SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
How to add effects in essential graphics panel in Premiere Pro
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
2
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
How to earn your certificate
Work your way towards your certificate for this course by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz (Merit level courses only)
- Complete the Distinction Certificate Project (Distinction level courses only) - look out for the video marked with
- Upload your Distinction project to the My Projects area in your account
- Request your certificate when you've completed the requirements for the certificate level you're working towards
Good luck!
Pass certificates
We’re awarding ‘Pass’ level certificates for this course.
You can work your way towards your ‘Pass’ certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Don’t forget to request your certificate when all your projects are complete
Good luck!
Merit certificates
We’re awarding ‘Merit’ level certificates for this course.
You can work your way towards your ‘Merit’ certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz
- Don’t forget to request your certificate when you have passed the quiz and completed all your projects
Good luck!
Distinction certificates
We're awarding 'Distinction' level certificates for this course.
You can work your way towards your 'Distinction' certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz
- Complete the Distinction Certificate Project - look out for the video marked with
- Upload your Distinction project to the My Projects area in your account
- Don't forget to request your certificate when you have passed the quiz and completed all your projects
Good luck!
Downloads & Exercise files
Transcript
Hi there, in this video we're going to do kind of like some motion blurry effect, mainly so that I can show you how you can apply effects to individual parts, of this Essential Graphics panel, and not affect everything in it, you can do little parts. So let's jump in here and kind of make this slidey blurry thing.
All right, let's add that Blur effect, so let's find it in your 'Effects' panel, let's type in 'Gaussian', or at least the first three letters, find it, drag it on to the clip we want to add it to, and if we crank it up, where is it, Gaussian Blur, crank it up, it's doing it to the logo, the text, and the background, so that's not what we want.
What ends up happening is, let's have a look now, because we've got this more complex Essential Graphics kind of panel, see, Gaussian Blur gets stuck at the top, it affects everything underneath it. So if I drag it underneath the logo, can you see, it affects the text but not the logo now, so you need that structure to work for you, and in our case what we want to do is, let's say that we want it to be, because I want it to do the text but not the background, because the background's gone all blurry, can you see--
Let's turn that off, I will on and off, can you see, it's blurred the background, you can kind of see the edges there. I want just the text, how do I do that? That's where these folders come in handy. If you didn't have a folder, you're not going to be able to do just the text, but because it's in its own bin, so you make a bin, you can drag your text into it, I'm going to delete that one, let's do them all, let's pretend you don't have a bin, you come out, let's get rid of that, let's say you don't have a bin, so I want the Gaussian to only apply to this text, you make a bin, we call it 'Text', you're with me, right? Test, every time.
Just make sure it is above our text, but because it's inside this little bin, it doesn't kind of come out here and grab the background, can you see, it's not touching the background at all, background is okay. So Gaussian Blur, let's animate it over time, so let's have a look at the beginning. Our little animation goes like this, kind of slides down, so at the beginning I want to be really blurry, and at the end here I want it to not be blurry.
So how blurry? Let's have 'Gaussian Blur' selected, and what I want to do is, I want to, over here, find it, which can be troubling or problematic. Have a look through here, there it is, finally found it. I want the blurriness in my case to be just vertical, up and down, because I want it to feel like it's moving this way. If you're from After Effects land, you'll know that there's a button, just, it's just called Motion Blur, and it knows all of this. We've got to kind of fake it here in Premiere Pro.
So blurriness, how blurry? I don't know, up to you, that looks good to me. So I want it to be at 124 at the beginning, so while it's moving fast, and then when it comes in to land, how do I find it, where it comes in to land? In this case I can kind of see my Keyframe, there, is that it? No, that's my logo one, there's lots going in here, and you're like, "Man, how do you keep control of it all?"
One of the little filters might help, remember, we can show only the Keyframed properties, actually, do we keyframe Gaussian Blur? We haven't yet, so before we do that let's turn-- we're at the beginning of our document, where I want to be nice and fast, so 124, let's set the little timer going. So I've got my first Keyframe, then we can say, actually, just show me the other properties that have Keyframes, you can see, it's tidied it up a bit. So there it is, there's my Text, there is my Position, Transform, for my Text, "Welcome to your new," you're with me?
So there it starts, and there it ends. I want my Gaussian Blur to maybe end at the same time, so there's Gaussian Blur start, there's a Position start, I want maybe the end to be there, so I can say, jump across to it, there you go, and I can say, let's set it to 0, so they kind of match. It's not going to look great, but we're learning, watch this, that's kind of cool, it's got this weird, like little distortion field at the end there.
So probably what I want to do is, just grab this one, in a little bit further that way, just so it stops blurring when it gets close to the end, remember 'Shift K' will give you a nice little loop, that doesn't work unless you've got that down here selected, there we go. 'Shift K', actually, let's set our in point and an out point, so 'O' for out, 'I' for in, hit the 'Enter' key on my keyboard, and it's going to loop in there, make sure your loop's on.
We can do the same thing for Home Office as well, because it kind of needs to get blurry on the way in, let's do that together. You can select this, remember, and you can copy and paste things, I can grab this, copy, go to 'Office', paste, and it's come along, but it's got all the wrong Keyframes, so it's not that helpful, so I'm going to undo that, and just make my own.
All right, well, Home Office selected, I'll be at the beginning, let's drag Gaussian Blur on, it's going to affect everything underneath, which is no problem in this case. How blurry do you want it to be? I'm going to drag it out so I can actually see it, and go to Gaussian Blur. Now this is a really good point, I've still got that filter on, so you'd be like, "Where's all the Gaussian Blur stuff?" It's because I said 'Only show me Keyframed Properties', which can be problematic, so turn that off now, I can say, let's go 'Horizontal', let's crank it up, how blurry? About that much.
So when it's starting, kind of my one here, your animation might be different, can you see, it starts slow, gets fast, and gets slow again, so blurring right at the beginning, does it make sense? It's right at the beginning, it's going to be set to 0, then when it's at its height, about there, I can kind of see it here, that's as fast as it's going to be. I'm going to crank it up to my 117 or, whatever I feel like, and then at the end there, closed, before it finishes, I'm going to set it back to 0.
Did I actually turn the Keyframes off? "You didn't," you're like, "He didn't hit the button." Let's do it all again, at the beginning, blurriness is a 0, I actually click this, geez, Dan. All right, get to the fastest bit, then crank it up to something, feels good. Get to the last part, towards the end, not completely at the end, and I'm going to turn it back down to 0.
Now I've actually got Keyframes this time, why do it once when you can do it twice? It's probably not blurry enough in the middle. So just make sure that you are-- you can use these little arrows, or hold the Shift key, snap between these, make sure you're on that Keyframe, crank it up, how fast is it going? 'Enter' on my keyboard so that it loops, that doesn't look very good at all, and you play with that for a long time to figure out what works best. Try again, that kind of feels natural-ish, does it? Hey, it's-- what's going to do right now?
All right, that is it, we added effects to our Essential Graphics panel, just got to make sure that they are in the right order, and if the order doesn't work for you, create a group, and jam the thing you want to blur, along with the Gaussian Blur on top of it, inside of it, and you will be golden. All right, that's it, I'll see you in the next video.
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