SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
What does the FX icon in the timeline do in Premiere Pro
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
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3 months ago
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
Downloads & Exercise files
Transcript
In this video we're going to discuss what these teeny tiny little effects boxes are, and why these are all different colors, let's jump in.
By default they're all gray, if you've done nothing to them, basically the effects change color, depending on what you've done to them. You can see on my one here, this audio has effects yellow, which means that earlier on in the course, we went and lowered the volume to balance it out with this dialogue. The dialogue hasn't been changed, so it's still gray.
So let's look at the different colors. Yellow means I've got this clip, anything that is in the effects controls. So 'Window', 'Effects Controls', anything that's under Motion or Opacity, will change it to yellow, watch that icon, I'm going to drag the-- let's say the position, it goes yellow, or let's say I play with the opacity, it goes yellow. That just means, like a really basic bit of effects has been applied, or an effect. So it goes purple when you add something like the effects panel.
Anything in here, it might be noise like we did earlier, see, it goes purple or violet. It might be that you've used Lumetri as well. So 'Window', I'm opening 'Lumetri color'. So you've done some basic correction, and that's where it gets reasonably useful. You've done some basic correction. I'm just going to whack auto on it.
So any effect, including Lumetri, it makes them purple. So from a distance I can see, that this one here has had no color correction, potentially, no effects applied to it, this one has. So you can just kind of instantly see what's applied. This one here is purple, because we added that noise to it, earlier, gray, gray. that one's yellow because it has-- we lowered the volume. Green's another color that appear, and it only goes green when you have an effect, in this case, Lumetri, and I play with Motion, or Scale, or Opacity.
So yellow and purple make green, it just means it's got a couple of things applied, that's what it's there for. Now you might think, "Uh, it's not very exciting", what I find it really useful is especially when I'm-- we're going to do sound later on, but let's say that I have gone through, and the sound needed adjusting, and I go to my 'Essential Sound', and I do my 'Dialogue', and I make sure the Loudness is 'Auto Match'ed. Can you see, they're all yellow now. So now I know that I've actually done that processing, and I don't have to do it again, like, did I fix that one? I'm not sure.
You can actually just circle on one of them, and it should change over here. This one, nothing applied, this one applied, but the color coding is helpful, but you disagree, the effects things, you don't like them, you want to remove them, they're in the range, they're either in this little stripy thing you noticed in the last one, when we're doing the-- what were we doing, the thumbnails, there was a bit in there, a little bit in there, and to be honest I can never remember which one. There's a lot of clicking, looking, maybe in the wrench one, in this case it's in the wrench one. So Show FX Badges, turn them off, oh, tidy little timeline it becomes. That might be more you. I'm going to turn mine back on for the course, just because, and let's continue on to the next video.
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