Mixing 4k video with HD video in Premiere Pro

Course contents
SECTION: 3
Weird Stuff I wish I knew when I started with Premiere 16:39
SECTION: 4
Project 2 - Wedding 2:46:34
SECTION: 6
Audio 2:27:17
SECTION: 12
Final Class Project 8:20
SECTION: 13
Shortcuts 33:06

Questions

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Course info

142 lessons / 16 hours 34 quiz questions 10 projects Certificate of achievement

Overview

Hi there, my name is Daniel Walter Scott and I am an Adobe Certified Instructor.

I am here to help you learn Adobe Premiere Pro and to show you the tools you need to become a successful video editor. Premiere Pro is the industry standard used by professional designers to create stunning, high class videos and, after completing this course, you too can become a confident, skillful and efficient creator of stunning videos. 

This course is aimed at people who are completely new to Premiere Pro. 

If you are self taught using Premiere, this course will show you techniques you never dreamed were necessary or possible and will show you efficiencies to help speed up your workflow.

The course covers many topics - all of them on a step-by-step basis. We will use real world video editing examples to work through:
  • An interview
  • A wedding video
  • A short commercial
  • A documentary
  • Social media advertising videos
  • YouTube ‘how to’ videos
  • Talking head footage mixed with screencasts and voiceovers

We will work with text, animation, motion gfx, special effects and we will add music to our video.

We will learn how to do colour correction, colour balancing and also how to create amazing video transitions within our movie. Technical ‘guru’ topics such as HD v 4K, frames per second, exporting work, fixing up bad audio, balancing and synching audio will all become manageable tasks for you. Best of all...I will show you amazing shortcuts and techniques to speed up your workflow.

Throughout the course we will work on mini projects and I will be suggesting assignments which will add value to your portfolio.

Start your Premiere Pro training now and fast track your career as a video editor.

* Please note, you have full permission to transform and upload any work using footage of Daniel as a part of this course. 
Daniel Scott

Daniel Scott

Founder of Bring Your Own Laptop & Chief Instructor

instructor

I discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.

Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.

Certificates

We’re awarding certificates for this course!

Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.

Downloads & Exercise files

Download Exercise Files Download Completed Files

Transcript

Hey there, this video is all about mixing 4K video with HD video. We'll discuss how to scale the small stuff up, and the big stuff down. Before we get started let's close this project, it's getting a little confusing, trying to throw everything into that same project. We're going to make our own new project. So go to 'File', 'New', we'll go to this 'New Project' button, and we're going to call this one 'Tech Info', I'm going to call it 'v1', because I can't think of a better name. 

I'm going to stick mine on my desktop, it's just like a throwaway project, just to kind of show us, you know, to practice a few things. Click 'Choose', click 'OK'. Let's import a couple of files, so just double clicked in the 'Project Window'. We're going to bring in 'Clouds HD' and 'UHD', click 'Import'. Next up, let's create a sequence. We're just going to create a little turned up page here. I'm going to create a kind of a sequence on our own. So we're going to use just a really common HD size, is under 'Digital SLR', and we'll use this one here, the 1080, which is the height, and 25 frames/second. We'll talk about frames/second in a sec. We'll call this one, let's call this one 'Mountains'. This one's going to be the HD version. 

So what happens when I've got this HD size, it's 1080 high, but I want to put in the UHD, or the 4K footage. I drag it onto the Timeline, you get this warning, 'The clip does not match the sequence settings." What do you want to do? You get to decide, "I want to just keep the settings as I've got it," keep it HD, because that's what I want it to be, or you can say, "Actually, yeah I didn't realize they didn't match, I want you to upgrade, and change my sequence, to match this new bit of footage going on to it. It will transform it from being HD to UHD, to match the footage. So you get to decide what you want to do here. 

If you don't get this warning dialog box, it's kind of hard to get it to come up sometimes, find it a little bit-- sometimes it appears and sometimes it doesn't. Let's say, 'Keep Existing Settings', and if you can't find that little warning dialog box, and you want it, it's under 'Premiere Pro', 'Preferences', and in your-- on a PC it's slightly different, it's under 'Edit', and down the bottom here, 'Preferences', then go to this one called 'Timeline'. It used to be in General, just check if they've moved it back, but at the moment it's under 'Timeline', and it's this one here, it says, 'Show Clip Mismatch Warning dialog'. You can turn that back on. So it came in and you're like, "Okay,' great, it skipped HD, and it's put my really big footage on here, and it plays back okay.

I've lowered my quality a little bit, but it's just really massive. So let's go to a view of like 25, if I click on my footage, you'll see that-- actually just double click it in the screen, you can see it's actually a lot bigger than that size. So you want to shrink it down, you got two ways of doing it. Let's zoom in on our footage here. The two ways are in the same place, you right click your footage and you have Scaled Frame Size and Set to Frame Size, they do a very similar job, but basically--

I'll explain the difference, but you want to do Set to Frame Size all the time, pretty much.Think you're all Set, we're set, This is best as I could do, but Set is good, Scale is bad. Basically if I do Scale, or I do Set, they look like they're doing the same job. Scaling down actually lowers the quality of the footage. So if you ever have to like lift it up again later on, it will actually be quite pixelized. So this is kind of like scaling it down, but also pulling the resolution out of it. If we look at the Effects Controls, under 'Motion', you can see the Scale-- So I'll undo it, so I right click, and if I do 'Scale, Scale is bad because, it's left the scale at 100, and just kind of like ripped out a lot of the quality. 

So now if I try and scale that up to like 110-- 200%, it's actually pixelizing it, and kind of like making it not as good as it was. So if I do the same one, but I use-- we're all Set with Frame Size, here we go, it's scaled at 50%, and I can come back up, and it's still got all that good quality in there. So you're all set with Set to kind of resize it down. Let's go back up to 50, there we go. It works the same way the other way around. 

So let's go to our Project Window and let's do a 4K version. To make a 4K version, if you want to make one by itself, without using the footage to get started, you can go into 'New 'Sequence', and there's not a lot-- I feel like Adobe, probably, in the future, are going to have a nice HD or 4K kind of drop-down. At the moment, probably the easiest one is under your red camera. They've got a 4K little sequence here, a bunch of different kinds of 4K, but let's click on this one here, 25 frames/sec. You can see, this is the wrong one. 

So it's the-- it's too too wide for us, we want fake 4K, which is HD 4K. Even a different word for it, it's the same thing. Let's have a look at this one. You can see here, it's the proper width, 3840. So let's click 'OK' in that one. You can give it a name here before we go out. So this one's going to be 'Mountains', this one is going to be '4K'. If we add our HD footage - we're going to drag it and add it, - it's going to say, "What would you like to do?" I'm going to say, "I want it to keep 4K, please, just keep the existing settings", and what I'd like to do is, the same thing, right click it, and blow it up. 

Remember, you're all Set with Frame Size, and that's going to be the best way of doing it. It doesn't really matter as much when you're scaling it up. Know that it's going to kind of be 4K. We've scaled it up, but obviously the quality is not there. It's going to try and stretch it bigger, so if you're combining two, so let's say we've got this actual 4K footage, that fits in there nicely, playback is a little slow because it's so big. So I'm going to lower my quality down, but this one here, is actual 4K, and this one here is just blown up to 4K. So you, yeah, you match the two, you got to decide whether you want to bring the lower quality stuff up, to match 4K, or do you want to lower the 4K stuff down, to be the exact same as the HD stuff 

All right, that's enough of that 'nerd'ery. 4K, UHD, HD, matching it, it's going to be it for the moment. Let's get on to the next video.
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