SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Duplicates vs Outputs aka Parallel vs queued Encoding in Media Encoder
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
Student Gallery
Be the first to share something.
Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
Downloads & Exercise files
Transcript
Hi there, in this video we're going to look at this, Parallel Rendering. They're going to race together, they're faster than duplicating it, we kind of looked at it in the last video quickly. I'm going to cover a little bit more detail here, show you how to combine it with some presets, for maximum rendering goodness. All right, let's jump in.
To do it, send something to a Media Encoder, and in here you've got the two options, have it selected, you either duplicate it, and that is fine. You'd probably do that if you wanted to go to different places, you probably don't want to do that though. So I'm going to delete that, and you probably want to select it and say, give me an output, a different output.
In here you can do nice things, like in terms of this one, it was 4K, so let's say that I need everything the same, I'm going to go for my Adaptive High, but this particular one needs to be my, kind of like Standard or Full HD. Obviously, you can keep going through this one, you might want a Super Low version as well, and it's actually going to be, maybe Standard definition, 720. Nice small version that I can send out, and it's going to use the preset of Low, oh, change that, can you see, it's gone and changed my height, you know what you're doing.
It is significantly faster, doing this kind of like multi processing or parallel processing, or I call it the concurrent processing, than it is duplicating it. I'm going to select all mine and put them in somewhere more-- actually, it can go there, perfect. You can kind of see down here, trying to do the different versions, it's a race, what size, what format goes first, obviously the 4K one is going to take the longest, but definitely faster than duplicating them and doing them all separately.
The reason you do them separately is when you've got actually different files, so I might have these kind of, yeah. These guys here, you can actually drag it straight to Media Encoder, I'm a big fan of dragging things to where they should, or might go. So you drag these, I'm going to, on my Mac I can hold 'Command Tab', I think it's 'Shift-Tab-Ctrl', maybe the Windows button tab on a PC, you can just drag it straight to Media Encoder, or like me, I've got a separate monitor that I normally use when I'm not recording, so I'll just drag them straight into here, and get them rendering out, but because of separate videos they need to be separate, they can't run parallel because they're not the same thing.
The parallel exporting gets better as well, let's clear all of this out, minus, ' - ', yes. I'm going to duplicate this one, clear that one up just so it looks tidy, and actually, I don't want these two, because that took a while, right? We had to go in and say, "I want HD, and I want a low version, and I want this other version." What you can do is-- we'll cover presets in a video coming up, but they're not hard to create, see this kind of folder here, I've got some presets, this is what I do for my, say podcasts, I need a wave version, and I need a couple of different sizes for the videos.
You can drag the whole folder onto, not this bit but that bit, and you will get all our parallel exporting. Don't need that version, don't show it again. So it's a lot quicker, dump one in, have some presets, ready to go, either you've made, or in my case I've just collected them from these preset folders, put them into a group that I use. We can benefit from that parallel processing again.
All right, that is the difference between duplicating and creating an output in Media Encoder, so that we can do parallel versus cued rendering, or encoding.
All right, on to the next video.
- Powered by Marvin
- Terms of use
- Privacy policy
-
- © Bring your Own Laptop Ltd 2025