SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
What is scene edit detection in Premiere Pro
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
Downloads & Exercise files
Transcript
Hi everyone, welcome to Scene Edit Detection. What does it do? It is when you've got a bit of footage, that's already been cut up, edited, and rendered, and you don't have the originals, and you want to slice this up into the different shots, you can right click it, 'Scene Edit Detection', click 'Analyze', and somehow, magically, Premiere Pro will slice it up into the different parts, look at that, cool, huh?
All right, let's show you how to do it, even though I've shown you how to do it, there's a tiny bit more detail that we can go into. All right, let's do it.
For this one I've got something, in your 'Fixing' folder, called 'Scene Edit Detection 01'. So let's have a little look at it in the Source monitor, you can see, it's already been edited. It's already been cut, all the different shots. It's one long kind of finished project, and we need to have some Scene Edit Detection. So let's make a sequence, and let's do-- let it do its magic.
So all you do is click the clip, right click it, and say, where is it? There it is there, Scene Edit Detection, click on it. By default it'll do this, since it's a good starting point, we'll look at each of them. So apply cut at the detected point, and it's just looking for the cuts. I don't know how it does it, it's pretty magic, does it pretty quickly, you can see, it sliced it all up, you can see, first shot, cuts to this one, cut to that one, and just cut it, I don't know how it does it.
So there's one thing you might use that-- now you've got all these different scenes. Another way you might do it, is you might want to chop them up like-- so I hit 'Undo' a few times, so 'Command Z' on Mac, 'Ctrl Z' on a PC, and instead of doing it that way, I'll show you another cool kind of way of using it, Scene Edit Detection, I don't want to apply cuts, I want to create a bin with all sub clips. Let's do that, and it did nothing here, but over here, can you see, it made a folder, and it's put all these sub clips in.
So each of these sub clips are those short pieces, and I can use those separately, or that might be one-- one thing, that's it, you just want to use it for this, you're just going to use these like little sub clips, from the original clip, this mp4, and you're going to start reorganizing them, or you might want to re-render them. So you can select them all in here, remember, click the first one, hold 'Shift', click the last one, right click any of them, and you can go to 'Export Media', and you can say, you pick your 'Format', in my case, 'h.264', and 'Match Source - High Bitrate', you decide what it needs to be, queue them up, for old Media Encoder, kind of jiggles away, and then if I open up Media Encoder, there it is, there's all my little guys.
So I'm going to select them all, select every single one of them, change the output file, where is it going to? I'll put mine on my Desktop, just to show you, where's my desktop? There it is. Sorry, Desktop. I'm going to hit 'Play', hopefully, on my Desktop, where is it? Here it comes, these are my little sub clips, is that first scene, there's the next cut. What is that one? There's an empty one, there's nothing in that one. I think it's still processing that one, is it? Don't know what that one last one is, got a bit confused. 3, 4, all separated out; cool, huh.
One last thing you might use it for, is instead of doing cuts-- so let's undo all of that. So the same thing again, Scene Edit Detection, and just add markers rather than cuts, just to, nah, same, same. You see here, down here I've got the different - 'Shift +' - I've got different markers in there, I can hold 'Shift' to kind of snap to them, and you can-- that might be the way you prefer to work. In all honesty, haven't used it, it's cool, it's in the course, and I feel like I've squirreled that one away. There's going to be one day where I've got a final edit, you know, I've got lots of footage that is, you know, the hard drives are getting old, or I won't be able to go back to original footage, for whatever reason, either I wasn't the creator, or no, no, the hard drive gives up, there's a nice way of kind of like pulling it all apart again.
All right, so that is Scene Edit Detection in Premiere Pro. Let's get on to the next video.
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