SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Interpret Footage vs Speed Duration in Premiere Pro
SECTION: 1
Getting Started
10:15
SECTION: 2
Workflow & Productivity
1:01:52
SECTION: 3
Media Cache
12:32
SECTION: 4
Preferences
10:03
SECTION: 5
Timeline Tricks
59:55
SECTION: 6
Shortcuts
16:29
SECTION: 7
Color
2:41:19
SECTION: 8
Transitions
52:06
SECTION: 9
Stabilizing video
59:18
SECTION: 10
Freeze, Hold & Pause
7:20
SECTION: 11
Tools
11:44
SECTION: 12
Slow Motion
23:03
SECTION: 13
Effects
9:34
SECTION: 14
Storyboarding / Planning
3:04
SECTION: 15
Motion Graphics - Part A
15:32
SECTION: 16
Linking Grouping Nesting
17:30
SECTION: 17
Motion Graphics - Part B
49:25
SECTION: 18
Infographics
18:29
SECTION: 19
After Effects
20:28
SECTION: 20
Working with others
17:43
SECTION: 21
Workspaces
2:38
SECTION: 22
Multi-Cam
16:49
SECTION: 23
File Management
17:30
SECTION: 24
Sound
1:45:18
SECTION: 25
Markers
16:01
SECTION: 26
Subtitle & Closed Captioning
32:34
SECTION: 27
Social Media & Repetitive work
49:54
SECTION: 28
Rendering/Exporting
27:49
SECTION: 29
Media Encoder
1:00:21
SECTION: 30
What Next
22:37
Questions
Student Gallery
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Course info
Overview
Hi there, my name is Daniel Walter Scott & I’m an award winning Adobe Certified Instructor. Welcome to the Premiere Pro Advanced Course.
This course is aimed at people who already know the fundamentals of Adobe Premiere Pro. If you have developed your own way of doing things but you realise there are so many tools, updates & time saving techniques that you haven't had time to explore then this course is definitely for you.
• We look at the best productivity hacks & little known features to super speed your timeline editing.
• We explore color management, color grading, color replacement & skin tone correction.
• You will master all the new Lumetri color methods and harness the power of scopes.
• You will learn new ways to successfully create traditional & new style transitions.
• You will quickly become a master at fixing shaky handheld and drone footage.
• There won’t be anything you can’t mask or blur.
• We will get your computer running at warp speed using Proxies, Scratch Disk & Cache management.
• You’ll master high frame rate footage to enable you to produce spectacular slow motion video.
• You will create high quality professional motion graphics & data driven infographics.
• You’ll learn all about Premiere Pro’s responsive time and design tools so you can make graphics & animation once that can be used across multiple future productions.
• You will learn file and footage techniques which will enable you to work with multiple editors.
• Multi-camera editing will be a breeze.
• You will learn stunning techniques to help clean up your audio by removing noise, hiss & echo.
• Learn how to manipulate & extend your music in Premiere Pro & also in Adobe Audition.
• You’ll learn which tools & techniques are best for removing the monotony of repurposing the same footage across multiple sizes for social media.
• Learn about markers, subtitles and amazing plugins,
• You will learn all the best tricks and settings which will enable you to get the most from your rendering in Premiere Pro and also in Adobe Media Encoder.
We cover all these topics and more in this course.
Take a look at the contents and read reviews from other students and you’ll see this is the course that will get you from adequate - to EXCELLENT in Premiere Pro.
In this course we use real world, practical projects and use exercise files which you can download and then work alongside me.
If you can’t remember the last time you sat down & went through the features & updates in Premiere Pro, let this course be your all-in-one professional development & upgrade.
You owe it to yourself - sign up and get ready to become a Premiere Pro Super Hero.
Daniel Scott
Founder of Bring Your Own Laptop & Chief Instructor
instructorI discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.
Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.
Certificates
We’re awarding certificates for this course!
Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.
How to earn your certificate
Work your way towards your certificate for this course by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz (Merit level courses only)
- Complete the Distinction Certificate Project (Distinction level courses only) - look out for the video marked with
- Upload your Distinction project to the My Projects area in your account
- Request your certificate when you've completed the requirements for the certificate level you're working towards
Good luck!
Pass certificates
We’re awarding ‘Pass’ level certificates for this course.
You can work your way towards your ‘Pass’ certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Don’t forget to request your certificate when all your projects are complete
Good luck!
Merit certificates
We’re awarding ‘Merit’ level certificates for this course.
You can work your way towards your ‘Merit’ certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz
- Don’t forget to request your certificate when you have passed the quiz and completed all your projects
Good luck!
Distinction certificates
We're awarding 'Distinction' level certificates for this course.
You can work your way towards your 'Distinction' certificate by following these simple steps.
- Watch the course videos
- Complete the Class Projects - look out for the videos marked with
- Upload your class projects into the My Projects area in your account
- Complete and pass the Knowledge Quiz
- Complete the Distinction Certificate Project - look out for the video marked with
- Upload your Distinction project to the My Projects area in your account
- Don't forget to request your certificate when you have passed the quiz and completed all your projects
Good luck!
Downloads & Exercise files
Transcript
Hi everyone, in this video we are going to look at something called Interpret Footage. What it's used for, it gets used for many things, but mainly in slow motion. That's why it's in this part of the course, let's dig in.
So the long way, and the painful way is, I've got this bit of footage here, it's slow motion, let's play it, it is 24-ish frames/second. So the slow motion is exposed, this one here, in Slow Motion 03 has all these frames, has four times the amount as this one-ish, but it plays back at a regular speed, you see, just like normal speed, 100 frames/second. "Ready for my flip?" There you go.
So it is, the slow motion is trapped inside of here, so it doesn't really matter which way is which, it's just the way it's been output, from either the camera, or the videographer's decided to kind of remap it afterwards. Either way, let's say you want Slow Motion 02, and you're like, "Okay, good," I want it to go to just regular speed, you right click it and you say, 'Speed/Duration', and then you guess what speed it should be.
It's either 50 frames, so you double it, so 200 times, it might be 60, it might be 100. I've worked out just by trial and error, that four times the amount of speed, which gives me roughly 100 frames/second, is what this was recorded at. I don't know for sure, because I don't have the details from the shoot, I wasn't involved with it, and I can't find anything for it, so there's a bit of guessing. If you do know a magic way of knowing what the frames/second is, let us know in the comments, but anyway we've done it, and we can happily go about our work.
The problem happens, is when you've got like the whole photo shoot. So in this case, you see these, that's, I've given you Slow Motion 02, from one of all of these. So every single one of them is a slow-mo. So if you're dumping and doing a cut, it's painfully slow. So what you do is you interpret the footage. I'm going to call this, actually I'm just going to delete that sequence, start again.
So 02 now, instead of dumping it in and changing it, what we do is we say, we right click it, we can say 'Modify', and we say, I want to interpret this footage. Now what is Interpret Footage? It was used originally when-- it was really, in the early days of digital video, lots of codecs and different extensions, Premiere Pro would sometimes get it wrong, it would say, "Hey, I've imported your mp4 as a square pixel," but it actually wasn't, the Aspect Ratio was something else, it was something like this, you could force it, you could just say, "Hey, Premiere Pro, good try, but can you reinterpret this footage for me, and I'm going to try these," and it ended up fixing it.
I find that happens less and less, Premiere Pro, super good at interpreting the footage on its own, but you can fake it, but if you do have problems, you might come in here and change with some of the parts. In this case I wanted to say, I want you to interpret this 23.9760 PAL, man, I hate that number. I want you to assume, just assume, it's 100 frames/second please, thank you very much, click 'OK'. You see, it's changed here, the Frame Rate is 100 frames/second. Now if I make a clip from it, it's used my sequence, is 100 frames/second, it's trapped in there still.
I can slow it down, like I did by going, right click and say 'Speed/Duration', and I can slow it down by 1/2 speed. So I've still got a bit of slo-mo in there, but it's my choice, I can do it later on. So I start with the regular real-life video, and I can slow it down if I need to, a lot-- I'll end up shooting high frame rates, because it kind of looks nicer, but with the idea that, especially B-roll, I'll just shoot everything in like 120 frames/second, even if I don't plan on using it, just so it's there. So I've got it, so the file size has ballooned, and my editor hates me, but it's in there in case we do want to slow things down.
So why is that quicker? It is mainly quicker when you have to do all of these, let's say we want to dump it all in, and it's just the beginning of a job, you're like, "Great." It's all slow motion, let's have a look, a couple of them, they're all slow motion, lots of shots, and instead of going through, dumping them on a Timeline and doing it all, you can just right click 'More', all in one big go and.say 'Interpret Footage', and let's pretend it's 100, give it a test, all done in once. Yeah, it's quicker, it's easier, if you are only doing one or two shots, it doesn't matter, but Interpret Footage is good for doing bulk stuff .
All right, that is it for Interpret Footage, let's jump into the next video.
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