How to export small animated Gif in premiere pro

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Course info

146 lessons / 17 hours 49 quiz questions 14 projects Certificate of achievement

Overview

Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.

This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing. 
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes. 
• You will learn new ways to successfully create traditional & new style transitions. 
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management. 
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video. 
• You will create high quality professional motion graphics & data driven infographics. 
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions. 
• You will learn file and footage techniques which will enable you to work with multiple editors. 
• Multi-camera editing will be a breeze. 
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo. 
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition. 
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media. 
• Learn about markers, subtitles and amazing plugins, 
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.   
We cover all these topics and more in this course. 
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.

In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.

If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.  

You owe it to yourself -  sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott

Daniel Scott

Founder of Bring Your Own Laptop & Chief Instructor

I discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.

Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.

True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.

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Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.

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Work your way towards your certificate for this course by following these simple steps.

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  • Request your certificate when you've completed the requirements for the certificate level you're working towards

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We're awarding 'Pass' level certificates for this course.

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  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Don't forget to request your certificate when all your projects are complete

Good luck!

Merit certificates

We're awarding 'Merit' level certificates for this course.

You can work your way towards your 'Merit' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz
  • Don't forget to request your certificate when you have passed the quiz and completed all your projects

Good luck!

Distinction certificates

We're awarding 'Distinction' level certificates for this course.

You can work your way towards your 'Distinction' certificate by following these simple steps.

  • Watch the course videos
  • Complete the Class Projects - look out for the videos marked with
  • Upload your class projects into the My Projects area in your account
  • Complete and pass the Knowledge Quiz
  • Complete the Distinction Certificate Project - look out for the video marked with
  • Upload your Distinction project to the My Projects area in your account
  • Don't forget to request your certificate when you have passed the quiz and completed all your projects

Good luck!

Downloads & Exercise files

Transcript

Welcome everybody, to this Black Friday sale extravaganza, communicated to you via a jumpy animated GIF, let me show you how to make it in Premiere Pro. All right, so this is what we're going to export, it's going to go out to an emailer, and you've got to be prepared, that it's going to look nothing like that, or at least not as good quality. GIFs are a format that died and came back, and they have quite limitations, so let's explore them. 

If you want to follow along with this particular exercise, you will find, in your 'Social' folder, in your 'Exercise Files', one called 'Fireworks', drag that on, and in your 'Essential Graphics', go to 'Browse'. I typed in 'free sale', grab that one, change the color of the font, waited for the fonts to load, you can do anything you like. 

So now we want to export it, so with our sequence selected, 'Command M', 'Ctrl M' on a PC, and at the top here where it says Format, pick 'Animated GIF', not that hard. There's no presets, that's the default one. We're going to get it to go to a certain place, I've got, on my Desktop, which I've totally made really messy, I mean, I feel bad about this, I'm going to-- I've made a folder called Fireworks, I'm going to clean that up as soon as this course is finished. It's messy, with my Feng Shui, let's hit 'Save'. 

So what you want to do is, you've only got to play around with video, and you've got these kind of few settings here for a GIF. The things that are most important are the size here and the frame rate, they'll determine what size it is, but also the file size. File size is super important for GIFs, especially this one, it's going out via an emailer, and lots of emails have restrictions, on how big the total size can be, like 10 Megabytes is pretty common, so we need to get it under there. 

So what we're going to do first up is, I'm going to change the size, my particular emailer is going to go out at about 500 pixels, 540 is pretty common for an emailer, that's going to present nicely on lots of different email systems, like Gmail and Outlook, anyway, already we're seeing the quality, kind of come down, it's unfit, so let's go to 100%. 

So we're not looking at it too badly, ah, so bad. GIF format, the reason it looks bad is, because GIFs are only allowed to, you know, they only have 256 colors to play around with, whereas this had millions to start with, it's now trying to do the same thing with 256. So if you really want the quality to be better, what you really need to do is not pick fireworks in the background, that has lots-- that's using all the colors, all the sparkles in the background, so pick something really plain. The nicest animated GIFs are often ones that I, just have a couple of simple bold colors, not fireworks, but hey, we want a sale, and nothing says sale, like fireworks, for some reason, anyway. 

So we've got our size down to what we need for our emailer, now the Frame Rate is the next part, so 25 frames/second is too much for a GIF, it ends up making the file sizes really big, and we need this to slip under the radar for an emailer. Let's start at 25, and we're going to start queuing it up. In Media Encoder, these are one of the joys of using Media Encoder, we can start, because everyone's is going to be different, there's no like, you have to use 10 frames/second, or this size. 

What you need to do for your particular case is, go 'Duplicate', I'm going to have three duplicates of that same one. So I'm going to say, this first one's at 25, this one, I'm going to click 'Custom', and I'm going to say, what does it look like, at 10. Click 'OK', 10 is my default, I use 10 all the time. If you need the long story cut short, just use 10, but it's not an absolute rule, but let's see what it looks like at 5. 

So I've got these three different options, I'm going to hit 'Play', get them all going. All right, it's going to chug through those, let's have a little look at what appears on this other one. There's my folder, so the first one, 25 frames/second, 9.4 Megabytes, just squeezing in the 10 Megabytes. This one here, about 10 frames, and this one here at 5, you can see, quite a substantial file size change, let's have a look. Look at that, basically, like video, except poor colors, looks all right, looks way better than it did inside of Media Encoder. Don't use Media Encoder's preview as a really good gauge of what things are going to look like, remember, in here if we go to Custom, this thing over here is not a great visual. So if you're dragging the quality up and down, it's not changing over here, don't use this, actually, get it done, and get it exported to see what it actually renders like, so, great. 

That's, can you see, do you get the feeling? This feels more animated GIFfy, that's kind of part of the, part of the charm of an animated GIF, is it's like stunted jitteriness. Can you live with 5 frames/second, you might have to, you might need, like 10 of these little animated GIFs in your emailer. Now quality, you can mess around with, the same thing, duplicate it a few times, and let's say that, actually-- I'm going to, remember, 10 was my favorite, or 10 is my favorite now, and you can then say this one plus another couple, and play around with the quality slider, and it will do nothing. I don't know why the quality slider is in there, it's only got 256 colors. I'm not sure what this does, really, my animated GIF knowledge is, not an expert animated GIFfer, but I make a lot of them, I should know more, but you can play around with the quality, and you'll notice, I'm kind of just picking three different sizes, let's go, and let's have a look. 

You shouldn't be able to tell the difference in, maybe it's a bug with my one, come on, Media Encoder, you can do it; stuck. There you go, it's back working again, that was weird. So you can see, they're all the same file size, doesn't matter how quality it is, and they all look the same. Yours might be different, mine never, there you go. If you need the file size to be a teeny tiny bit smaller, you can play around with the size, and, so the physical size, 500. Nobody's going to notice the difference in 40 pixels, obviously, depending on where this is going, but an email, they won't. Quality, 100, because it makes no difference, and over here, the frame rate, you might go, oh, there we go, maybe just a teeny tiny, maybe 10, and eke out some of the file sizes, let's have a look. This last one, is a teeny tiny bit smaller, and probably nobody's going to notice much, in this particular use case, that it is 40 pixels smaller. 

All right, happy animated GIFfing, remember, if you want it to look even better, is to make sure that you use as limited color palette as possible, because remember, we've only got 256 of them, you don't want to waste them on frivolous fireworks. All right, that is going to be it, and in a strange coincidence, it's actually Black Friday, it's not Black Friday, it's just Friday, it's Friday afternoon, I'm finished videoing for the week, going to take the weekend off, I will see you probably in a video in about, I don't know, five seconds, but for me it's going to be a whole Saturday and Sunday off, and I will see you on Monday, or in five seconds, it's the same thing.

Written Guide

How do I export an animated GIF from Premiere Pro that is small enough for email?

Export the sequence as an Animated GIF, then focus on the two settings that really matter: pixel dimensions and frame rate. For email, start around 540 pixels wide and 10 frames per second, then export a few versions and choose the best balance between file size, motion, and acceptable GIF-quality colour.

How to Export a Small Animated GIF in Premiere Pro


Key takeaways

  • Animated GIFs have serious colour limitations, so simple designs export best.

  • Width and frame rate have the biggest impact on GIF file size.

  • For an email GIF, about 540 pixels wide is a useful starting point.

  • Use 10 fps as a practical default, but test 5 fps and 25 fps for your particular animation.

  • Do not trust the Media Encoder preview alone. Export the files and inspect the real results.

  • Reducing a GIF by 40 pixels can be an easy way to shave off a little extra file size.


GIFs Are Brilliant, Slightly Terrible Little Things

An animated GIF is ideal for a punchy sale graphic, a quick bit of motion in an email, or a small looping social asset. It can feel lively without asking someone to press play. The catch is that GIF is an old format with some very real limitations.

The biggest one is colour. A GIF can use only 256 colours. Your original Premiere Pro sequence may contain millions of colours, gradients, glows, photo detail, and sparkly fireworks. Once it becomes a GIF, all of that has to be squeezed into 256 colours. It is going to look different. Possibly a lot different.

That is not necessarily a disaster. A little jitteriness and reduced smoothness are part of the animated GIF charm. The goal is not to create a pristine video file. The goal is to create something energetic, clear, and small enough to use where it needs to go.


Start with a GIF-Friendly Design

For this example, the design is a Black Friday sale graphic with animated fireworks behind bold text. It is exactly the kind of thing that feels appropriate for a sale, even though fireworks are not particularly kind to the GIF format.

Detailed animation, sparkles, texture, and shifting gradients use up colours quickly. The result can look rough because the GIF has to simplify those subtle variations. If visual quality matters most, build with the format in mind from the start:

  • Use a plain or mostly solid background.

  • Choose a small palette of bold, high-contrast colours.

  • Keep text large and clear.

  • Avoid delicate gradients and fine photographic detail where possible.

  • Use motion that still reads well when it becomes a little jumpy.

The nicest animated GIFs are often surprisingly simple. A couple of solid colours, a bold message, and an uncomplicated animation can look much better than a detailed design fighting against the 256-colour limit.


Prepare the Sequence in Premiere Pro

Create or open the sequence you want to animate. For a sale graphic, that might mean a background video or animation, a text layer, and a graphic template from the Essential Graphics panel.

In the Essential Graphics panel, use the Browse tab to locate a suitable template, then customise the copy, colours, and fonts. The exact template is not important. What matters is that the message is readable at a small size, because this is headed for an email layout rather than a giant display.

Once the animation looks right in the Program Monitor, select the sequence and open the Export Settings window:

  • Mac: press Command + M

  • Windows: press Control + M


Choose Animated GIF in Export Settings

At the top of the Export Settings window, set Format to Animated GIF. There are no complicated preset decisions to make here. Choose the format, select where the file should be saved, and concentrate on the video settings.

The Premiere Pro Export Settings window open over an Essential Graphics template, showing the Format dropdown set to Animated GIF, output dimensions downscaled to 500 by 281, and a preview of a Black Friday fireworks graphic.

Choose Animated GIF as the export format, then spend your energy on dimensions and frame rate.

For GIF exports, two controls do most of the heavy lifting:

  • Frame size

  • Frame rate

Both affect how the GIF looks, but they also affect the file size. That file size matters a lot, especially for email.


Set a Sensible GIF Size for Email

Email platforms often have limits on the total message size. A file size around 10 MB is a common practical ceiling, so the animated GIF needs to fit comfortably within whatever else the email contains.

A width of roughly 540 pixels is a useful starting point for an email graphic. It is large enough to present nicely across common email clients such as Gmail and Outlook, without creating a needlessly huge animation.

As you reduce the dimensions, GIF quality becomes more obvious. That is normal. At 100 percent preview size, the limited colours can look a bit grim, especially with a fireworks background. But do not judge the file too harshly from the export preview. The final rendered GIF is the thing that counts.

Why Fireworks Look Rough in an Animated GIF

A fireworks animation contains lots of glowing particles, colour variations, soft light, and moving detail. That is a lot for a 256-colour format to manage. The GIF encoder has to make compromises, and you will see them.

This does not mean you cannot use fireworks. For a Black Friday graphic, fireworks can still be the right creative choice. It just means you need to be realistic about the outcome. If you need a clean, polished-looking GIF, use fewer colours and a less detailed background.

Think of the available colours as a limited budget. Do not spend all of them on frivolous fireworks if crisp quality is the priority.


Lower the Frame Rate to Reduce the File Size

A normal video frame rate, such as 25 frames per second, is usually overkill for a GIF. It makes the motion smoother, but it also makes the file much larger.

For small animated GIFs, 10 fps is an excellent default. It normally retains enough motion to feel animated while keeping the file size under control. If you want the very short version of this whole process, start at 10 fps.

That said, there is no single magic number. Different animations behave differently. A simple text movement may look fine at 5 fps. Fast particles or a rapid transition may need 10 fps or more. The only sensible way to decide is to compare exported files.


Test several frame rates instead of guessing

Send the GIF to Adobe Media Encoder, then duplicate the queue item so you can create several versions of the same animation. For example, export:

  • 25 fps for the smoothest option

  • 10 fps as the practical middle ground

  • 5 fps for the smallest, deliberately choppy option

In the example, the 25 fps version came in at about 9.4 MB, just under a 10 MB target. Reducing the frame rate to 10 fps and then 5 fps produced a substantial reduction in file size.

The 25 fps version felt more like ordinary video, albeit with reduced colour. The lower-frame-rate versions felt more like proper animated GIFs: a little stunted, a little jittery, but still fun and perfectly usable.

The Adobe Media Encoder interface displaying the Queue list with three Animated GIF render jobs for Fireworks Display At Night, with the active item showing progress in the Encoding panel below.

Queue several frame-rate versions together so the trade-off between smoothness and file size is easy to compare.

If a single GIF is going into an email, 10 fps may be the sweet spot. If the email includes several animated GIFs, 5 fps might be a compromise worth making to keep the whole email lightweight.


Do Not Rely on the Media Encoder Preview

The preview inside Media Encoder is not a trustworthy final-quality reference for animated GIFs. It can make the GIF appear worse than the actual rendered output, and changing settings may not visibly update the preview in a useful way.

That applies especially to the quality control. Moving the quality slider may appear to do very little, if anything, to the on-screen preview. In testing, multiple quality settings resulted in GIFs that looked the same and had the same file size.

So do not waste ages trying to interpret that preview window. Export the candidates, open the actual files, and judge the real rendered result. That is the only comparison that matters.


What About the Quality Slider?

You can certainly duplicate a Media Encoder job and experiment with different quality values. There is no harm in testing. But do not expect the slider to solve the main limitations of the GIF format.

A GIF still has 256 colours to work with. In this particular workflow, adjusting quality did not change the exported file size or produce a visible quality difference. Your result may vary, but the settings that consistently make the meaningful difference are still dimensions and frame rate.

Set quality to 100 if you like, then focus on the changes that reliably help.


Need Just a Tiny Bit More File Size Savings?

When an export is only slightly too large, do not immediately wreck the animation by dropping the frame rate dramatically. First, reduce the physical dimensions by a small amount.

For example, changing a GIF from 540 pixels wide to 500 pixels wide can make it a little smaller without creating an obvious difference in an email. Most people will not notice 40 pixels in that context, but the file-size saving may be enough to get under the limit.

Use this order when optimising:

  1. Export at the target email width, around 540 pixels as a starting point.

  2. Test 10 fps before assuming you need a smoother rate.

  3. Check the actual exported file size and appearance.

  4. If needed, shave a small amount off the width.

  5. Only then consider reducing the frame rate further.

Small reductions add up. The goal is to find the smallest adjustment that gives you the file-size breathing room you need while keeping the animation enjoyable.


A Practical Animated GIF Export Workflow

Here is the full process in one tidy checklist:

  1. Create a clear, bold animation in Premiere Pro.

  2. Use a limited colour palette if you want the GIF to look its best.

  3. Select the sequence and press Command + M on Mac or Control + M on Windows.

  4. Set the format to Animated GIF.

  5. Choose the output folder and filename.

  6. Set a suitable email width, such as 540 pixels.

  7. Start with 10 fps.

  8. Send the job to Media Encoder.

  9. Duplicate it and test alternatives, such as 5 fps and 25 fps.

  10. Export all versions.

  11. Compare the actual GIFs, their file sizes, and how the motion feels.

  12. Reduce dimensions slightly if you need to squeeze out a little more file size.

The best export is not automatically the smoothest or the sharpest. It is the one that communicates the message clearly, feels good enough in motion, and fits the delivery requirements without causing trouble.


Key Terms

Animated GIF

A looping image format made from multiple frames. It is widely supported in email and on the web, but it is limited to 256 colours.

Frame rate

The number of animation frames shown each second. Higher frame rates look smoother but create larger GIF files.

Frame size

The pixel dimensions of the GIF, such as 540 pixels wide. Lower dimensions generally reduce file size and are often appropriate for email.

Adobe Media Encoder

Adobe's export queue application. It is useful for creating multiple versions of the same GIF and comparing settings without repeatedly setting up exports from scratch.


FAQs

What frame rate should I use for an animated GIF in Premiere Pro?

Start with 10 fps. It is a strong general-purpose setting for small GIFs because it keeps motion readable while reducing file size substantially compared with 25 fps.

Why does my Premiere Pro GIF look worse than my original video?

GIFs are limited to 256 colours, while video can display millions. Detailed footage, gradients, glows, and fireworks are therefore simplified during export.

What GIF size should I use for email?

About 540 pixels wide is a useful starting point for an email GIF. If the file is just too large, reducing the width to around 500 pixels can provide extra savings with little noticeable difference.

Does the quality slider reduce animated GIF file size in Media Encoder?

It may be worth testing, but it did not make a visible or file-size difference in this workflow. Dimensions and frame rate are the controls that have the clearest effect.

Should I trust the GIF preview in Adobe Media Encoder?

No. The preview is not a reliable indicator of the final GIF appearance. Export your test versions and inspect the real files before deciding which settings to use.

Daniel Scott

Written by Daniel Scott — Founder of Bring Your Own Laptop & Chief Instructor

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