SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Complete understanding of Markers in Adobe Premiere Pro
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
Downloads & Exercise files
Transcript
Hi there, in this video we're going to get nerdy with markers, show you what a clip marker is, versus a sequence marker, we're going to add details, look at this, oh, we can write in it, and look at this, fancy in and outs. We can color code them, a bunch of shortcuts, all right, let's get in and learn about markers.
First thing, let's go back to my-- I'm going back to another workspace, go to 'Editing', or I've got one that I created earlier, and let's bring in a couple of files, double click to import. It's in 'Exercise Files', called 'Markers', bring in everything in here. Now we don't have a sequence to start from, and we need a portrait version, anyway. So let's go to 'New Sequence', let's use the Red 1080p, 25 frames per second. I'm going to call this one my 'Breakdancing', and the sequence is the wrong format, like there's no portrait defaults. We'll create some when we get on to social media in a bit, but most portrait is just the normal kind of ratio, turned up on its side.
So I'm going to go to my 'Sequence Settings', and just inverse these. So this could be 1080, by 920, not always, but that's kind of what we want, Breakdancing, I have 'Sequence 01', where do I get that from? No idea, oh it, no, I have no idea what's sequence 01. So I've got this, let's add a couple of images, it doesn't really matter, grab four, there's no-- it doesn't really matter for markers if we're using images or videos.
Now the brief overview for markers is, out of market you've got two kinds of markers, right? I hit my backslash so I can see it all. So you get two kinds of markers, you've got the-- I've got nothing selected, Sequence Marker, can you see, it appears up there. If I undo that, if I have something selected, I hit 'M', it's on the clip. The difference is that the markers on the clips come along for the ride. The ones that are in the Timeline, nothing selected, 'M', will stay there, doesn't matter, like what we have moved. So there's different use cases for both.
If you need a change or you need to note something within this video, no matter where it is, or maybe it's timing, like the first 30 seconds, needs to be like, say you've got an ad, and the first, say three seconds or five seconds, is forced watching, like on YouTube, the other stuff is optional. A lot of the time you'll set a marker, at say three seconds, 3.00, and hit, make sure nothing's selected, hit 'M', and at least now you know that's your, you know, that's you're above the fold before people like, can hit the "Skip this ad."
So we've got two kinds of markers, double clicking markers gives you a whole lot more information. So any of them, double click them, you get this big marker window, and in here we can give the marker a name, which is interesting. So let's give this one, let's say this, "Above the Fold," I still call it Above the Fold, even though it's definitely got a name. I can't think of it at the moment, but kind of above the fold. So I need to have all my, kind of call to action before then, at least the most compelling part of my ad before here, you can add comments.
We can obviously color them, let's color our different ones. you might be using them as, well, I'll show you a really cool little thing you can do, is let's change the duration, at the moment there's 0 duration, that's why it's just like this little, you know, this little shield here, but if I extend it out any sort of time, click 'OK', can you see, you can actually start reading what's in there. So you can actually add markers of like, maybe it's your sections in your video, you want to kind of identify the intro versus the outro, maybe sections where advertising, you know, with advertising, gets jammed in.
So you have to open them up for that to be seen. You can leave them in there, and people can go into them and have a look. So if I'm getting this from somebody else, I can open up the 'Window', 'Markers' panel, and they can show me, look, there it is there, and I can add another one, remember 'M', and I can double click it, go in, and let's say yellow stuff is the must change, oh no, yellow is maybe, let's say we've got a red, and this needs to be a reshoot. Why? Because, I don't know, because of this thing, click 'OK'.
Again, if you want to open them up, just drag out the out point, you can do that without dragging that out, there's a shortcut. So undo both, dragging those out. You can hold down the 'Option' key on a Mac, 'Alt' key on a PC, I think, there you go. You can just start dragging them out, so you don't actually have to go to the Duration, just click on them and drag them out, so there you go. Hold 'Option' on a Mac, 'Alt' key on PC, just click them once, actually, and that'll just turn them into that, like two segmenty thing, you drag them out.
The problem with these comments, I find, is if I zoom out, can you see, they get smaller, and if I zoom in, they become unreadable. So it's our way, I'll often use really simple markup like this, if I'm sending it to another editor, if there's just simple changes, add the good stuff inside of here, rather than up here, and they can kind of open this panel and check it out. They can filter by all the red ones, maybe to do first, the green ones, good job, editor, you've done a great job here, but the yellow ones and the red ones, they can turn it on and off, you get the idea.
What do I use them for, a lot for, is where I, like I'll do a lot of the recording and rough drafts, I'll add markers to show like what my thought was here, because I'm not doing the final edit, or maybe, you know, I've shot the B-roll separately, and I want the editor to go through and actually insert it in here. I'm like here's where this video goes, and this is what I was thinking, and I can add my details in here.
Now shortcuts for using markers, let's say you've got a few of them, let's go 'M', to get back and forward with them, it's, let's say the beginning here, 'Shift M', M's to add one and Shift M is to toggle, just keeps jumping through them all, can you see, it's jumped to this one down in this clip here. So 'Shift M' just kind of moves along, it's 'Command Shift M' on a Mac, 'Ctrl Shift M' to go backwards, I never remember that. We shortcut it out by now, you probably ought to. It's called a Button Editor, and in here, go to end, that's one of these, click in and out, Mark, come on, Dan, add marker, I use these two. So you can drag these two down, there we go, you, and go to previous, we'll put them just behind there.
All right, click 'OK', totally running out of space. Let's go to my bins, which ones, shortcuts do I not use? Don't use you, don't use you, see these little weird little spaces, you can use little spaces just to like separate things, it's not really a space, we've talked about this before, probably. So there's that one, did I get the other one on there? Let's click 'OK'. See this space, ends up being just a gap. So I've got my Go to Next marker, and my Go Back Next one. All right, come on, Dan.
Now one last thing with markers, is you can select in your Timeline, make sure, in there, remember, we can do, Find over here in my program, sorry, my Project panel, where's my Project panel? It's down here, there you go. I'm going to find in the F that's selected, but if I remember, if the blue line is highlighted, around my Timeline, and I hit 'Find', which is the shortcut, is 'Command F' on a Mac, 'Ctrl F' on a PC, there's actually, if you've got lots of markers, you can actually switch this to markers, that contain the word Reshoot, and it should jump to it, there you go.
That's not the last thing, the other thing was, when you are selecting all of these things, and copying and pasting things, by default the markers only stay on this sequence, they don't come along, because they're specific for a sequence. You can turn that on under Markers, you can say, actually, when copy and paste is done, include the sequence markers.
The next, next last one is, there's actually a couple, I should look at my notes, before I say, "In the last one," The second to last one is this Ripple Sequence Markers. So there are times where you need-- at the moment, remember this one here that said, please, this one needs to be at 3 seconds, because that's where, you know, the unskippable part of the ad is. So that needs to stay there, by default, which is, if I click this and hold 'Option Del' on my Mac, 'Alt Del' on a PC to ripple delete, watch happens to this marker. It gets kind of deleted and moved along, because all these are rippling, you might not want that. So you can say Sequence, sorry, 'Markers', 'Ripple Sequence Markers', turn that off. Now when I delete it, watch what happens at the top here, these guys should stay in place. So you can turn it on and off as you need, there might be times you need one or the other.
The other one I'm going to talk about mainly, just real quickly, is you can actually, turn these into stamps for YouTube, to go out into your, you know, you get in some YouTube videos, you can kind of like have the time codes. There's a way of exporting these out. I will include that bit further on in the course, where you're looking at YouTube. So look for YouTube videos ahead of here, there'll be one that has something to do with, I haven't named it yet, because I haven't made it, but it'll be something, Youtube chapter markers, something like that, is what I'll call it. Sorry, it's the future, I haven't never recorded that one yet, but, I'll explain it better in there, but know that you can. So I'll tie it here with a markers video. All right, let's do another marker video next.
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