SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Master or Source Clip Effect in Premiere Pro
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
Downloads & Exercise files
Transcript
Hey there, in this video we are going to learn about something that sounds boring. It's called Source Clip Effects, but it can do pretty astonishing amazing things. I have got to a point in this edit here, where I've cut this particular clip up a bunch of times, in between other shots, and somebody said, "Actually, can you go back and adjust this one?," you're like, "Sure, I can adjust this shot," but I've used it so many times across, actually a couple of different sequences.
I'm going to have to copy and paste the effects on to all the different ones. Actually, there's a trick, I can go to my Master Clip effects, dump something random on here, for example, and watch, it updates every use case of it. So it's like updating the parent, that's why it's called the Source Effects. Let me show you how to update that source.
First things first, is you don't have this kind of, like sequence, all cut up for you, this is just a for instance I quickly threw together, and you'll see why you can apply it to any clip anywhere. I'm just giving you a good for instance, because, let's say we've got to a job, and we've got, like our interview, we've got different shots, we've got a close-up, we've got a mid-shot, and it kind of cycles between these two, and we've done a lot of work to them, and it comes back, and we're like, "Actually, can you change this thing,?" and let's say that, for instance, this clip needs to be--
I'm going to do something, I'm going to exaggerate, it needs to be less exposed. So I've done that, but then I'm going to copy and paste it on to this one, so you can select it, go to 'Edit', 'Copy Effects', you've probably done this a million times, and it's a pain, 'Edit', 'Paste Attributes', no, no, no, no, no, no, I just want the Lumetri effects to come across, and then it's the same, and if you've done that 100 times or 10 times, whatever it is, it's a big pain.
So I'm going to undo that, go back to this one, so we're back to normal now. So the way to get around that, is to do it to the original, it's called the Source, what used to be called the Master. Think of it as the parent, giving it all sorts of names. So you can update that original parent, or the source file, or the master file, whatever you want to call it, and it will spill through all your edits. I've done it for both this sequence, plus I've got another sequence in here, that's a shorter version. It's got like more of a commercial cut down short feel, but it's using that same interview.
So I'd like it to both, not just do it for this first clip, not just this first sequence but all the sequences. Really good if you're doing maybe social media, and you've got lots of them across all sorts of different sequences. Just go and show us, Dan, quit hyping it up. Well, what you do is, if I've got the clip selected, I'm working on the child, or the instance of that original.
To open up the original original, you can kind of see it up here, you see, I've got it selected, what's this thing? I'm in my Effect Controls, by the way, if you can't see it, go to 'Window', 'Effect Controls', and you've always got this thing, and you might have accidentally stumbled in here, and eventually found your way out. So basically this is the instance, this is the original, there's nothing in here, it doesn't look very fancy, but what I can do is, if I'm clicked on to this tab, and then make adjustments, let's do something crazy again, let's go over Magenta, can you see there, it applied, and it applied like we thought it might.
The difference is, because it's on the Master and not just here, watch what happens. So back to that other shot, but then, see, I've reused that clip a couple of times, let's go to the other sequence. Oh, it's all in here too. Cool. It comes with a few caveats, there is a problem, if I'm later on working on it, or you send it off to somebody else, that isn't as awesome at Premiere Pro, as you are, you can be in here, clicking on this one, and you're like, I'm going to get rid of purple, and you're looking over here for your Lumetri effects, where the hang is it? It's not there, it's on the Master, how do you know it's on the Master? Mostly you need to like magically know, there is a little, can you see, there's a little F under the Effects, remember how it changed color before, it didn't, get a little red line underneath it, that's all they give you, that's a, hey, there is a Master, well, they call them Source effects now, up until recently Premiere Pro called them Master effects.
So you will find tutorials online, talking about the Master clip effects, it's now called the Source Clip effects, exactly the same thing. A lot of people will call them child and parent, this is the parent, and here, nope, that is the child, this is the parent, and only that little red line there kind of indicates that it's there. So that is it, you can apply it to the source file, and it will spill through all your use cases.
Really handy if you've already used it all in the Timeline, you can apply multiple effects, and that brings me to my next point, which is how do you apply them, like Lumetri is easy, because you had that kind of tab selected, and you started dragging. So the way to do it is, one of two ways, have this tab selected, and let's say I want to apply effect, and why you want to apply some random effect, you want to apply some sort of-- we're going to use lighting effects.
You can drag it in here and it applies. Let's say that we don't want to do it that way, you can add it to the actual Source monitor. So our Source monitor is kind of tied up, up here, there it is there. So if I add this to the source rather than to the program, or down here, watch what happens. It adds to this, my source, it spills over on to my-- where I've used it in the sequence, but if I go to my Effect Controls, you can see, that's the one you normally end up at. There's nothing there, but my Source used to be known as Master, has all of these things applied.
All right, that is Source Clip effects. I'll see you in the next video.
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