SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
What is Sync Lock vs Track Lock in Premiere Pro
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
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2 years ago
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
Downloads & Exercise files
Transcript
Have you ever wondered what these things do? You're like, "Oh yeah," there they go, Toggle Sync Lock, that description doesn't help, does it? Let me show you how they can be useful.
So sync locks, they're on by default. Basically they are syncing all of these tracks together, they're locked together in synchronicity, that's my explanation. What it means is, when I insert edit, something into the track, they all move along together.
So let's say I've found this clip, I've set an in point using the 'I' key, the 'O' key for my out point. I'm going to use my super duper shortcut for insert. You can see there, it's the comma. So I'm going to hit ' , ' and it's going to insert it. Keep an eye on the Timeline, boom, it worked, but these are all synced together. So they all get a big cut in them and all get pushed along. That's where Sync Lock can be useful, especially for music tracks or dialogues.
I find that's always annoying, you're like, you stop getting pushed along, and you click on 'Sync Lock' to turn it off, so he's now no longer synced with his buddies. Let's do the same thing, use your other shortcut. I'm not-- click the button, you see that, they all moved along, and he stays the same, and if you're like, "What's the difference between just locking the layer?," so let's turn the Sync Lock off and just locking the track, nothing, it'll do the same thing, except I can't edit this now, I can't adjust the volume, I can't do anything, it's locked.
So Sync Lock is like a soft version of a lock, that's a big old mean lock, this is just a little soft lock. So it means I can-- it'll insert edit, but I can still grab it, and adjust the volume and do other things to it. I find it's quite useful for adjustment layers. So let's create an 'Adjustment Layer'.
Yes, yes, yes, in the wrong bin, fine. Stick it on there, I know that my sequence has to be 30 seconds long. So I don't want you to move, go like that, but because he's got sync lock on, and I hit my shortcut, the ' , ' to insert, it gets pushed along and cut up. So I can say, you have Sync Lock off. I get to click on my 'Adjustment Layer', adjust my, say Lumetri, or whatever I've applied to the adjustments layer, I don't have to keep locking it and unlocking it, but that's what it does. Often I just fall back on locking it, except for the music track. It's quite handy just to sync lock that one, or at least turn off the sync lock, does that make sense?
Another good use for it is when you are, if you're a fan of using the Ripple Edit tool, we'll look at that later on, but if you click on this, and let's say, your dialogue, you don't want it to move, it's timed with things down here, but you want to trim this up a little bit, do you want to trim it up, but see, the audio comes along, you're like, stop moving along. It might be images or things up there, something else, but again, sync lock means I can still edit these, but they're not affected by the Ripple Edit, look at that, they just stay where they are, like a mini lock, but they remain editable.
Now we know what a sync lock does. I've come back from the future, and I've come back from the captions video to add to sync lock, because this is a really good use as well, that I didn't think of when I made this video. So we've got captions along the top, which we'll discuss later on. So we've learned sync lock, is if I hit my insert from source monitor, enter here, I'm going to insert it, push everything along. You're like, not that, I want that to be broken as well, and if I insert it, it's going to push the captions along. You're like no, no, no, the captions need to stick along with the audio.
So I'm going to say, you break the sync lock as well. So now when I hit my ' ,' it pushes them along, these stay in place without having to lock them. I can still lock them but it means I get to work on my captions, adjust them, without having to unlock them, block them again, you get what I mean.
All right, I'm going back to the future, you carry on with the next video.
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