SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
What is Adaptive Bitrate in Premiere Pro export
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
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10 months ago
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
How to earn your certificate
Work your way towards your certificate for this course by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz (Merit level courses only)
- Complete the Distinction Certificate Project (Distinction level courses only) - look out for the video marked with
- Upload your Distinction project to the My Projects area in your account
- Request your certificate when you've completed the requirements for the certificate level you're working towards
Good luck!
Pass certificates
We’re awarding ‘Pass’ level certificates for this course.
You can work your way towards your ‘Pass’ certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Don’t forget to request your certificate when all your projects are complete
Good luck!
Merit certificates
We’re awarding ‘Merit’ level certificates for this course.
You can work your way towards your ‘Merit’ certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz
- Don’t forget to request your certificate when you have passed the quiz and completed all your projects
Good luck!
Distinction certificates
We're awarding 'Distinction' level certificates for this course.
You can work your way towards your 'Distinction' certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz
- Complete the Distinction Certificate Project - look out for the video marked with
- Upload your Distinction project to the My Projects area in your account
- Don't forget to request your certificate when you have passed the quiz and completed all your projects
Good luck!
Downloads & Exercise files
Transcript
Hi everyone, in this video we're going to look at exporting, using the newish Adaptive High Bitrate, or Adaptive Medium, or Adaptive Low. It's pretty cool, let's jump in and figure out what it does.
So have a sequence selected, I'm going to hit 'Command M', or 'Ctrl M' on a PC, and at the top here, you've probably all been using Match Source High Bitrate, this is, when you're exporting the h.264 codec wrapped in a mp4. So when you are using these, yeah, we use these quite a lot, because it's the default, defaults are good, but how do I get the best out of my footage, without having to think too much, or at least, maybe you're newish to this export game, and bitrates, and Megabytes per second, and variable bitrates, are all kind of newish and a little bit confusing. So that is fine, like if I use high bitrate, yeah, great, it's going to be high quality, and it's going to, you can kind of see it down the bottom here, under 'Video' tab, you can see here, it's using the bitrate of 10, and that's basically, yeah, basically the quality that's going to come out of it, how good is it going to be?
It's also connected to the file size, so at the moment, using that standard one, I'm going to have 19 Megabytes, if I make it massive it's going to be 94, and the quality is going to be better, how much better? It will depend on my original footage. If I am shooting, you know, that's stock live, every footage I've messed with it a lot, it's not going to be, you know, what's that, like four times the size, five times, I can't count, but it's not going to be five times better. It's going to be hard to decide the difference between 10 and at 50. It's going to be heaps bigger though, and that's for 15 seconds. It balloons when it gets to a documentary.
So how do I know what is good for this, because 10 can't be good for every single thing, surely it's not, that's where Adaptive is really good, so format is h.264 Where's this preset? Have a look at Adaptive High, Low, and Medium. We're going to start with High, and what it does is it actually looks at your current sequence, the height, the width, what Frame Rate you're using, and decides on the target, you can see, the target here, is instead of 10 it's 15.
I'm going to show you the kind of like the summary up here, instead of scrolling all the way down here somewhere. So it's decided that it's going to use 15.2, it's decided that based on what you've got, is the best Adaptive High Bitrate. The file size is going to be bigger, it's not up to the 90 like it was, when we cranked all the way up, but now I can hit 'Export' or 'Queue', knowing that Premiere Pro is going to help me out, and especially when you are newest to this stuff, you can start kind of seeing, like. okay, whenever you're doing HD stuff, at a Frame Rate of 25 frames/second it's around the 15, so that later on you can not be reliant on whatever this says, and you can actually start typing yourself, and go, all right, a bit rate of 15 is pretty good, for HD at 25 frames/second, you start getting your own kind of, remembered known, worked for you in the past quality settings, let's have a look.
So that was 15.2, if I go and change the Frame Rate for this one, so let's say this one here, this one's at 23.97, let's change it from that to, so with it selected over here, let's go to 'Sequence', 'Settings', let's change it to 25 frames/second, let's see what it does to that Adaptive. So it was at 15.2, let's have a look at it now, go to 'Adaptive High', and it says it's 15.9, not a big change. So Frame Rate, we only change from a couple of frames to another. Let's go up to something like 60 frames/second. Let's have a look, 'Sequence Settings', let's go to '60', at the moment the highest that Premiere Pro can export, strange but true, and here now, let's go to 'Adaptive High', you can see, it's a lot higher.
So you can get a sense for increase the Frame Rate, and it's more than doubled the suggested target Megabytes per second, to kind of retain some of that quality, that you've got baked into your sequence. I find this super useful, I use it all the time. Again, let's do something else, let's say this one here now is the sequence is going to be like a square one, 10, we'll change the Frame Rate back to what it was originally. So I've got my square video, same thing, 'Command M', 'Ctrl M' on PC, let's go to 'Adaptive High Bitrate', you can see, 8, you're like, "Okay, doesn't all have to be 16, or 32, or 50?" I can get a sense of what's going on with this Adaptive High Bitrate, it's going to do the same with medium and low, depends on what your kind of final output is.
It drafts, is it a final output, is it going to social, where is it going? Same with something like 4K, that can be confusing, like what should it be, because these-- file sizes can balloon when it comes to 4K, I've got this one we did earlier, it's our, remember him, way back in the course, so long ago, "I would rise up to meet you." Running really slowly, I should turn my proxies on, I'm not going to, I'm going to export it, and I'm going to say, what do you end up looking like, has a high bitrate, and it's going to end up at 60, and I'd say, there's bang on for 4K at 23.976 frames/second, that's about perfect. Premiere Pro agrees, the trouble is it's going to be reasonably big, but it's a reasonably good file, so it needs to be big. You can go to 'Low', carving down that size there, oh, down to 83.
Again, the quality is going to be pretty poor here, but going to be faster render, faster watch, easy to email, it sucks when you send somebody, to review like a 7 Gigabyte file, to load through Dropbox, or whatever way you're sharing things, but if you use the old school way, well, not the old school, just the, give me high bit rate, it just guesses, at 10 Megabytes per second, and yeah, I think you're doing a disservice, to your, the quality of your video, if you end up at 10 Megabytes per second, really small file. Seems high but not high enough, I guess.
I also should note that h.264 is not a great codec, for your final high quality, anyway. You want to be using, I don't know, everyone has their preferences, for me, I prefer, on a Mac, QuickTime, and using either the ProRes422, or using the GoPro CineForm, probably this one, YUV. It depends on where you're going, and if they've asked for a specific codec, so you can fall in line with what they're doing, but for social, most of the things at the moment, h.264, in my humble opinion is a great codec for export, anyway.
You'll notice that Quicktime doesn't have the Adaptive in here, it's very regimented. All right, h.264, Adaptive, it's awesome, I love it, can help educate you about what should be good, and just leave it to the computer. Also, remember, Adaptive was way back here, when we did Quick Export, that's why it's kind of in here, it's new for Adobe, it's better than the kind of fixed high bitrate, but going, let us do the job for you, but I bet you they'll all appear in here in some stage.
All right, Adaptive Bitrate, let's get on to the next video.
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