SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
How to use Responsive Time in Premiere Pro
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
How to earn your certificate
Work your way towards your certificate for this course by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz (Merit level courses only)
- Complete the Distinction Certificate Project (Distinction level courses only) - look out for the video marked with
- Upload your Distinction project to the My Projects area in your account
- Request your certificate when you've completed the requirements for the certificate level you're working towards
Good luck!
Pass certificates
We’re awarding ‘Pass’ level certificates for this course.
You can work your way towards your ‘Pass’ certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Don’t forget to request your certificate when all your projects are complete
Good luck!
Merit certificates
We’re awarding ‘Merit’ level certificates for this course.
You can work your way towards your ‘Merit’ certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz
- Don’t forget to request your certificate when you have passed the quiz and completed all your projects
Good luck!
Distinction certificates
We're awarding 'Distinction' level certificates for this course.
You can work your way towards your 'Distinction' certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz
- Complete the Distinction Certificate Project - look out for the video marked with
- Upload your Distinction project to the My Projects area in your account
- Don't forget to request your certificate when you have passed the quiz and completed all your projects
Good luck!
Downloads & Exercise files
Transcript
Hi everyone, in this video I'm going to show you what Responsive Time does. I'm going to show you what it doesn't do first, so that we can see why it's awesome. I've got this animation, you can see a couple of Keyframes at the end, it gets to the end, and watch this, it wipes off, but if I resize it - we'll make it a bit smaller for a different clip. - can you see, the Keyframes are gone, they disappeared because it got smaller.
What we can do, is this version here, has Responsive Time turned on, you can kind of see it here, these little edges here, these bits will attach themselves to the end, both beginning and end, and watch this, if I resize it, look, they just stay along. This middle bit is squidgy, it can kind of resize, but these end parts kind of attach to the end, rather than a specific time, and it means you can resize this clip anytime you like, and these Keyframes come along for the ride. That's Responsive Time, let me show you how to make it.
So first of all we need some sort of animation, that we can use Responsive Time for. So what I'm going to do is, over this, Co-working 08, I'm going to go, to 'Essential Graphics', 'Edit', hit this little new button, add some 'Text', and I'm going to type in that cowork-- I'm going to use the brand, kind of working version, Cowurking in Dublin, I'm going to make it centered, I'm going to pick a font, you can pick any font you want, Museo. If font doesn't change you've got to have it selected first, let's try again, Dan.
All right, that'll do. So we've got our bit of text, I'm going to add some animation to it. In this case there's no typewriter effect, we can kind of just-- we can do a bit of a Wipe though, there is a typewriter effect in After Effects, but not in here, so let's go to the beginning of my animation. I am going to go back to my 'Selection tool', I'm going to find my 'Effects', I'm going to find one called 'Linear', 'Linear Wipe' is a kind of a substitute for that typewriter effect. It's just going to kind of wipe on.
So that's the Typewriter Linear Wipe here. I can drag it across, can you see, that's the whole thing we want to do. By default it wipes the wrong way, so what we're going to have to do is drag it to about half, just so you can see what this Wipe Angle does, can you see, I can move it around, you can decide which way it goes. So basically I want to flip it from where it is there, to this other side, and over here where it says Wipe Angle, it's 270, it starts off at 90°, we want it to be the other side, so 270.
So now it's going to wipe the right way, so I want the beginning of my clip, I want to get the transition right at the beginning to be at 0, oh no, 100%, kind of backwards. I want to set a little timer for my Keyframe, so it starts at 100, then after some time I hit 'spacebar', hit 'spacebar' again, that fails enough time, go to 0, so I got two Keyframes, and that's really what we need to do. We need to have those Keyframes, that we can get our Responsive Time to work within. Let's do the 'end to' as well before we add our Responsive Time.
So just before the end, about there, I'm going to set another Keyframe, and I'm going to get to stay at 0, and then the last one, right at the end, I'm going to get it to go to 100. So let's have a little look, it gets to the end bit and just wipes off back the same way it came. So we've got our basic structure, maybe play with the timing there, now to add the Responsive Time, it's just these two little, see, these blue dots there, or blue pricks, so click and drag it and just make sure it straddles both Keyframes, or the things you want to lock in position.
So everything in here is going to stay fixed, the bits in between these two are going to be stretchy, so just make sure those go over the top, this is the stretchy bit, these two guys are forced to stay where they are, and they are linked to the end, that's linked to that end, this is linked to the back end of my clip. So it means now, watch this, I can go like this, actually it has to have two versions, I'm going to copy one, and I'm going to have another one.
Make sure I'm pasting on the right track, my track targeting is right, I'm going to turn it off for these ones. So how do you turn it off? Drag it back in. So I've got one without it and one with it, so this one here, let's say we wanted to use it, we don't use our Responsive Time, we go great, perfect. I need it to be a lot longer now to match this clip, and I drag it out, and you'll notice that it wipes out kind of this direction, can you see, there's a really long clip, and it's gone, whereas the responsive design one, let's have a little look, if I want to make this entire clip, watch what happens when I drag it bigger, can you see, the Keyframes stick to the end, so my animation is happening still at the end.
If I drag it out further it's still attached to that end. So that's the nice thing about Responsive Time, you can say, you can only do the beginning and end, but you can animate in and make this thing last as long as you need to, might be a logo reveal, or anything, it just sticks to the end, and it's really nice and really easy. All you do is drag those two little outside bits out, if you don't use it, it's not super hard, I can click in here and say, actually, you go to the end, holding 'Shift', so it snaps to the end.
You can keep adjusting it and snapping it, moving those anchor points down. If you've got a few anchor points to do, it gets a little problematic, and it's really handy if you're creating this thing, for somebody else to use that maybe doesn't have the exact same skills that you now possess, after like 80 something videos in Premiere Pro Advanced. You can turn this into your Motion Graphics template, and you've done a bit of that leg work, that means that the Responsive Time, when they drag it out, it's just going to adjust, and it's magic.
It's really easy to apply, just drag these out. I had a problem when I was kind of like using this before, I've had it where I can't see that blue box, if it disappears you can kind of just click off, and click back on it, normally comes back to life. Yeah, that's what happened to me, anyway. It may be an old bug that might not happen anymore. All right, that is how to use Responsive Time in Premiere Pro.
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