SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Lumetri Scope - Vectorscopes for color balance & saturation
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
How to earn your certificate
Work your way towards your certificate for this course by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz (Merit level courses only)
- Complete the Distinction Certificate Project (Distinction level courses only) - look out for the video marked with
- Upload your Distinction project to the My Projects area in your account
- Request your certificate when you've completed the requirements for the certificate level you're working towards
Good luck!
Pass certificates
We’re awarding ‘Pass’ level certificates for this course.
You can work your way towards your ‘Pass’ certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Don’t forget to request your certificate when all your projects are complete
Good luck!
Merit certificates
We’re awarding ‘Merit’ level certificates for this course.
You can work your way towards your ‘Merit’ certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz
- Don’t forget to request your certificate when you have passed the quiz and completed all your projects
Good luck!
Distinction certificates
We're awarding 'Distinction' level certificates for this course.
You can work your way towards your 'Distinction' certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz
- Complete the Distinction Certificate Project - look out for the video marked with
- Upload your Distinction project to the My Projects area in your account
- Don't forget to request your certificate when you have passed the quiz and completed all your projects
Good luck!
Downloads & Exercise files
Transcript
Hello you, we are looking at the Lumetri Scope called Vector Scopes. It's this thing, kind of jiggles around, remember the trace, kind of moves around while we're watching it, and it's trying to show us what colors are in our image, how saturated they are. We're going to use it to do a little trick, where we actually find a bit of white, mask it out, and we can see that this one in particular has a little bit too much green. We're going to fix it, thank you, Vector Scopes.
All right, to get started I want you to bring in, and start a new sequence with Color Correction I, ring it in, and we're going to switch from our Luma waveform 2, not sure why everyone says Luma waveform instead of Waveform Luma. Anyway, we're going to turn Vector scope YUV, there's two different ways, you can look at it this way, and look at it this way, at this Vector form, and watch it, kind of moves around. This is the more common way of working.
So let's turn off those other two, so just tick off the Waveform one, just so we've got Vectorscope YUV, all on its own. It'll be really common to have both of these up, while you're working, but for the moment, I am going to turn it off. So for this first one, I'm not going to bog you down, with what Red, Magenta, Blue, Cyan, Green, there's what those dot's for, these lines in here, we'll cover those a little bit as we go along.
For the moment we're really focusing on the main use, or at least the way that I use it, and a lot of people use the Vector scopes for. It's a great way of seeing white balance. So in the past what we've done is, gone, all right, it's-- this thing here, is there a kind of a, like a color cast on it? I can kind of see a hint of green, but you might find it hard to see, you're unsure, or it might be that you've got, a little bit of color blindness, and it's a way of actually being able to get in there and see, actually what colors are involved here.
So you could just go 'White Balance', and say, what do you know is white, I know that table's white, click it, and it's gone and done some adjustments here, to the temperature, there's nothing wrong with that, it's an automatic feature, and it's-- do I like it on, off, it's kind of warmed it up, but maybe it's gone a bit red now.
So that thing there is a little bit hit and miss. I'm going to reset it, weedling, hit reset there, doesn't work. You've got to kind of, up here, just double click anywhere on the line, anywhere on the line, to reset those. So we want to do a bit more manually, we want to take control of this.
So what we need to do is scrub through the Timeline. Why are we scrubbing through the Timeline? Because I want to find something in here that I know is white, I know that that is white, because there's a white bit of paper. Now if you don't have something white in this shot, that you can use as a reference, it's harder, you can use something that you know is absolute gray or absolute black, but white's the easiest one to find, and get a good result from.
So what I need to do is isolate this bit of white, because this thing here, showing me all the colors, in the entire image, I want to just see what this white is full of. So to do that you need your clip selected, we're going to switch over here to the 'Effect Controls'. I'm going to find 'Opacity', and I want to use either of these. I'm going to use, just for giggles, I'm going to use this rectangle one. It's a little bit hard to use, I'm going to drag the center, until I get kind of close to where it is, and then kind of adjust the edges here, to kind of try and get as much as the book as I can, without getting too close to anything else. That could influence the color, it's a little bit hard to work, like stitching and pairing, I feel like that's a big chunk, obviously the bigger chunk, the better.
Now let's switch back to my Vector scope, and it's showing me, look, there's way too much yellow in here, like, is it showing me? Ah, this thing here. I leave this in here, my one, watch, it's going to change, I bet you, you, you, you, you. Can you see that? What's happening in Premiere Pro for me, might only be happening to, not everyone, mine's just not updating. Earlier in the course I reset it, so, ah. Premiere Pro sometimes had a few little bugs. So mine's now showing me a bit more what I wanted, so it's showing me, the center part here, is absolute white. So it's showing me that, actually there's, this bit of thing, that should be white, is all lumped towards green. So it's a good way to say, like is there a color cast here, like it might, often it's yellow or red, because it's come from like incandescent lights, or blue from fluorescent lights. It might be lumped this way or that way, or yellow, or green. Mine's got this green cast to it, it's not much, but it's there.
So how do we fix it? Now we can go back to our temperature, you can use anything, you could use our curves, whatever you feel comfortable changing tone with, or Hue, but the Temperature slider is obviously a pretty good one. So I've got too much green, there's a green slider, there's a magenta slider, so I'm going to say, you go away, and what we're going to do is, I'm going to drag it left and right, can you see that little thing moving around, over there, on the Vector scope, want it bang smack in the middle, can you see, it's kind of just a touch down towards cyan as well, just a touch.
So I'm going to go there, it feels good, and then I'm going to go this way, back and forth, so let's just do a little adjust, try and get it as white. That's showing me that it should be pretty close to white. We're going to do the big reveal, to see whether we actually made it better. So I'm going to go to my Effect controls, we're only using this temporarily, we don't-- we could delete it, we could select it, and hit 'Del' on my keyboard, or I could undo that, and often it's good just to turn the effect off.
You can turn it back on later on. So I've turned it off, and I'm going to click off down here to get-- I don't want that blue box anywhere, click on my 'Mask', select my 'Clip', and now let's turn the Lumetri effect on and off, and it's funny, like when I pull this out of the box, especially when I made my tutorial, I was like-- because I found something that felt like I had a color cast, and now when I come back to record this, I was like, does it even-- is this the fixed one?
You might be different, you might be, like, "Clearly Daniel," it's clear now that I turn it on and off, but instantly when I open it, sometimes you're like, "Is that fine?" Something's wrong, what's wrong, and that's why, for other reasons as well, people use things like this, they use these, like clapper boards, because these are very clear white and black in there. So it's easy to do.
So if you're shooting a scene that's-- the lighting is really dull or dim, or there's nothing white in it, at least you've got something clear, that's in the scene that is 100% white, or I use something like this, I don't need a clapper board at home for my stuff, so I use something like this, it's called a Video Color checker, and I'll cover a little bit of that later on, but it's a great way of saying, look, there's complete white, and you kind of throw it in there at the beginning, but so many times I forget to do it, and I have to find something white that is in there.
I'll actually show you real quick, I'm kind of jumping ahead in the course, but I've already introduced it. So I've got this bit of footage in here, it's not in your exercise files, at least not yet, can you see me holding up this, you can see, look, there's a little white bar, and a gray bar, and a black bar, and some color ones as well. It's handy to start your shots, waving that thing around. We'll do it later on, but you can see, it's a nice clear bit of white. If you don't have one of these cards, you don't need one, grab a bit of white bit of paper, hold that up, wave it around, so you get a nice kind of specific bit of white to work from, and use our little Vector scope trick, to kind of get the color balance and the temperature, nice. All right, on to the next video.
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