Working with the Parkour footage in Premiere Pro

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Course contents
SECTION: 3
Weird Stuff I wish I knew when I started with Premiere 16:39
SECTION: 4
Project 2 - Wedding 2:46:34
SECTION: 6
Audio 2:27:17
SECTION: 12
Final Class Project 8:20
SECTION: 13
Shortcuts 33:06

Questions

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Course info

142 lessons / 16 hours 34 quiz questions 10 projects Certificate of achievement

Overview

Hi there, my name is Daniel Walter Scott and I am an Adobe Certified Instructor.

I am here to help you learn Adobe Premiere Pro and to show you the tools you need to become a successful video editor. Premiere Pro is the industry standard used by professional designers to create stunning, high class videos and, after completing this course, you too can become a confident, skillful and efficient creator of stunning videos. 

This course is aimed at people who are completely new to Premiere Pro. 

If you are self taught using Premiere, this course will show you techniques you never dreamed were necessary or possible and will show you efficiencies to help speed up your workflow.

The course covers many topics - all of them on a step-by-step basis. We will use real world video editing examples to work through:
  • An interview
  • A wedding video
  • A short commercial
  • A documentary
  • Social media advertising videos
  • YouTube ‘how to’ videos
  • Talking head footage mixed with screencasts and voiceovers

We will work with text, animation, motion gfx, special effects and we will add music to our video.

We will learn how to do colour correction, colour balancing and also how to create amazing video transitions within our movie. Technical ‘guru’ topics such as HD v 4K, frames per second, exporting work, fixing up bad audio, balancing and synching audio will all become manageable tasks for you. Best of all...I will show you amazing shortcuts and techniques to speed up your workflow.

Throughout the course we will work on mini projects and I will be suggesting assignments which will add value to your portfolio.

Start your Premiere Pro training now and fast track your career as a video editor.

* Please note, you have full permission to transform and upload any work using footage of Daniel as a part of this course. 
Daniel Scott

Daniel Scott

Founder of Bring Your Own Laptop & Chief Instructor

instructor

I discovered the world of design as an art student when I stumbled upon a lab full of green & blue iMac G3’s. My initial curiosity around using the computer to create ‘art’ developed into a full-blown passion, eventually leading me to become a digital designer and founder of Bring Your Own Laptop.

Sharing and teaching are a huge part of who I am. As a certified Adobe instructor, I've had the honor of winning multiple Adobe teaching awards at their annual MAX conference. I see Bring Your Own Laptop as the supportive community I wished for when I was first starting out and intimidated by design. Through teaching, I hope to bring others along for the ride and empower my students to bring their stories, labors of love, and art into the world.
True to my Kiwi roots, I've lived in many places, and currently, I reside in Ireland with my wife and kids.

Certificates

We’re awarding certificates for this course!

Check out the How to earn your certificate video for instructions on how to earn yours and click the available certificate levels below for more information.

Downloads & Exercise files

Download Exercise Files

Transcript

Hi everyone, in this video we are going to discuss a couple of terms. One is called logging, rough cuts and final cuts. Logging is the important one here. It's kind of how we get our footage from the production process, and I'll show you a few examples just to give you a little bit of a mild experience with it before we start our project. 

So we talked about the terms pre-production, production, and post-production, right? So we're okay with that. Let's talk about post-production, because that's what we're doing. That can be broken into a couple of little spots. There are lots of variants of this, but the main ones are, you can do some logging at the beginning, then you do a rough cut, which we've done a bit of already, and then there's a final cut, where everything gets tidied up for final production. 

Probably the weird term is logging. Logging is just the process of-- happens directly after the production day, or generally at production day, but basically it's, you've walked around with cameras and sound equipment, and you've recorded everything, and now you've got a bunch of files that have terrible names, and no sort of structure to them. We've talked about it before, but the official name is Logging. Let's have a little look at what I mean. 

So in the 'Exercise Files' that we're going to be using in this course, it's under 'Project 5', under 'Footage'. Basically I've just cut out the bits that we've got from Edit Stock, that we can use in this course, but the full-- I'll show you the full package. This is what comes from the production process, and what comes downloaded from Edit Stock. So in 'Footage'-- now remember this is different for-- it really depends on what you're filming, who's filming it. There'll be a different way of structuring it, but they've structured it for indoor, outdoor, and in here they've structured it for different cameras. 

So there were two people videoing, or one cameraman with two different cameras, and they've just recorded it this way. So there is a 1Dxii, which is a fancy enough camera, and a 7D; basically the 7D is the kind of level that I'm at. There seems to be this, like intro to DSLR video cameras, then there's the next level up and then it goes higher. So this is kind of like an $800 range, that's the camera that I use. Then you jump up to about three grand, and then you kind of jump up further, these are all Canon cameras. Seems to go sub-1000, about the 3000-5000 mark, and then it goes kind of like 10 Grand plus, once you get into proper commercial video cameras, but anyway that's how they've broken this footage up. 

The outdoor stuff was done on a 1DX, this is done on a Hero camera, one of those kind of ones you-- sports cameras, that you strap to things. It's interesting, the way that they've done it, and obviously in this we're going to be doing a small part of it. If you do want to get all of this to do a nice big edit, you can get the footage from Edit Stock. This one here is called, what is it called? It's called Bos Parkour. So that's the one you could potentially get, if you want to go further with this project and use it for your portfolio. Remove all the watermarks, but you don't have to for this course. Let's have a look at a couple of the other ones. Donut, Donut Dynamite, Madame Donut, we looked at her earlier. This one's broken into kind of parts, part 1, 2, and 3. I think they came back on different days to record it. They've got some behind the scenes, they've got B-Roll. 

Now B-roll is just a-- let's have a look a little bit of the B-Roll. We're going to talk about it later on, but it's the stuff that isn't, like the main interview, lots of small kind of shots, little tight things to kind of help tell the story but not the main interview. The main interview I think is in here. I love that. Basically they've come down-- they've broken it into three parts at least. The main interview and everything else in this is a bunch of B-Roll. On obviously different days they might have been recording, and they've obviously set up this one, where they've recorded a bunch of stuff. Eggs. 

That's how this was delivered, let's have a look at one more, that Jacuzzi one. So the Jacuzzi one is set up in case scenes. This one was a little bit different, this was a short film. So this was shot in-- so '00' were the different scenes. So scene 2, you can see, scene 2/1. Same thing, these were all broken into the different scenes that were shot. This obviously is a lot easier to work with in this particular setting, because there is obviously a script, and they match these things to it. I guess I just wanted to show you, like what logging looks like, and the process of logging is basically, you'll have a bunch of cameras with a bunch of SD cards in it, and you need to kind of get them off and start labeling them up, so you can edit them later. 

Now this is lovely, named Awesome Stuff. Great names, that's not such great names but it works, but you're not going to get footage that says-- that has all the lovely keywords in it. You're probably going to be working on your own stuff, potentially, and it's just going to be '_2_1'. You might even just have one giant file that you have to work through. So you might skip the logging, dump it straight into Premiere Pro and start working, but obviously there's going to be times, where you need to chop things up to work with. So you might spend a bit of time before you start editing, doing some logging, adding some good names, putting it into categories so that you can work on it later. 

It's really important to do it straight afterwards, rather than waiting till the end of the year. I did a big motocross kind of video, and I just dumped it all into a folder, and I'm like, "I'll work it out by the dates later on," and that doesn't work. Just need to take a little time after every shoot, just to give it some labels, put it in some folders, so that you're aware of it all, rather than having to re-watch every single thing to know what is in there, and then to come back to it months later, and still have to re-watch it all again. 

Geez. Anyway, logging has been done for us. We're going to now start importing and doing our rough cut. Let's do that in the next video.
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