SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Replacing footage quickly
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
Downloads & Exercise files
Transcript
Hi everyone, this video we're going to duplicate our vertical to a second one and a third one, using different demographics, different videos. I'm going to show you how to quickly update those, whilst retaining any sort of effects or adjustments you've done to that original video. A little bit of efficiency when we are doing these multiple, similar but different videos.
First up, let's adjust the footage, just to make this example a little bit more exciting, so let's have 'Fitness 01' selected, I'm in 'Fitness Vertical', go to 'Creative', let's go to 'Look' and let's, I'm going to play around with these bottom ones, these Noir. So it just makes it black and white, I'm going to use this '1965', apply some faded film to it as well at the beginning here, just to kind of make it look, like that, for no reason.
So now I want to duplicate my sequences, because now I'm getting into the business part of like-- I need different demographics, so we're going to do, this one here, is not Fitness Vertical, this is Fitness Vertical - and let's go - this is Female 01, and we're going to do another Female 01. When you come to duplicate sequences there's two ways of doing it, we've kind of touched on these earlier on, but it's a good example, I can right click it and say, 'Duplicate', and I'll get a fresh copy, as in, it's a new, not connected to the original one.
So I can call this my Female 02, and I can start testing this woman against a different woman, in terms of click rates and all the fun stuff you do, with targeted social media. So that's one way of doing it. If I go into this, 'Female 02', I've got a separate, you know, they're just different, I can work on them differently. The reason I do this is, I'm really in the habit of, let's say I need a Female 03, I'm in the habit of dragging it down here, if you drag a sequence down here on top of it, it will give you a new version, but a very different one, can you see, it's given me Female 03, but it's nested Female 02 inside of it.
So if I make changes to Female 02 now, let's say I just delete the text for, just for an example, now I'll go into Fitness 03, can you see, the text has gone from this one as well. So just make sure, when you are duplicating it, you're doing it on purpose, if there's bits you want to keep, nest them, bring them over, sure, great, means you update one, they update all of them, but do it kind of knowingly. I guess I'm going to undo to go back, so Female 01 and Female 02.
So in Female 02 here, to update this graphic, I'm going to do it with Fitness 02, and the easiest way is, have it selected, start dragging it over, hold down the 'Option' key on a Mac, 'Alt' on a PC, I like that way, and just drag it over the top. The cool thing about it is, it's brought through the Noir, any sort of faded film, it's actually brought through the short-- the keyframes as well, which is not what I want in this case. To get rid of the keyframes just turn off the clock, so with it selected turn off the little stopwatch, you will delete keyframes, I'm okay with that.
You can see it's not in the right position either, it's just kind of wherever it was on that keyframe. You can hit 'Reset', see this Reset Parameter, back to kind of like how it would be, if you just inserted it, so perfect.
The other way of doing it is, let's say we've got a male version now, so copy paste is kind of another way, it's the same way as doing duplicate, there's going to be Male 01. Let's go inside of Male 01, not a nested sequence, but I can update it by going-- another way is, with it selected you can go, Fitness 03, so have these both selected, right click this one and say, 'Replace With', what I've got selected in my 'bin', or if you've got it open in your Source Monitor, you can say right click, 'Replace with Clip', with what's in my 'Source Monitor', please.
Again it brings it through same same, but it brings through all the kind of adjustments that I might have done to it in any key frames, and it's, I don't know, a great process, when you are doing these bulk creations, of things that are the same but slightly different. There might be marketing messages that change, colors, call to actions, the sale prices, that you might be comparing with videos, anyway, you get the idea.
One thing, actually, before we go as well, is because this, this goes up a lot faster than it does in horizontal, the horizontal was timed for this kind of like initial format, but because it's having to travel a lot further now, it's actually going quite fast. So before we split this into lots of different versions, what you could do is, with the actual graphics selected, over here in your Effects Controls, we're going to use the fancy thing we learned earlier, 'Show Only Keyframed Properties' to kind of tidy this up, and what you might do is, actually, just extend it because they just, it's rocket again, going too fast.
So you might go, actually, you, just a little bit further, and I'm going to have to make sure that the responsiveness is there as well, in case I adjust it. Remember, the responsive time, Responsive Design Time, they call it, might be even a bit further out, just get your timing how you want for this vertical one. Nice. Just make sure that is overlaying that, and when it disappears, let's have a look. I'm okay with it going fast at the end, and for some reason I need to make it a little bit further this way.
Actually one little thing before we go, a bonus way of doing it, of replacing this footage, instead-- with it selected you can-- this is probably the best way, it's just the way, I don't do it, maybe because it's new, and I'm, it's like of all ways of doing stuff. I'm going to replace this 01 with 03, instead of dragging it kind of over here, and holding down my shortcut key, which is 'Option' on a Mac, 'Alt' key on a PC, you don't have to hold anything down, just drag it over here, and you can see, you get all these options. This one, here's Replace, so I'm going to go bloop, does the same thing. Three ways of doing the exact same thing, you're welcome. So that is it, let's get on to the next video.
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