth Furniture' not to be in this kind of little group. I'm going to grab you, grab the 'Swatch', and just drag it up here. I have to do them all separately, fun. But you get the idea. These now will be in every document. And you could go through now and delete these ones that nobody uses. Other things that I do is that-- the Drop Shadow, so I use Drop Shadows, but the default one is awful. There's a little icon up here for Drop Shadow, what you can do is you can get into it, and if you change it now to something more useful, actually go into here, go to 'Drop Shadow'. It will open it up. And say, I don't want it to be this giant kind of offset. I want it to be quite low. And in my case I like to have it straight up and down. So I like to be at 90°. I don't like it to be such a big offset, so I'm going to have '0.05', and I'm going to have the size of it. It's too big and fuzzy for me, that I like.
So I'm going to have it down to something like '2'. And now whenever I draw a Drop Shadow in a new document, open it up, draw a grid rectangle. Actually I've done the Drop Shadow on by default forever which is not what I want. So that's my Drop Shadow that I like. Actually I don't like it, it's not quite how I want it, but you get what I mean, right? You can get the Drop Shadow how you want, and then every time you draw it, it's going to work. One thing I did do is I clicked on that button. That just means that every time I draw an object, it's going to be on.
So back to here, go to this and turn it off. If you're finding-- this is a good kind of point I guess, is that, sometimes, every time you draw a box, you're like "Why has it got a pink Stroke and dotted with a weird Fill?" So you've just gone in and changed it here, with nothing open. So I'm going to go back to having a Fill of 'None' and a Stroke of 'Black', that's going to be my default. The Drop Shadow is not turned on, but it will still remember, when I do turn it on, what I did. Here. 'Fill'. 'Fill color'. Turn on Drop Shadow, and it's better. That's the one I'm going to change though.
Another one of the features-- actually let's open up the document that I had open - Speed up work flow. - is dragging and dropping. So in every other program in the world, if you select something, you can click and drag it, move it, you can't do that here. So InDesign has turned it off by default. I can select it, and just move it around, but I can't in InDesign, so they're twice now. Let's go to 'Preferences', 'Type'. Let's just turn it on. There it is there, 'Enable in Layout View'. It just means, now, when I select stuff, I can say, actually I want to grab this, I want to drag it over here. So you might like working that way in the other documents, but just like how it does it here in InDesign, you might not have never known it existed at all, and these are the things you can do, but there you can.
Another interesting thing to help you work is the Content Grabber. When it got introduced, I hated it. I'm slowly getting used to it. I'm going to import an image from, let's just say, 'Background 1'. So I got a big background, and this target in the middle. You might hate it, because you're forever like "Why is it right in the middle?" You can put it off by default. And it is under 'Window', 'Extras', and there's one in here called 'Content Grabber'. That's what it's called, I guess. 'Content Grabber'. Hide it. Now I want it to come on again. You can just double click it if you need to move it. Like the good old days. Up to you.
All right, on to the next one, I love this one. If I shrink this down, let's say I want this to kind of be-- I want the text to run around it, so we put on our 'Text Wrap'. Not very exciting. Weirdly Text Wrap has its own panel; should be under Type. Not sure why. So it's going to run around the outside. So the text is running around, I can push it out a little bit, I got a bit of a buffer, but let's say I want to add text to the top of this. You'd probably know how to fix this. I'm going to say this is the-- maybe we're going to add a Copyright notice; 'Copyright for 2018'. And I want to add it on top of this. You'll notice that if I try and do it right, the Text Wrap pushes it over to the edge, and I might let it be on top. Normally what people do is they go to 'Object' and go to 'Text Frame Options', you may even use the super-duper shortcut. 'Command-B', or 'Control-B' on a PC. And you say 'Ignore Text Wrap'. That works, but you got to do that every single time, so I'm going to undo that, and I'll show you a cool little trick.
So in 'Preferences', go to 'Composition' and this magical button here, it says 'Text Wrap only affects the text beneath'. So it doesn't matter that this has Text Wrap applied or not, because it's on top of the image. If I push it below, I'm going to move it below, it does get affected by Text Wrap but if it's above - I'm just using my shortcut to bring it above - it won't. And that is a kind of a default on for this entire program. So no more going in to 'Command-B' and saying ignore Text Wrap on every text box. It doesn't work obviously, if this is behind the text. I'm going to send it to the back, doesn't work. If I bring it forward, it does. Now it's in front of this guy, I'm going to bring him forward. So that's a nice little time saver.
The other thing to do, is when you're working, is to potentially have your own folder structure. Let's go check it out. So here in my documents, I've got this folder. His job is, nothing really. He's just an empty folder structure, but if I open this, it's called 'New Job', but there's no actual files in here, it's just folders. So there's a folder structure, so there's a 'Copy'. This is where all the copies goes for any of the jobs I work on. 'Files' is my kind of like the second drawer down. All the files, you're not too sure what to do with generally just images go in there. 'Reference' might be material that I got from the client. A previous PDF, or something. 'Sent to Client' are all the PDFs that I've sent them. 'Sent to Supplier', there's only one in here. I only ever had one file in here, and that's the one that went to the printer. 'Site Files' I have, because I do a lot of web work. And 'Working' is where I keep things like my InDesign, Illustrator, and Photoshop documents.
Why is it good? Because I've got a new job, and they say, "Dan, can you help us work?" and you say, "Yes." Copy, paste. Give this a name, and this is 'Maynooth Furniture Brochure'. And that structure is ready to go. Especially if you're working in an agency or somewhere where you're dealing with lots of other people having consistent folder structure, means everyone knows where to find stuff. You don't have to use what I use, but just come up with your own. I also have in here, one called 'Zold'. So every folder has a Zold folder. All that means is, 'Z' is-- so that it ends up at the bottom. Say I've got lots of files in here that I'm working on, Zold sits down at the bottom alphabetically, and I just dump everything in there that I want to keep, but it's kind of like old news. Let's say that I've got a versioning system or I've done concepts for clients, and there's Concepts A, B, and C. The client picks B, so what I want to do is get rid of A and C. Now I don't want to delete them, just want to put them away, and hide them, so they don't get mixed up, but I can go back to them if I need them, so Zold.
So come up with your own structure. I'm going to delete that one now. I've got another one that I use for video. Kind of similar, slightly different kind of layout. So whenever I'm making a video course like this, all I do is copy and paste this, and say 'InDesign Advanced'. And I've got a place for my raw videos. My Premier Pro, After Effects, that renders the copy. All nice and easy.
The other little trick is naming your files. I'm going to name this one, and at the end here let's just give it a new name. I'm going to put in 'Coursework', I'm going to call this one-- let's call it 'Work flow' just to keep it simple. You might just call it work flow, but you should give it a version number. That's not too hard, because we all know that is the kiss of death. If you call anything 'Final', you know you're going to be opening this again, and making changes. And you end up with, like 'Final 2', and 'Final New', and--- you've done it before. So stick to either a versioning number, or what a lot of agencies will do, put the date backwards. So today is the 17th of the 12th, and it's the 20th. So that's the kind of date backwards. It's the day of the week, the month, and the year. I know, if you're American, you do it kind of-- for some reason you like to put the date in the middle there. You probably hated the way everyone does it, but you might have to stick to this numbering convention just so that you've got some numbering consistency.
Cool thing about doing the date backwards is that they're all going to stack alphabetically. And it just means, the one at the bottom, so they stack alphabetically, means the one at the bottom is going to be the latest version. Kind of some really high flow like newspaper ad, or something that's going out every day. You might put the time backwards, the 24-hr clock backwards as well. I find I just use V1, V2.
Another little work flow thing is, I guess how you kind of backup your files. If you're in a larger company you might not have to worry about it, but for me, I'm working on my own system. Backing up is, I guess, is important, but plugging in my time machine kind of hard drive is a bit of a pain. It's not a pain, but the problem with that is, it's backing up on to a hard drive that's often right next to my laptop so if my laptop gets stolen they're unlikely not to take the hard drive as well. So they're kind of just gone together. So you need some sort of backup system.
Now, iCloud kind of works. It doesn't seem to work the exact same way that you want. Doesn’t backup everything on your machine, just backs up important documents. So what I use is something called Mozy. All it does, is it's kind of a drip feeding backup system. So whenever I create, or hit 'Save' on a file, it slowly starts drip feeding it up to my Mozy account. Mozy is M-O-Z-Y. They charge, it is 10 bucks a month, but for me as a freelancer, 120 bucks a year, just to have everything backed up. But I've had to use that only once thankfully. My car got broken into, laptop stolen. The cool thing about that is that there's a ton.
So all I did is, I got a new laptop, I actually borrowed a friend's, and all I did was install the app, and the cool thing about it is that it said, "Hey Dan, would you like to put everything back where you got it?" And I was like, "Oh, yes." And what it did was, it started kind of just pushing everything back on to my Mac, on this borrowed Mac, into the right places. So it started putting everything back. My documents, all my settings went back, it was a great little setup. Now I had about 50 GB, so it took forever, like nearly about 3 days to inject everything back in. If you've got lots you can go to Mozy and order a DVD. And they send it to you in the post next day. I did both. Didn't end up using the DVD, but it's a super handy little service.
Last little time saving trick thing. Whenever I've got, say a Contents page, or-- I do it mainly for Table of Contents. Let's say there's something you need to update on a document, or a note to other people using the InDesign file. Let's say I'm going to draw a nice big box. I'm going to use Magenta because that means business. And I'm going to add some text in here. I'm going to join it to it, and I'm going to say "Remember to update." I'm going to make it centered. I'll put a couple of returns in, bad design, I know. But, just here is kind of like a big-- don't forget about this thing, all caps. Exclamation mark, I really mean this. So I want this to-- remember to update this page before you send it out to print or just little notes to people. But you don't want it to print, you don't want it to accidentally go through, so what you can do is, you can put it on a non printing layer.
So I've got my Layers panel here, I'm going to make a 'New layer'. I'm going to drag-- I got him selected. Now if I drag this blue dot to the red dot, he's on this layer here, on 'Layer 2' I'm going to give it a name, I'm going to say, this is a 'Non Printing Layer' to make it super clear, and down the bottom here, you can say, 'Print Layer'. So whenever I go out to 'Export' or 'Print' this whole entire layer is not going to be added. So it's there, it's in the working document, doesn't go out. I use this quite often when I'm doing things like the Table of Contents, but also, I do trainer version of notes as well as the student version. So I'll have kind of confidential trainer version only across the middle. Doesn't go out to print but it's just so that I know which document I'm working on.
I'll show you this as well because this will happen when you'll open the document, when you see something on the page, and it won't be exporting. It's because you've accidentally copied and pasted on to a layer that's non printing. Took me ages one time to figure out why stuff wasn't printing. It's because it was on a layer that had the print layer turned off. So I'm going to click 'OK', and I'm going to lock it. Just so I can't add other stuff to it.
So that's going to be it of work flow techniques. There was some good stuff in there, I kind of finished on the data, I think. This one here wasn't my most exciting feature. I should have finished on that Autocorrect stuff. bringyourownlaptop, or the Text Wrap option. Felt like those are the best ones, but anyway, non printing layers it was. All right, that's it, let's look at the next tutorial.
How can I speed up my workflow in InDesign?
Use Quick Apply for styles and commands, enter calculations directly into measurement fields, and turn Autocorrect into a shortcut for repeated phrases. Then set sensible application defaults, simplify text wrap, and organise your project files consistently. These small changes remove repetitive work without changing the way you design.
Advanced Workflow Tips for InDesign
Key takeaways
Convert units and calculate dimensions without leaving InDesign.
Apply styles and menu commands with one useful keyboard shortcut.
Expand short abbreviations into frequently used text.
Stop resetting fonts, swatches and effects for every new document.
Make text editing and image captions less fiddly.
Keep projects organised, backed up and clearly versioned.
Add prominent production reminders without including them in normal output.
If you already feel reasonably comfortable in InDesign, getting faster is often about removing the little interruptions. Opening a panel. Retyping a business name. Fixing the same text wrap problem for the twentieth time. None of those jobs is particularly difficult, but they do get in the way.
These are the workflow tricks I find useful, from quick keyboard habits to the folder structure sitting outside InDesign.
1. Let measurement fields handle units and maths
Say you need a rectangle that is exactly 20 mm wide by 30 mm high, but your document is using inches. You could change your preferences. Or you could leave everything alone and type the units straight into the fields.
Draw a rectangle and select it.
Enter 20 mm in the Width field.
Press Tab or click into another field.
Enter 30 mm in the Height field and confirm it.
InDesign converts the measurements into the document’s current units. The rectangle is still the exact size you asked for.
You can work the other way too. If your document uses millimetres, enter an inch measurement with its unit or the inch quotation mark. Pixel measurements can also be entered where appropriate. There is no need to change the whole document just because one specification arrives in a different unit.
Do the calculation where you need the answer
Numeric fields can also do simple maths. Instead of reaching for a calculator, edit the value directly:
Multiply: append *2 to double a value.
Divide: append /3 to divide it by three.
Add or subtract: use + or - with the amount you need.
Calculate an angle: enter 360/5 in the Rotation field to get 72 degrees.
Press Tab or click away to evaluate the expression. This is useful for dimensions, rotation and percentage fields. The important distinction is that these are numeric input fields, not ordinary text frames.
2. Use Quick Apply instead of hunting through panels
Quick Apply is one of those features that becomes much more useful once it turns into a habit. I mainly use it for styles, but it can find menu commands as well.
The shortcut is:
Mac: Command + Return
Windows: Control + Return
To apply a paragraph style, place your cursor in the paragraph, open Quick Apply, and start typing the style’s name. Choose the matching result and press Return.
Quick Apply brings matching styles and commands to the text you are editing.
It also remembers your previous search, which makes repeated formatting very quick. You spend less time opening panels and more time working through the document.
Name styles so they are easy to find
A little planning with style names helps here. I use a shared prefix, such as MF, so related styles appear together when I type those letters.
Names such as MF Heading and MF Body Copy are easier to gather into one short search than unrelated names. A distinctive letter at the beginning can work too. The point is to choose something you can type quickly and recognise immediately.
Search for commands, not just styles
If you need to change selected text to uppercase, open Quick Apply and type upper. Choose the uppercase command rather than working through the menus.
You still need to know roughly what the command is called, but you do not have to remember where Adobe put it. That alone is a useful little time saver.
3. Turn Autocorrect into a text-expansion tool
Autocorrect is handy for spelling. It is even better when you make it type things for you.
Open Preferences > Autocorrect and enable it. The built-in list contains common typing mistakes, so something like hte can become the when you press Space.
I have a few spelling mistakes that seem determined to stay with me. If you have your own regular offenders, add them to the list:
Choose the appropriate language dictionary.
Click Add.
Enter the misspelling in the first field.
Enter the correct spelling in the correction field.
Confirm the entry and close Preferences.
That is useful by itself. But the more interesting trick is to treat the “misspelling” as an abbreviation.
Create shortcuts for things you type repeatedly
For example, I can add BYOL as the abbreviation and Bring Your Own Laptop as the correction. Now I type four letters and a space, and InDesign fills in the full name. Lovely.
Because I write training notes in InDesign, I also use entries such as:
ST: expands to “Selection Tool”.
MS: expands to “Make sure you have the XXX file open.”
With the second example, I only need to replace the placeholder with the relevant filename. The rest of the instruction is already there.
The same idea works for your business name, your own name, a CEO’s name, or an acronym that needs to be written out in full. It is worth setting up when the same wording appears again and again.
Remember: Autocorrect works as you type
Autocorrect does not sweep through existing text. It will not automatically correct a document you open, text imported from Word, or abbreviations pasted from somewhere else.
That is a limitation, but it is also reassuring. Pasting ST into a document will not unexpectedly turn it into “Selection Tool”. The expansion happens during typing, when you trigger the correction.
4. Set useful defaults with all documents closed
If you keep changing the same settings at the start of every job, make them your defaults instead.
Close all documents before making the changes. Settings changed in that state can become application defaults for new documents, rather than changes to one particular file.
Choose your default text settings
Two obvious candidates are hyphenation and your starting font.
Hyphenation: if you normally turn it off, disable it in the Paragraph controls with no document open.
Default font: choose the font you usually want to start with. Mine was Roboto Light in this setup.
Now new work starts closer to the way you actually like working. These changes are about future documents, not rewriting the formatting in existing ones.
Tidy up your default swatches
The same idea applies to the Swatches panel. With no documents open, remove colours you do not want in every new job and organise the ones you use regularly.
If swatches are inside a group and you would rather have them available individually, drag them out into the main swatch list. It is a slightly fiddly setup job, but you only need to do it once to improve your starting point.
Customise effects without making them permanently active
I use drop shadows, but the default shadow is not usually the one I want. You can edit its settings with no document open so the next application starts with something more useful.
For instance, I prefer a smaller offset, a tighter shadow and a 90-degree direction rather than a large, fuzzy diagonal effect. The exact values are a design choice. The useful part is having your preferred starting settings remembered.
There is a catch, though. Changing an effect’s settings is not the same as leaving the effect switched on.
If you enable Drop Shadow while setting the default, you may find every new object arrives with a shadow. That is probably not what you meant. Turn the effect off again after adjusting it, so its settings are ready when you deliberately enable it.
This also explains the mysterious “Why does every rectangle have a pink dotted stroke?” problem. Check the defaults you set with nothing open. Reset the fill and stroke to something sensible, such as no fill and a black stroke, and disable any effects you do not want applied automatically.
5. Enable drag-and-drop text editing
If you like selecting a few words and dragging them to another point in a paragraph, InDesign can do that. The option may simply be switched off.
Open Preferences > Type.
Find Drag and Drop Text Editing.
Turn on Enable in Layout View.
You can now select text and drag it to a new location in the layout.
This is very much a personal preference. If moving text that way feels natural from other applications, enable it. If you prefer not to risk dragging text accidentally, leave it off. At least now you know the choice exists.
6. Hide the Content Grabber if it gets in your way
The Content Grabber is the target-like control in the middle of a placed image. It lets you select and move the image inside its frame.
When it first appeared, I was not a fan. I have gradually got used to it, but if you keep grabbing the image when you meant to select the frame, you can hide it.
Choose View > Extras > Hide Content Grabber. You can still double-click an image to access its contents and reposition it within the frame.
There is no prize for keeping a control visible if it continually interrupts the way you work.
7. Make text wrap affect only the text underneath
This is one of my favourites.
Imagine an image sitting in your body copy with text wrapping around its outside edge. You add a little offset in the Text Wrap panel so the words have some breathing room. So far, so good.
Then you put a copyright notice on top of the image. The wrap pushes that text away too, even though you want it to sit over the picture.
The individual-frame fix
You can select the copyright text frame, open Object > Text Frame Options, and enable Ignore Text Wrap.
The shortcut for Text Frame Options is Command + B on Mac or Control + B on Windows. That works perfectly well, but you have to repeat it for every relevant frame.
The preference that saves repeated fixes
Open Preferences > Composition and enable Text Wrap Only Affects Text Beneath.
This composition preference makes stacking order control which text responds to a wrap.
With that enabled:
Text frames above the wrapping object are not affected by its wrap.
Text frames beneath the wrapping object are affected.
Your copyright notice can sit on top of the image while the body copy beneath it flows around the image.
Stacking order matters. If the image is behind the body text, this preference will stop its wrap affecting that text. Arrange the body copy below the wrapping image and the overlaid notice above it.
Once that matches the way you build layouts, there is much less need to keep opening Text Frame Options for individual captions and notices.
8. Start every job with a reusable folder structure
A faster InDesign workflow does not stop at the edge of the application. Being able to find the right file is just as useful as knowing a shortcut.
I keep an empty folder called New Job. There are no project files inside it, just the folder structure I want to use each time.
Copy: written content for the job.
Files: supporting assets, generally images, and other project material.
Reference: client-supplied references and previous PDFs.
Sent to Client: PDFs and other material issued for client review.
Sent to Supplier: the file that actually went to the printer. I keep just that final supplied file here.
Site Files: website files when the project includes web work.
Working: editable InDesign, Illustrator and Photoshop documents.
When a new job arrives, duplicate the folder, give it the project name and get going.
You do not need to copy my exact system. The important thing is consistency, especially in an agency or team. Everyone should know where to find the copy, the working artwork and the PDF that was sent out.
Archive old work without deleting it
I also use a folder called Zold. The Z puts it at the bottom when the folders are sorted alphabetically, and “old” tells me what belongs there.
Suppose you create concepts A, B and C, and the client chooses B. Move A and C into Zold rather than deleting them or leaving them beside the live artwork.
They are out of the way, but still available if you need them later. It is a simple way to stop superseded work getting confused with current work.
I keep a separate folder template for course production too, with places for raw recordings, Premiere Pro and After Effects projects, renders and copy. The structure changes with the work, but the habit stays the same.
9. Use version numbers instead of “final”
Calling a file final is asking for trouble. You know what comes next: final two, final new, and then another round of changes.
Use a version number instead. I tend to keep it simple with V1, V2 and so on.
Another useful approach is a date written in year-month-day order. Putting the year first, then the month and day, allows consistently named files to sort chronologically when sorted alphabetically in ascending order.
For work that changes several times a day, such as daily advertising production, you can also include a consistently formatted 24-hour time.
The clever part is not choosing a complicated naming scheme. It is choosing one that makes the latest file obvious and then sticking to it.
10. Back up somewhere other than beside your laptop
An external backup drive is useful, but think about where it lives. If it is sitting next to your laptop and both are stolen, you have lost the working files and the backup together.
That is why an off-site backup became important in my own freelance setup.
At the time, I used a paid service called Mozy, which gradually uploaded changes in the background as I created and saved files. My plan cost about $10 a month, or $120 a year. The service and pricing are historical details, but the workflow principle is the useful bit: let backups happen without relying on remembering to plug in a drive.
I needed that backup after my laptop was stolen from my car. I borrowed a replacement Mac, installed the backup application and restored the files to their original locations, including documents and settings.
It was a relief, but it was not instant. Restoring around 50 GB took nearly three days. The service also offered a posted DVD restore option, which I ordered as well, although I did not end up using it.
The lesson is to think about recovery, not just uploading. Know what your backup includes and recognise that getting everything back can take time. Do not assume that a cloud service covering selected documents necessarily backs up everything you need.
11. Put production reminders on a non-printing layer
Sometimes you need an enormous, impossible-to-miss reminder in the working document. Something like remember to update the contents page before sending it to print.
I like a big magenta box for that. Subtle it is not, but that is rather the point.
The important part is making sure the reminder does not accidentally become part of the finished output.
Create the reminder text and any background shape.
Open the Layers panel and create a new layer.
Select the reminder objects and drag their selection indicator onto the new layer.
Open the layer’s options.
Give it a clear name, such as Non-printing.
Untick Print Layer and confirm.
Lock the layer so you do not accidentally add normal artwork to it.
Keep the reminder obvious in the working file and give it a clearly labelled non-printing layer.
The note remains in the working document while the layer is excluded from normal printing and export when non-printing layers are not included.
I use this for contents-page reminders and for labels that help distinguish trainer notes from student notes. A prominent internal label makes it much easier to recognise which file I am editing.
This setting is also worth remembering when troubleshooting. If an object is visible on the page but missing from output, check whether its layer has Print Layer switched off. It is very easy to paste legitimate artwork onto a non-printing layer and then spend ages wondering where it went.
Make the repeated jobs easier
You do not need to change everything at once. Start with the things you repeat most often.
For me, Autocorrect expansions and the text wrap preference are particularly satisfying. Quick Apply comes a close second. And while a non-printing layer might not sound especially exciting, avoiding a production mistake is a fairly good use of a few seconds.
The aim is simple: set up InDesign so you spend less time managing the software and more time making the layout.
Key terms
Quick Apply
A searchable panel for applying styles and accessing commands by name. Open it with Command + Return on Mac or Control + Return on Windows.
Autocorrect expansion
A custom Autocorrect entry that replaces a short abbreviation with longer text as you type. It does not automatically process pasted or existing text.
Application defaults
Starting settings used for new work. Many can be changed by adjusting controls while all documents are closed.
Content Grabber
The target-like control on a placed image that lets you manipulate the content inside its frame. You can hide it if you prefer another selection method.
Stacking order
The front-to-back order of objects in a layout. It determines which text is affected when Text Wrap Only Affects Text Beneath is enabled.
Non-printing layer
A layer with Print Layer disabled. It can hold internal notes that remain in the editable document without appearing in normal output.
FAQs
Can I enter millimetres in an InDesign document set to inches?
Yes. Type the value and unit, such as 20 mm, directly into the relevant measurement field. Press Tab or click away, and InDesign converts it into the document’s current units.
What is the shortcut for Quick Apply in InDesign?
Press Command + Return on Mac or Control + Return on Windows. Type part of a style or command name, select the matching result and apply it.
Why does Autocorrect not expand text I paste into InDesign?
Autocorrect works during typing. It does not automatically change pasted text, imported copy or content already present in a document.
How do I put text over an image that has text wrap?
For one text frame, enable Ignore Text Wrap in Text Frame Options. For a stacking-order-based workflow, enable Text Wrap Only Affects Text Beneath in Composition preferences and place the overlaid text above the image.
Why is an object visible in InDesign but missing when I print or export?
Check its layer options. If Print Layer is disabled, the object may be on a non-printing layer. Locking clearly labelled non-printing layers helps prevent ordinary artwork being added to them accidentally.
Written by Daniel Walter Scott — Founder of Bring Your Own Laptop & Chief Instructor