SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Class Project 05 - Luma Waveform
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
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Edgar O
8 months ago
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Edgar O
8 months ago
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Edgar O
8 months ago
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Edgar O
9 months ago
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10 months ago
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2 years ago
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Emma N
2 years ago
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Stephen B
3 years ago
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Shawn J
3 years ago
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Student class projects
Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Downloads & Exercise files
Transcript
Hi there, it is class project time. We're going to practice our adjusting the tonal range, the lights and the darks, using our Lumetri Scope. In this case it's the Luma waveform to help out. Now I'd love it if you've got your own footage, you can totally use your own footage, I'd prefer it, but not everyone has something broken lying around, that they want to fix. So I've given you a couple of examples, or do them all, do your own one, plus the others.
So there's two I want you to do, there's this one, it's under 'Color' folder in our 'Exercise Files', it is called 'Color Correction H'. So do that one, and also have a crack at one of the earlier bits of footage that we had. It's under, remember, under our 'Tourism Island', 'Footage', there's one called 'Tourism B', that needs a lot of work. Actually, there's a couple in here you might want to play with, but definitely try that one, and that example there, plus your own one.
The other little tip that I want to give you is, this footage here, it starts with my hand off screen, so I can adjust it here, I can start playing around with my tone, but there's a bit of skin tone that's going to come into the shot later on. So if I adjust it on this frame I might end up, like doing something wacky with my skin, happens to me all the time, like, "Oh yeah, it's perfect", and then I end up with like, I don't know, overexposed face, or my bald head shininess is too extreme.
So scrub along to where, like a lot of my skin tone is in screens, so that when I am making my adjustments, I'm not doing something too terrible to my skin, and when you are dragging along, what's the little refresher on shortcuts, because I'm trying to find a great frame, where it's kind of half in focus, and it's on there.
Who remembers how I go forward one frame and back frame? You remember, that's right, it's your keyboard shortcut, it's the left and right arrow. It was this all the time, trying to find, like the right frame, where it's, it's not in focus, because I've got that glasses in focus, but something where it's not moving, and there's not too much Motion Blur, and I'm going to work on this frame here to do my corrections.
Now I've said, in the exercise and the kind of notes, you can use your Basic Correction Tone, these ones here, or you can use your RGB Curves, you might end up diving into things like Hue Saturation Curves, I don't mind, and when you're finished send me the before and after shot of, yeah, this one, getting started.
Now this shot here is some B-roll that I was shooting for a YouTube thing I was making, and I was just too lazy to set up the camera properly. I was like, I get too lazy a lot of the time, and I just left the camera set to auto, I didn't set up any of the lights, I just recorded it, that's why it's really kind of underexposed here.
All right, that is your project, check it in the notes, where is it, there, upload it to the Assignments when you're finished, share it with us on social media, especially if you've done your own thing. I'd love to see before and after, and just mark it as, "Experimenting with the Luma wave." Alright, that's it, I'll see you in a sec.
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