What is the difference between RGB vs CMYK color modes?

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SECTION: 4
Keyboard Shortcuts 14:06

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104 lessons / 10 hours 33 quiz questions 31 projects Certificate of achievement

Overview

Hey there, I'm Dan Scott, an Adobe Certified Instructor with over 16 years of design experience under my belt, I'm part of the Adobe Expert program, and my online and in-person classes have been attended by more than a million people, just like you! Join me as we dive into the exciting world of Adobe Illustrator Advanced! In this course, you're not just leveling up in Illustrator, you're transforming into an Illustrator SuperHero!

In this course you will work on a bespoke brief designed to ignite your imagination, coupled with immersive course videos, you'll be crafting jaw-dropping graphics in no time. Throughout our journey together, you'll flex your creative muscles and construct projects that will elevate your portfolio to new heights. So, let's dive in and unleash your creativity!

You’ll learn:

  • - How to use artificial intelligence to boost your creativity in ideation. 
  • - The quick way to take hand-drawn sketches and vectorize and color them. 
  • - The building blocks needed to set you loose on a huge variety of beautiful effects and techniques.
  • - To make beautiful charts and graphs for your documents. 
  • - Color mastery to make quick color adjustments, Pantones, and blend it all together beautifully.
  • - How to master images inside of your illustrator workflow. 
  • - To harness all the secret gems that'll help you level up your typography skills. 
  • - All the tricks of the trade for drawing complex shapes easily. 
  • - To double your creativity with the Transform and Distort section. 
  • - To speed up your personal workflow to get the most out of your creative day.

Explore the full course outline for a comprehensive list of topics that will expand your Illustrator prowess beyond imagination.

If you're already comfortable navigating the basics but want to  unlock the true potential of Illustrator, then this Illustrator Advanced course is your ticket to becoming a master of Illustrator! So join me and the ranks of design superheroes and let's embark on this thrilling journey together.

Requirements:

- All you need is a copy of Adobe Illustrator, you can get a free trial from Adobe here to get started.
- A basic knowledge of Illustrator is required. I recommend watching my Illustrator Essentials course prior to embarking on this epic adventure.

Who this course is for:

- Creative adventurers who already have a basic understanding of Illustrator.
- Self-taught Illustrator enthusiasts yearning for structured guidance.
- Graduates of my Illustrator Essentials Course, hungry for more knowledge and skills.
- Visionaries who have developed their own unique Illustrator approach but crave exploration of the vast universe of tools, updates, and time-saving techniques.

What you'll learn:

- How to use Text to Vector Ai
- How to use Text to Pattern Ai
- How to use Generative Recolor
- When to use the Scissor Tool, Eraser Tool & Knife Tool
- Advanced Shape Builder Uses
- The differences between the Pathfinder Vs Shape Builder
- How to use the Join tool & Joining Path Ends
- Advanced Pen Tool Tricks
- Width Tool Advanced Techniques
- The Curvature Tool
- How to master corners with corner widget effects
- How to work with Compound Paths
- The difference between Expand & Expand Appearance
- How to create Graphic Styles
- How to make Symbols
- How to use the Smooth Tool
- Advanced use of Simplify Path
- What Live Shape Effects are for
- How to make Repeating Grids & Concentric Circles
- How to make Random Objects
- Advanced Keyboard Shortcuts in Illustrator
- How to add a Gradient on a Stroke
- How to add a Gradient in Text
- How to use the Freeform Gradient tool
- How to use Advanced Color Swatches
- How to use Global Color Swatches
- What is the difference between RGB vs CMYK color modes?
- How to proof colors
- How to use Pantone Spot Colors
- Recolor Artwork & Changing all colors at once
- How to use Blending Modes
- How to work with Images & Blending Modes
- How to make Black & White Images
- Learn Advanced Workflow Tricks
- All the Super Selection Mastery
- How to use the History Panel
- Advanced Fonts Tricks & Tips
- Use Retype to know what Font is being used
- How to put Text Inside a Letter or Shape
- How to use the Touch Type Tool
- How to add a Connected Stroke Around Multiple Shapes
- How to Offset a Stroke with Text
- How to make a Bar Chart in Illustrator
- How to make a Pie Chart in Illustrator
- Layer Power Moves
- Advanced Artboard & Pages Tricks
- How to Unlink vs Embedded Images
- How to Crop Images Rather than Mask
- How to Mask Inside Text & Multiple Shapes
- How to you use the Puppet Warp Tool
- How to use the Distort Envelope Shape & Type
- How to use the Envelope Mesh
- How to blend lines together
- How to make a Linocut Effect
- How to make 3D Gradient Lettering Blends
- How to spin text into a ring
- How to turn text into a 3D donut shape
- How to make a Duotone image effect
- How to make a Roughen Stamp Vector Effect
- How to make a Neon Sign Glow Effect
- How to use a Halftone Effect using Plugins
- Advanced Exporting Assets Tricks in Illustrator
- How to use the Dimension Tool

So what're you waiting for? Let's start the course now!
Daniel Scott

Daniel Scott

Founder of Bring Your Own Laptop & Chief Instructor

instructor

I discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.

Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.

Certificates

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Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.

Downloads & Exercise files

Transcript

Hello. It is time to learn the difference between RGB  and CYK in a little bit more depth. Okay? The difference was basically, uh,  digital versus commercial printing. Some of you will know already, some  of you won't be prepared. CYK versus RGB is quite nerdy.

It's important to know though. So let's jump in. Alright, uh, open up the color modes.ai file  from your exercise files. And let's talk about CYK versus IGB. Basically there are two ways of mixing colors. Uh, RGB is used for anything that's used on a screen, okay?

Like you are looking at now your computer screen  that is coming to you, all these colors are coming to you  with a mixture of red, green, and blue. Um, the alternative is CMYK. That's what your physical printer in the real  world uses to print. The difference is that IGB is a bigger color space, mainly  because it has the added benefit of light. Your little electronic screen has the ability  to produce luminance like light shining out of it  so it can enhance colors. It can make these crazy strong pinks and greens down here.

This kind of like nuclear green. You'll know through experience that when you print stuff,  uh, through your printer, if you printed this right now  it would be washed out, right? You'd be like, nah, it doesn't look as cool. It's 'cause in the real world it uh, your bit  of paper does not have light shining out of it  with electrons, okay? It is just a plain old bit of white paper. So there is a compromise in color.

And to get the best colors possible,  they don't use RGB When they're printing they use CMYK,  Siam, magenta, yellow, and black. Okay? So those are the basic differences. When you're working in Illustrator,  you're just gonna be mindful of the purpose of the document. So when I am working on stuff often in my kind  of professional career, everything has dual purpose. It might be printed, but it also will have a lot  of life on um, digital stuff.

So through social media or website, YouTube. So I've gotta take that into account. If you are print only, say you're working at a company  who print, I don't know, magazines or boxes  or packaging, something like that,  you're probably gonna start every document in CMYK. Why would you do that? Because watch this. At the moment, this document is RGB.

How do I know up the top here? Can you see it says color modes. This is an RGB document. Okay? You can switch it  because there's no point working in RGB if you're gonna be  print only because lonely ending disappointment  'cause you'll design this thing, you'll get it signed off  by the client and they'll be like, yeah, I love it. And that'll print off or washed out.

So there's no point starting an IGB if  you're going to print only. So if you are gonna print only,  what you can do is one of two things. When you start a document, go to file, go to new, okay? And when you're starting a document, it doesn't matter  where you click, you can change it under advanced settings. So say you pick your own custom one, we may get a thousand  by a thousand uh points, okay? Down here under advanced options you can say let's  just be CMYK.

It's gonna give you a little warning saying hey,  you picked something that by default an illustrator is set  to RGB and you've changed it to CMYK. Just a little warning that way. Um, it's not gonna break anything, it just is. It's not the default for these kind  of presets they've used here. It doesn't make any difference. Okay?

But let's click create, okay? And up the topic, you see we're in CYK, this one is an IGB. So if I'm gonna print, I'm gonna start this way  and just be very deliberate at the beginning. And when you are maybe new and you're not sure about IGB  and CYK, you just gotta be careful. Like if I go to web, everything in here is going to be IGB. That's the kind of like default for this presets, okay?

But if I gotta print, which is gonna be physically printed  in the real world, watch this letter A four. Can you see down here it's all CMYK. So even if you are like say it's gonna be a PDF  and you're gonna send it to people via email, okay? If you go to a four US letter, okay,  it's gonna default to CMYK. It's never gonna be printed though. So what you might do is use the size here  and you're like, yeah, yeah, I like that size.

Okay, but I want it to be IGB. It's got a warning and say hey, it's not the default  for this print, um, US letter preset, but we're okay  'cause we are professionals, we know what we're doing. We know that this might get printed,  but mostly it's gonna be emailed  so we're just gonna work in IGB  'cause it's a bigger color mode. More colors, more intense colors, alright? The other thing to know about it is you can't round trip it. So let's say you are an IRG B  and you're like okay, this has gotta go to print.

Um, I need it to be CMYK. So I'm gonna go file,  it's gonna be interesting to see what the colors do. So it's go to file, let's go to um, document color mode  and we can go, okay, we're gonna be  CMYK and get ready for the change. Ready looking. You're looking, I'm looking boo wass out. And we know that happens right when we print stuff off,  it just doesn't, it isn't as vibrant, okay?

You're like, okay cool, I'm gonna go back, uh,  file document setup, document color mode  and go to RGB and watch. It won't come back, it'll come back a little bit. Watch it kind of came back. If you can't tell, I'm gonna undo a couple of times  and I'm gonna get the editor  to jump from this one to this one. Go. There you go.

It is quite different, right? So you can't go IG B2C MYK, back to IGB  because even though they're both IGB again it doesn't kind  of like jump back to the original one. It knocks out the colors, it tries to bring it back  so you can't round trip. That's an important point. One last tip or thing I want to mention is, um, printing  CMYK versus IGB. So we've worked out that IGB is digital.

CMYK is physical printers. Um, if I'm sending this to a commercial printer,  so I'm getting this thing printed, uh, I need 10,000 of 'em,  so I'm sending it to my local printer  and they're gonna expect me to send it to them in file. Uh, document color mode, CMYK  and I might have started that way. If it's its only purpose, I'm printing off a flyer. Okay, start CMYK. Might as well work in that color space, know what it is  and the result that I'm gonna get back from the  printer is gonna be the same.

Okay? But now I'm printing it in a different case. I'm printing this Now in this situation at home  or like in an office,  like you've got a big printer down the hallway  that you're connected to, okay? And it's a color printer. Fancy. They actually do better when you send them RGB documents.

You're like, Dan, you just told us CYK is for print. I know early in the days of printing they still use CMYK. Actually my first printer was a DOT metrics. Google that if you haven't heard of one noisy things. But the first color printers just printed CYK  and it then it looked like this came out a where do we go? Document set up.

We went CMYK, it printed like that. So that was fine. You just sent them CMYK. Perfect. New printers though have some special secret  Sauce in their software. Some of them have extra colors.

You might have one of these printers  where it has like a light yellow and a dark yellow  and some other colors like there's like  seven colors in your printer. Um, even if it doesn't, small little home printers, hp,  Epson, whatever they are, they do some weird trickery to try  and attain what, uh, you know, try  and get some of this more RGB style. So if I sent two prints to my printer at home here, okay,  one was RGB and one was CMYK,  the RGB one would look better even though it's still  printing with CMYK,  it's just printers have some magic technology  in them trying. It's hardest to lay down stuff  and mixed colors in a special way where it can try  and achieve RGB some fancy printers, even the home ones  or the home office ones  or commercial ones, they have some special sauce in them  that, um, you know, some extra colors to try  and achieve more RGB like prints. Alright, that was a little bit  waffly, but I hope you get the idea. RGB if you're printing at home or at the office.

But if you're sending it to commercial printer,  they'll won CMW, right? That is it. Uh, I'll see you in the next video.
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